Rachel Gurney
Eustace and Dorrie Edgehill have decided to leave Samola, a British protectorate in the Pacific. After the failure of his latest harebrained scheme, no one is likely to give Eustace a job now. Or are they?
Upstairs: the wealthy, aristocratic Bellamys. Downstairs: their loyal and lively servants. For nearly 30 years, they share a fashionable townhouse at 165 Eaton Place in London’s posh Belgravia neighborhood, surviving social change, political upheaval, scandals, and the horrors of the First World War.
Colonel Stok, a Soviet intelligence officer responsible for security at the Berlin Wall, appears to want to defect but the evidence is contradictory. Stok wants the British to handle his defection and asks for one of their agents, Harry Palmer, to smuggle him out of East Germany.
Compact was a British television soap opera shown by the BBC between 1962 and 1965. The series was created by Hazel Adair and Peter Ling, who together went on to devise Crossroads. In contrast to the kitchen sink realism of Coronation Street, Compact was a distinctly middle-class serial, set in the more "sophisticated" arena of magazine publishing. An early "avarice" soap, it took the viewer into the business workplace, and aligned the professional lives of the characters with more personal storylines. The show was scheduled for broadcast on Tuesdays and Thursdays, thus avoiding a clash with ITV's Coronation Street on Mondays and Wednesdays. When Compact began, the editor was a woman, Joanne Minster, yet it was not long before she was replaced by Ian Harmon, the son of the magazine's owner. Despite being largely criticised by reviewers, Compact was popular with the general public, and in 1964 a regular omnibus edition was introduced, broadcast on Sundays. Morris Barry, a some-time actor and BBC director – he directed several Doctor Who stories in the 1960s – took over as producer and was given a brief to spice the series up in view of the criticism it had received from the national press. But the BBC, never comfortable with the concept of soap opera, quietly dropped the series in 1965.
After falling in love with an American woman, Virginia Killain, who is engaged to another man, British Naval Commander Max Easton, hatches a plan that will get him enough money to support Virginia in the lifestyle she is accustomed to. Easton's plan is to disappear for a time making it seem that he has defected to the Soviets taking important Naval secrets from his job at the Admiralty and to return and sue the newspapers for slander. Not everything goes as planned for Commander Easton.
An army veteran with a shattered leg returns to his home in Port Afrique after war only to find his wife has been murdered. He's determined to find the killer, even if it means uncovering family secrets he never knew about.
Betsy Richards, a hard-working widow, tries to solve the domestic problems of her three grown-up sons.
When Tom Brown (John Howard Davies) arrives at Rugby boarding school, he’s mercilessly tormented by the school’s evil bully, Flashman (John Forrest). With the help of his friend East (John Charlesworth), plucky Brown devises a plan to get back at Flashman; in the meantime, he’s asked to look out for a timid new student (Glyn Dearman), whose life is accidentally put in peril during a school race.
Tom Brown (John Howard Davies) starts at Rugby boarding school. He is tormented by Flashman (John Forrest), the school bully.
