Philippe Bruneau

French filmmaker Eric Lartigau directs the anarchic buddy comedy Bullit and Riper, originally released as Mais qui a tue Pamela Rose? French comedic television stars Kad Merad and Olivier Barroux are both the protagonists and the screenwriters. As a parody of Hollywood cop films, the story is set somewhere in the American Midwest as fabricated by the French. After losing his regular partner, FBI agent Richard Bullit (Merad) gets assigned to the book-learned cop Riper (Barroux) to investigate the death of a stripper. American movie stereotypes abound, such as shock jock Phil Canon (Gérard Darmon) and sheriff Steve Marley (Jean-Paul Rouve).

Stephen, an international trader, tracks down his ex-wife Patricia in some Amazonian backwater. He needs her consent to a divorce so that he can marry Charlotte. Unfortunately, he discovers a son he didn’t know he had – Mimi-Siku. The young jungle boy yearns to see Paris so Stephen reluctantly agrees to take him back home with him for a few days. How will Mimi-Siku react to life in the great metropolis?

This series of sketches introduces doctor Apfelglück and four of his patients... and their rather peculiar and disturbing problems.

La reine de France meurt en couche. Elle met au monde un petite fille prénommée Blanche-neige. Le roi deçu de n'avoir pas un fils est résolu à faire disparaître sa progéniture mais c'est sans compter sur la protection de nombreux personnages de la littérature enfantine : les fées, Tarzan, Robin des Bois ou d'autres encore...

Whilst driving through rural France, Antoine Bonfils comes across a community of babas - men and women who have turned their back on the modern commercialist world and live, free of constraints, as close to nature as they can. After a tiff with his girlfriend, he decides to swap his comfortable but empty life in Paris for a new life with the babas. Adapting to the new life-style proves to be far from easy...

A couple abducts an "angel" for their entertainment, who will escape with the help of an old man.

This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.