Pierre Gamet
The story of a famous old sculptor, weary of life and the folly of men, who finds, thanks to the arrival of a Spanish girl escaped from a refugee camp, the desire to return to work and sculpt your final work in occupied France in 1943. Model and artist, as they work, speak with simplicity and closeness to everything around them: The life and death, the injustice of the war, youth and old age, the search for beauty in times of horror, the sense and the need for art ...
Despite a traumatic event, a group of friends decide to go ahead with their annual beach vacation. Their relationships, convictions, sense of guilt and friendship are sorely tested. They are finally forced to own up to the little white lies they've been telling each other.
When Camille falls ill, she is forced to live with Philibert and Franck.
This lengthy domestic exclusive explores the filmmakers' adaptation of the original novel, changes made to the cinematic version, casting, the production itself, and director Guillaume Canet's efforts and work. It's a candid, well-conceived documentary that kept me entertained and engaged throughout. Harlan Coben, the author of Tell No One, talks about the film adaptation and how actor-director Guillaume Canet approached it. Later on, the director also shares his thoughts on the film while we see plenty of raw footage from the shooting process. Also, there is footage from Studio Labo M2 where the film's soundtrack was recorded. Finally, there are plenty of scattered comments from the cast addressing the film production.
Onoff is a famous writer, now a recluse. The Inspector is suspicious when Onoff is brought into the station one night, disoriented and suffering a kind of amnesia. In an isolated, rural police station, the Inspector tries to establish the events surrounding a killing, to reach a startling resolution.
Urban horticulturalist Brontë Mitchell has her eye on a gorgeous apartment, but the building's board will rent it only to a married couple. Georges Fauré, a waiter from France whose visa is expiring, needs to marry an American woman to stay in the country. Their marriage of convenience turns into a burden when they must live together to allay the suspicions of the immigration service, as the polar opposites grate on each other's nerves.
In a rural French village, an old man and his only remaining relative cast their covetous eyes on an adjoining vacant property. They need its spring water for growing their flowers, and are dismayed to hear that the man who has inherited it is moving in. They block up the spring and watch as their new neighbour tries to keep his crops watered from wells far afield through the hot summer. Though they see his desperate efforts are breaking his health and his wife and daughter's hearts, they think only of getting the water.
Emile Chenal and his wife, Françoise, leaned on boxing manager Jim Fox Warner to cough up the considerable sum of money that he owes them, with both the police and the mob circling the situation. In the same hotel, Inspector Neveu looks into a murder that took place years before, and his storyline overlaps with the arc of the Chenals.
Claude Massoulier is murdered while hunting at the same place as Julien Vercel, an estate agent who knew him and whose fingerprints are found on Massoulier's car. As the police discover that Marie-Christine Vercel, Julien's wife, was Massoulier's mistress, Julien is the prime suspect. But his secretary, Barbara Becker, while not quite convinced he is innocent, defends him and leads her private investigations.
The life of workers and their families in a construction site of a highway in 1965.
Boy meets girl. Matias meets Violeta, his cousin ("prima") one morning in Madrid at the Plaza de Opera. He is twenty-five. She is 18. He's a divorced journalist trying to write a thriller. She studies violin. She's a vegetarian. He loves meat. Many things separate them, but he moves into her apartment.
Sophie Tatischeff's short film set in the small town of Sainte-Sévère-sur-Indre, three decades after its use in her father's film 'Jour de Fête'. The conversation from a typical village bar is transplanted to a patisserie with particularly tempting tartlets: 'No reason for us not to have another' says one habitué; 'no more for me thanks,' says another. 'A shortbread at this time of day?' asks the woman behind the counter.
The internationally produced The Lacemaker (La Dentelliere) stars Isabelle Huppert as Pomme, a meek and mild French beautician whose life takes a fateful turn during a vacation to Normandy. Here Huppert becomes the lover of middle-class literature-student Francois (Yves Beneyton). The relationship sours when Francois takes her home to meet his parents, thanks in no small part to their differing social backgrounds. The Lacemaker was the film that solidified the stardom of Isabelle Huppert; she was showered with awards, most notably the British Film Academy.
Based on documents compiled by leading French philosopher Michel Foucault, this unique and original film charts the gruesome events which took place in a Normandy village in 1835, when a young man, Pierre Rivière, murdered his mother, sister and brother before fleeing to the countryside. With a cast made up of real-life villagers from the area where the events took place, the detailed re-enactments and careful attention to the gestures of their ancestors serve to create an intense and sometimes disturbing atmosphere of hyper-realism. Details of the crime and of the trial that followed are told from varied perspectives, including the written confession of Pierre himself, and form a rich and complex narrative that interrogates the concepts of “truth” and “history”.
Paul is married, a successful engineer, and a conservative candidate in an upcoming local election. He falls in love with Adriana, a café waitress from Italy. Paul's party is very critical of foreign labour and wants to keep Switzerland to the Swiss. Where Paul falls deeper and deeper into the relationship and is ready to leave his wife, Adriana feels the social pressure growing and has to make her own decision.
