Pushpendra Singh
Trapped between her cowardly husband and regular harassment by a local authority, Laila, a gypsy tribal girl, decides to break out of her old identity and chart a new path.
Moti Khan, a musically gifted child from the lower caste Muslim Manganiyars of the Thar Desert, is forced to sing and play music for their ancestral patrons in order to survive, even though he finds it humiliating. Sattar, his father, wants Moti to study and make a career outside music. But Moti aspires to be a successful singer so that he is treated respectfully. He leaves his village behind and sets out on a journey to discover his music.
On holiday from boarding school, young Ishvaku is fascinated by the bedtime story his mother relates to him—that of the warrior Ashwatthama, from the Mahabharata, whose blind vengeance provokes a curse from Lord Krishna, forcing him to wander the earth in eternal suffering. But the story is interrupted by a bandit raid in which Ishvaku’s mother is killed, and Ishvaku is packed off to his ancestral village in the Chambal Valley ravines of Central India. There he discovers a family in crisis, whose rituals, traditions and orthodox feudal values are becoming redundant. Meanwhile, Ishvaku’s own life take a strange turn, as a visiting sacred bull predicts that both wisdom and tragedy will soon come to him. In anticipation of such tragedy, Ishvaku attempts to escape into the magical realm of Ashwatthama
The film is set in a modern day 'Berlin Republic' liberated from all irrelevancies. It's about artistic production, the creative industries and above all film and cinema - a political manifesto in feature film format. It centres on Asta, tough, hardened by theory and immaculately styled right down to the emblems on her leather jacket, with current art scene jargon flowing elegantly from her lips.
Three different stories set in India of men struggling to understand their relationships with women.
