Philip Sallon
Rising from the nihilistic ashes of the punk movement in the late 1970s, a fresh crowd of flamboyant fashionistas, who would later be christened the New Romantics, began to materialise on the streets of London. An elaborately styled, gender non-conforming response to the anarchist anti-fashion that preceded it, the New Romantics came dressed to the nines, be it for a night out on the town or just to pop down to the local shops. While so often remembered as a fleeting pop-cultural phenomenon, this invigorating documentary firmly positions the New Romantics as a multidisciplinary art movement, encompassing fashion, performance, music and film. Alongside this cultural re-contextualisation, director Kevin Hegge shines a long-overdue spotlight on some of the movement’s lesser-known pioneers (step aside Spandau Ballet), while proudly centring the LGBTQIA+ stories that are so often erased from history.
In November 2014 the Iconic club Madame Jojos closed its doors. This event being interpreted by many as the death knell of Soho.The gentrification of Soho affects the LGBT community and its Drag Queen sub-culture, but the cabaret atmosphere of the entire neighborhood in enormous ways. This active pursuit to destroy a bubbling and vibrant part of the city's heart is viewed by many as an atrocity akin to turning the lights off on Broadway. Over 3rd of London's music venues have been closed in recent years and no one noticed. An active movement to bring a halt to this disaster has begun to unfold with one organization after another emerging to fight for Soho. Organizations made up of citizens and celebrities have sprung up to combat this onslaught. Will they win this battle and save Soho?
