Pierre-Félix Gravière
Italian jeweller Matteo Belmonte and his wife Christine are robbed for the third time in the space of a few months. With Christine in danger, Matteo fires two shots. The robber Rufin dies at the feet of Romy, the couple's daughter. Self-defense or not, Matteo has to learn how to survive after killing a man in front of his traumatised family.
Separated at the birth of his mother who has only time to entrust to a member of his family, Guillaume de Villon, when he should have been killed, François will as well go to the ill-known taverns of the Latin Quarter that the Court of the Duke of Orleans, passing by the benches of the university. This marvelous poet at the same time as a scoundrel of morality will have a life where fights, robberies, imprisonments and final banishment will be linked. Leaving Paris, Villon will disappear.
At the start, Christine Blanc is a temp, her boyfriend has gone. Near the story's end, she's been offered a steady job, she has a fiancé, other men seem interested in her, she's passed her driving test, and, after she wins 1000 Euros in a scratch-off, her colleagues sing that she's a jolly good fellow ("one of us"). But something's askew: her gaze is too direct, her eyes open too widely; conversational gambits hit odd notes; she parrots others' words; she cooks too much food when she invites a supervisor to dinner. When the supervisor takes Christine on a spontaneous outing that disorients her, her oddities become something else. Can things ever be normal?
