Pierre Epstein
Ronah's life unravels when she starts working with a new client, Johnny.
John Gage offers a down-on-his-luck yuppie husband $1 million for the opportunity to spend the night with the man's wife.
Randy Quaid as the taxi driver drives Zen parables (Is time money - Is time the root of all evil?) into his passenger/protegee in a high-speed, idiosyncratic tour of their city's ethnic coteries. All the boy wants is to dispose of his date's dead dog Jasper and get back to the babe who's so hot she mutters darkly about being a Pressure Cooker: his conventional efforts are continually thwarted. Quaid is respected by the peculiar groups he interests in the dog's corpse and effects, and our one-gloved heroine is much keener on him than on her rather lackluster date.
A psychotic young man returns to his old neighborhood after release from prison. He seeks out the woman he previously tried to rape and the man who protected her, with twisted ideas of love for her and hate for him.
Aging New York cabbie Flanagan still has hopes of making it as a stage actor. He can recite any Shakespeare sonnet and is facile with accents, but he can't land an agent or a job. During the course of one summing-it-all-up day, he drives his cab around the city dealing with fare evaders, an insolent stage manager determined to keep him from auditioning for his choice director, his estranged wife who has a new lover, his mistress who seems awfully close to her "drawing teacher", and two teenage sons whose bright visions of the future don't seem to include jobs. If he can only cope with all the annoyances of this day, maybe he can deal with the limitations in his abilities and his future.
