Plamena Getova

the group of tourists go to the black see in Bulgaria. Really funny stuff happens all the time which is the ordinary state of the people's behavior in this local place. they get stranded in an Island near the see and start to get paranoid, also in the same time the mayor is drinking and is not sending a rescue party . they think that they will end up dead in the island, but what happens next? - Really funny things all the time.

6.9/10

In a small provincial town, the only traffic light is stuck on red. An intercity bus driver refuses to continue until the light turns green. This provokes a series of misunderstandings with the nervous passengers and the local law enforcement, in a world where following the rules is a misunderstanding in itself.

7.6/10

It's 1980. Malin is fatherless, angry, and in trouble. At 20, he's spent a year in jail for assaulting a lover of Lily, his mother. In her desk he finds a soldier's photograph and assumes he's found his father. He confronts the man, now a teacher, and gets nowhere. At home again, he mocks his mother. Finally, she tells him her grim story, from the year before his birth. We see a people's court, where Lily's parents seek justice for their grandchild to be. We follow Lily to a prison camp, to the city where she's told to inform on the only person who's been kind, to an asylum, and finally to her current poverty and loneliness. How will Malin respond to these revelations?

7/10

In the busy everyday life of an emancipated and seemingly content woman, a "crisis of awareness" occurs from a random incident.

Gynecology clinic in Sofia, Bulgaria. On one of the floors several women are waiting for their turn to get an abortion. And on the other floor, four older women struggle to preserve the life they carry. Toni must decide whether to give birth to a child who will not have a father.

7.4/10

The title of the film is taken from the popular Bulgarian song. This is a film about the life of a common Bulgarian worker. The action focuses on his family, his relatives, and his friends.

7.5/10

Two orphans, a 18-year-old prostitute and her long-lost brother, go to the capital to start a new life. They fall into the hands of morality police inspector Meranzov - a cynic who knows all about the insignificance of human nature.

7.5/10

Night time Sofia in the middle of the 80s. Bus 108 is doing its final route towards the Lyulin neighbourhood. A short altrecation between the passengers finishes with the death of one of them. While investigating the cruel crime the detectives from the militia face people's indifference.

7.8/10

A social and psychological study of contemporary problems.

7.8/10

Bizarre events happen in an isolated village.

7.1/10

A young actress in a country town is almost smashed under the burden of the wear and tear of life. She has problems with her parents, she is not happy with her love affairs, she faces hypocrisy and cynicism in the society all the way. She copes with all the hardships with dignity, she is devoted to her work, she manages to preserve her mentality. But the most difficult thing is in store: she has to experience the true faith in what she is doing - the faith of the fire-dancers, who walk barefooted on glowing embers.

7.1/10

Phillip is married to Rositza but has a kid from Marta. Rositza adopts the kid, but she could not keep neither it nor her husband. Phillip takes the kid and moves to the attic where Marta lives. Rositza comes to pick up the kid, since she wants to take care of it. In the quarrel for the kid, get involved the proprietor of the attic Venera and her nephew Svetlozar. Soon everyone starts to unravel his or her own live experiences. The kid does not make a noise in the other room just to show that everyone has forgotten about him. No one from the characters has seen his or her faults. In order for them to avoid their vulnerability, they have a behavior style, which is not part of their human nature. They have lost their essence.

4.8/10

Advantage (Bulgarian: Авантаж, translit. Avantazh) is a 1977 Bulgarian drama film directed by Georgi Djulgerov. It was entered into the 28th Berlin International Film Festival, where Djulgerov won the Silver Bear for Best Director.

7.2/10