Raaj Kumar
Vijay, a vigilante, teams up with political candidate Saheb Bahadur Rathore to bring down Satya Singh, a corrupt politician, and fight against the system.
A story of two best friends who love to help the needy, and when a group comes under threat of losing their homes, it's up to Balbir & Anwar to stop the injustice.
Two childhood friends have become bitter enemies. So much so, in fact, that they have divided their territories and sworn to kill anyone who crosses the boundary. Against this backdrop, their grandchildren fall in love and when their romance surfaces, the rivalry between is rekindled. The two young lovers are told never to see each other again, on pain of death ... when they get together, it's too late for their grand family ..
A police inspector and a London returned crime journalist, amongst others, are baffled by a modern day Robin Hood, who robs the rich and distributes the wealth amongst the poor and needy.
Rehmat Khan (Raaj Kumar) is the wise leader of a tribe of frontiersmen. After the malevolent leader of a neighboring tribe (Amrish Puri) kidnaps the beautiful Shama (Hema Malini), the woman escapes and seeks refuge in Khan's camp. When Khan falls for her, their love threatens to spark a bloody tribal war in this drama from Prakash Mehra. The Kalyanji-Anandji soundtrack features "Allah Kare Maula Kare" and "Bahut Kat Chuka Hai."
Anand Kumar is a honest middle-class man, who lives with his sister, Geeta. When Geeta goes missing, Anand at first contacts the police. When the police are unable to locate her, he decides to take the task upon himself, and travels to Bombay city. Upon arrival, he meets with a cabaret dancer named Roma, and both get friendly. What Anand does not know that he and Roma are mere pawns in a deadly web of deceit and lies, which can only lead to their deaths.
Muqaddar ka Faisla, is the story of Pandit Krishna Kant. A poor, but extremely honest, upright, God-fearing man, who refuses to compromise on his principles.
Life changes for an honest police officer (Raaj Kumar) who's spent his career fighting crime on the right side of the law when he becomes a criminal himself. But is he really a "bad guy" if he's waging a personal war against injustice? Om Puri, Aruna Irani, Govinda, Farha Naaz, Shakti Kapoor, Kulbhushan Kharbanda, Alok Nath, Paresh Rawal and Ashalata co-star in this ensemble Bollywood drama.
The local King has surrounded himself with enemies, which include his own trusted men: Bhavani Singh, and Ranjeet, who plot to overthrow him, in vain, as the King's loyal employee, Samadh ...
Ek Nai Paheli is a 1984 Hindi-language Indian feature film directed by K. Balachander, starring Kamal Haasan, Raaj Kumar, Hema Malini, Padmini Kohlapure and Suresh Oberoi. Ek Nai Paheli is an emotional family drama on unusual relationship. The movie is a remake of the Tamil classic Apoorva Raagangal directed by K. Balachander, incidentally called the shots for Hindi version too. Upendranath, a widower lives a wealthy life and his only son, Sandeep is a headstrong and stubborn young man. He leaves his dad's house to make his own life. He meets a beautiful older woman Bhairavi who is a singer. Both Bhairavi and Sandeep fall in love with each other and decide to marry, but a man, Avinash now arrives and claims as the husband of Bhairavi, moreover he meets Sandeep as well and tells his story. He also speak about their daughter, Kajri. Climax reveals that, Kajri lives with the much older Upendranath and plan to marry as well. What would be the fate of Bhairavi, Sandeep and Avinash??
When Bhavani (Raaj Kumar) kidnaps the son of Harnam (Satyen Kappu), he expects to collect his ransom and be on his merry way. But when the boy ends up dead, a curse is placed on Bhavani and his family. Soon, devastating floods separate Bhavani from his children, and bereft, he turns himself in to the authorities. Years later, he returns to the village, not knowing that his sons have turned to crime and his daughter has been adopted by Harnam.
The setting is in scenic Simla, summer capital of the British Raj in the 1970's. Chandramukhi from Bombay is on holiday with her parents and so is Naresh, a US educated medical professional with his parents. Chandramukhi and Naresh show interest in each other, encouraged by their parents. Choudhary Janak Singh, an important and wealthy man lives with his lawyer daughter Karuna in a lovely colonial period mansion. Their house-guest Mohan, a lawyer from Chandigarh is a protege of Janak Singh. Karuna and Mohan develop a romantic interest. The story of Paro and Madho, who lived in pre-independence India comes to affect the present.
Raja Kumar Bahadur alias Gyan Shankar Rai has been a total abstainer all his life, never touching a drop of alcohol, and keeping away from women and all known vices all his life. Then one day he sees a young woman named Saudamani, and instantly falls in love with her. He finds out about her background, and virtually buys her, and brings her to his palatial home. This is when he takes to drinking, and wooing her, and renaming her Madhuri, but refrains from marrying her. Years later, he sees another beautiful woman, about half his age, named Sumita, meets with her parents, pays off their debts, and marries her in the bargain.
Akhtar Hussain saves the life of Nawab Salim, and earns his gratitude. Salim invites Akhtar to come to his palatial home, and Akhtar does so. On the way, he meets beautiful Saltanat, and falls in love with her. On arrival at Salim's house, Akhtar is treated with utmost respect, provided employment, and a place to live. Akhtar meets with Saltanat and both plan to get married. Unknown to them, Salim also loves Saltanat, but Saltanat rejects his advances, and proposal, leaving his heartbroken. Soon Saltanat and Akhtar get married and settle down. Saltanat soon gives birth to a son. Salim is very affectionate with this child, and the child too grows to like Salim. Akhtar, meanwhile, has fallen in bad company, drinks alcohol, and romances a courtesan.
A newly married woman begins to sleepwalk, and her husband suspects she is inadvertently connecting with a lover from a past life.
The film is a social drama, with its plot around university professor Dr. Kumar (Ashok Kumar), who lives with his wife Padma (Bhanumati), his drunkard son Jyoti (Raaj Kumar), outgoing daughter Chitra (Tanuja) and his friend's daughter Rekha (Mala Sinha). Dr. Kumar and his wife have a different outlook towards life, with him preferring books and philosophy, while his wife Padma prefers social gatherings and society clubs. Padma never considered Jyoti her son, who works as a mill designer, a profession she considers too poor to acknowledge. Chitra is encouraged by her mother to mingle freely in high society, much to the disappointment of her worried father.
The Munim (Clerk) in Ranimaa's family lives with his son, Kaushal and daughter, Madhavi. After he passes away, Ranimaa brings up both children as her own, along with her only son, Rajesh. Years later, Rajesh has grown up and is of marriageable age. He meets with beautiful Bhanu Saxena and both fall in love with each other. Shortly thereafter, in a boating accident, Kaushal passes away, leaving behind a devastated Madhavi, Rajesh, who blames himself for his death, and Ranimaa. A few months later, Rajesh gets married to Bhanu and she moves in with them. Bhanu dislikes Madhavi and would like her out of the way, she goes to the extent of accusing her of having an affair with her husband.
Oonche Log (Hindi: ऊँचे लोग, lit. High Society People) was a 1965 Hindi film directed by Phani Majumdar. It was based on play Major Chandrakant by noted Tamil film director-screenwriter, K. Balachander. The main character roles of this film were played by Ashok Kumar, Raaj Kumar and Feroz Khan. Its lyrics were composed by Majrooh Sultanpuri and the music was given by Chitragupta. The film was shot at Vauhini Studios, Chennai, was also noted as first big hit of newcomer Feroz Khan, who was noted for his sensitive performance against veterans like Raaj Kumar and Ashok Kumar. At the 13th National Film Awards it won the award for Second Best Feature Film in Hindi. It was later remade by K. Balachander himself as Major Chandrakanth (1966), starring J. Jayalalitha and Muthuraman.
Dr. Dharmesh (Rajendra Kumar) and Sita (Meena Kumari) are in love, and hope to marry on Dharmesh's return from abroad. When Dharmesh returns, he is devastated to find that Sita has married someone else. He then decides to devote the rest of his life at a cancer clinic. One of his patients is Ram (Raaj Kumar), who is critically ill, and has to be operated upon. Things progress well, until Dharmesh meets Ram's wife - none other than Sita. Dharmesh now has to battle with his conscience, and his medical ethics to save Ram or to let him pass away, so that he can marry Sita.
Melodrama about an extended family in Bengal. Baikunth Majumdar, who has a son by previous marriage, remarries. His new wife Bhawani raises her stepson Gokul along with her son Vinod.
A rich girl marries a doctor. Differences crop up between the two and starts to snowball wherein she returns to her father's house. Months later she returns only to find he is in love with a nurse.
Widowed Mrs. Lal lives with her two sons, Ram and Ratan; an unmarried daughter, Sheela; Ram's wife, Parvati and her children. While Ram is employed in a mill, Ratan is studying engineering in Calcutta. When Ratan returns, he is offered a job at the same mill, falls in love with a Typist named Manju, much to chagrin of Malti, the daughter of the mill-owner, Sewakram. When Ratan finds out that Sewakram has been defrauding the employees, he decides to form a union, a move that is opposed by Ram, who is very devoted and loyal to Sewakram.
A fair-minded emperor improves and introduces new laws, but ends up facing challenges when his son violates them.
In this melodrama, a poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.
