Rafael Azcona

Time and again, the quiet routine of a nameless cafe, located in a town that is also nameless, and in an unspecified era, is unsettle by the attack of a reptile-saurus on the regular customers.

Documentary about Spanish director Luis García Berlanga's "The Executioner" (1963)

In an alternative reality, a man who is entering old age faces a society in which the young eliminate the old.

Logroño, 1959. The death of a local authority creates a double expectation in his family, the coming of the TV set the deceased bought and the mayor to attend the funeral. His grandson (Airas Brispo) will witness the grotesque situations.

The documentary focuses on Marco Ferreri and shows an unconventional man, extreme, provocative in ways, always a step ahead in its work, and often considered a visionary and experimental. The documentary honors the memory of a filmmaker too soon forgot that left an indelible mark in the seventh art.

A long talk with the spanish screenwriter Rafael Azcona, who's credited in the writing of more than 100 films. He's well-known for his colourful scripts, indulging in picaresque characters and flavourful dialogue, but has a wide range of facets. He worked for filmmakers like Luis García Berlanga, Marco Ferreri, Carlos Saura, Fernando Trueba or José Luis García Sánchez.

Lola goes to cover the press conference of the Cervantes Prize Award to María Zambrano. Captivated by the personality of the thinker decides to launch a film about her.

Mercedes (Neus Asensi) Mariángeles (Ana Risueño) and Carmen (Miriam Diaz Aroca) need to escape something: the stress of the job, a divorce or a gray and boring existence. And all three are looking for something: a love affair in an exotic country. The destination is Tunisia, land of contrasts, from the deserts and beaches. But far from land into a paradise unprecedented journey undertaken with a group of quirky characters.

A hilarious and heartfelt comedy! Meet Juan (Juan Luis Galiardo, Goya Ward Winner for Best Lead Actor)... an unbelievably charming middle aged ladies' man who is still taken as handsome even though he has to disguise his belly, his white hair and his "health" problems. A series of amusing situations begin when Juan is torn between his daughter, who unexpectedly and inconveniently arrives into his life, and his latest - and failed - love affair. His failed attempts at trying to patch things up will have you not only laughing out loud but it will also leave you with a wonderful sense of love and family values.

Forty-two-year-old Lorenzo finds himself out of work. Through an ad placed in the local newspaper, he gets a job as a helping hand for an aging homosexual poet who can barely manage on his own. From this moment on, Lorenzo juggles his strange line of work with the life he leads alongside his long-suffering wife and his secret encounters with Faustina, his lover. Everything goes awry from one day to the next due, amongst other things, to some compromising photos and an unexpected funeral.

In the turmoil of the Spanish Civil War, a young man comes of age sexually, through a string of relationships with a wide range of mature, older women.

Diego and Clara have met recently and suddenly have the urge to live together. Afterwards, They find a house to live in. However, strange things start to happen.

The film is based on the autobiography of writer Manuel Vincent. His father doesn't want him to become a writer and sends him to Valencia law school. One day Manuel sees his dream girl and follows her on a trolley car to Malvarossa beach. He then studies in college, meets call girl La China who teaches him love secrets, but still remembers that girl.

A young officer of the Guardia Civil moves to a ski resort in the Pyrenees traveling on official business. On the way his car has a breakdown and he is picked up by a woman who is staying at the hotel. From this situation several adventures and tangles happen. Things get complicated as he must dress as a woman to avoid being surprised.

After the death of the abbot of a small convent the two monks who are left discover among the papers of the passed away abbot letters from the mother of one of them indicating that he is the natural son of a landowner in Extremadura. In order to claim the legacy of his friend the monk who has lived outside the convent for some time plans their voyage to the property of his father picking up on their way his daughter and lover. Once in Extremadura things look a little different to what the plans say.

An air-hostess is pregnant but she does not know the name of the father, a foreigner. When the baby is born, she gives it to her sister that has already two children. The child grows up as another member of the family. Although the adults keep the secret, the children know that he is different.

The life of Cosme, a boy of fifteen, is altered with the arrival of a new neighbor, Merche, a married woman, much older than him. Cosme falls for her and intends to conquer the woman.

The whatever woman.

In Santa Fe de Tierra Firme, an imaginary Latin American country, the indigenous dictator Santos Banderas rules with an iron fist. A group of rebels trying to seize power by force while some liberals try a change of government legally.

Chechu is a 13 year old boy who lives surrounded by peculiar people: his grandfather, his uncle, and two maids. He falls in love with one of them.

In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.

Paulino and Carmela are husband and wife, troubadours touring the countryside during the Spanish Civil War. They are Republicans, and with their mute assistant, Gustavete, they journey into rebel territory by mistake. They are arrested, fear a firing squad, and receive a reprieve from an Italian Fascist commander who loves the theatre. He arranges a performance for his troops, bargaining with Paulino to stage a burlesque of the republic in exchange for the actors' freedom. Will the fiery and patriotic Carmela consent?

A man in love with an unfaithful woman.

Remake of the tale of an acclaimed matador who finds himself involved with a beautiful woman, jeopardizing both his marriage and career.

A film team arrives at a more authentic and old square in Madrid to shoot a film. The area is full of children, working families and simple people who see the cinema as something unattainable. From his balcony, Paloma, does not lose detail of the shooting, nor of the movements of the gallant, for which he feels a strong attraction.

The humanitarian aid expedition "Angeles Azules" (Blue Angels), comprising twelve Europeans and six trucks loaded with provisions to alleviate hunger in Sub-Saharan Africa, advances across the continent. As a result of the difficulties the team encounters, disorganization gradually takes over the convoy. Each of the members of the group, little by little, yield to their petty, selfish impulses: violence, power, nostalgia - The breakdown of one of the trucks forces Michele and Nadia to wait at an oasis for the arrival of spare parts. But a starving local tribe settles threateningly near them. The chief of the tribe makes a speech they don't understand, which is followed by a macabre purification ceremony.

A young man, son and grandson of soldiers, refuses to perform military service, causing a commotion in the whole family. Finally, social, environmental and family pressures, will force the young to make a decision that will have unforeseeable consequences.

A family owned a nougat factory moves to Madrid to promote your product in a food fair, against the advice of family patriarch and founder of the company, Don Fernando Planchadell, which remains true to its principles.

In the fantastic world of the "bosque animado" meet some people who have been transported to this place by a magic force. Now their histories cross one another.

Ana is a middle aged woman who many years ago decided to start a new life in Paris. Now she must return to her hometown after the death of her parents, since they have left her an inheritance. There she meets Laura, her only sister, with whom she has to share the money received and, especially, an old house located in the center of Guadalajara. Now, the two women will have to leave the differences and problems behind that have arisen in the past to catch up and recover the fraternal relationship. Written by lament

April, 1940. Manolo, 16 years old, and Jesus, who is just 8, are taken by their older brother Pepe, a lieutenant in the Army, to a sanatorium for children suffering from tuberculosis, situated on the border with Portugal. Once in the sanatorium, Manolo, surrounded by boys all much younger than he is, feels a bit like the cock of the walk since the only other man around is the handyman Emilio who looks after the gardens and does whatever needs to be done about the place. His wife, Rafaela, is the cook. Manolo meets Irene, a falangist who runs the sanatorium, and the school teacher, Miss Transito, a crabby spinster. He has his first sexual experience, albeit as a voyeur, with his nurse Vicenta. When she has to leave, her place is taken by a girl from the village, Maria Jesus, with whom Manolo falls hopelessly in love. A relationship grows up between them which will mark them both for ever.

In the early Spanish Civil Post-war, in Madrid, during the most hard times of the Franco dictatorship, a group of second-rate players try to get out of their wretched lives taking advantage of the artistic caprices of the son of a rich man who supports the regime. They try to stage a Pre-war 'zarzuela' (a sort of Spanish operetta), 'La Corte Del Faraón', which ironically, thirty years later, is too obscene for the regime censorship. They finally manage to perform the 'zarzuela' but end up in the police station where they confirm that justice depends on which side are you on

A platoon of mismatched republican soldiers cross the front-line to steal the bull that the enemy is going to fight on the saint patron date of the village. In addition to ruining the nationals' celebration they want the animal in order to butcher it and feed their famished troops. They get caught in the procession and have to go through a series of funny and pathetic incidents before they can get back to their side. Written by Mary Solari

A self-proclaimed "knight" and his hapless squire travel the Spanish countryside, attacking "giants" that are really windmills in his attempt to win the love of the fair Dulcinea.

The Disasters of War is a series of 82 prints created between 1810 and 1820 by the Spanish painter and printmaker Francisco Goya.

In order to solve economic problems, "Leguineche" family decide to move to France with their limited belongings.

The monarchy has returned. The Leguineche, too.

Sequel to "The Great Family" and "Family and one more". A widower and the godfather of his 16 children, aged two, wistfully contemplate the past. The father was left alone in the family home, but loneliness overwhelms him so he decides to spend some time at home for each of their children, most of whom are married. But the experience ends up being disastrous.

Don Agustín, a school teacher, visit the family of his former student Paco. Paco's mother asks don Agustín to exert influence over her son to make him being successful. The old professor accepts the challenge pressured by his sister, eager to spend all her money playing bingo. But don Agustín soon begins to suspect that the mother of Paco holds the oldest profession in the world.

A catalan manufacturer of intercoms travels to Madrid, accompanied by his mistress, to attend a hunt that he has organized. Its main purpose is to mix with people of high society to improve their business. All seems well until the owner of the farm shows full authority over James, who is the real organizer of the meeting. The celebration is diverse characters who live next to absurd situations.

Lluis de Serracant leads a double life. By day he's a young lawyer, scion of a Catalan bourgeois family. At night he's a transvestite performer known to his fans as "Flower of Autumn".

In metahistorical New York city electrotechnician Lafayette deals with a megalomaniac director of a wax museum of ancient Rome, an italian lonely anarchist, a group of feminist actresses - including Angelica who falls in love with him - and a small adopted chimpanzee.

Madrid 1933. Aurora Rodriguez kills her daughter Hildegart and turn herself over to the police. In jail she remember the circumstances that made her committing the crime...

Gerard and his 9-month-old son have been left by his wife for feminist reasons. The custody of his son is being threatened by his next romance.

Javier lives with his mother in a modest apartment. He conducts surveys on the effectiveness of ads. This work provides a humble earning for the two of them. One day he meets Juna at a bus stop. He tries to ask her out, but she refuses. A few days later, they meet again. Slowly a relationship develops, but her plan is to marry someone rich. Javier's wealthy uncle included him in his testament, so Juna talks Javier into killing the uncle.

With more than thirty years, Malena Fonseca is a spinster and provincial woman who, after coincidentally meeting a Frenchman named Lucien, also a thirty-something bachelor like her, decides to marry him. However, after that, and having moved to Madrid in the company of her unbearable and possessive mother-in-law, Malena will gradually discover that her husband is a very rational man whose zero interest in sex despairs her, making the woman feel attracted to the pharmacist in the corner and the hunky bread delivery man.

When the single middle-aged Luis travels from Barcelona to bury the remains of his mother in the vault of his family in Segovia, he is lodged by his aunt Pilar in her old house where he spent his summer of 1936 with her. He meets his cousin Angelica, who was his first love, living on the first floor with her husband and daughter, and he recalls his childhood in times of the Spanish Civil War entwined with the present.

A highly stylized surreal farce about the events leading up to Custer's Last Stand anachronistically reenacted in an urban renewal area in modern Paris.

When Michel gets the life-sized sex doll he ordered, shipped directly from Japan, he is only intrigued by it at first. Then the silent unresponsiveness of the thing begins to haunt him, and he finds himself reacting to it as if it were an equally unresponsive living woman. As time passes, more and more of his life is spent trying to satisfy or placate its relentless silence, and he goes somewhat mad. He dresses the doll and takes it with him wherever he goes. When his usually very tolerant wife discovers what is going on, her jealousy knows no bounds and she attempts to imitate this threatening love-object. The light-hearted quality of this addle-pated fantasy darkens quickly when various neighborhood men attempt to put the doll to its originally intended use.

Begoña and Pedro are stuck. Despite having been married for many years, now the only thing they have in common is a son obsessed with basketball. A new conjuncture will cause love to resurface.

The young but traveled Ana arrives in a manor in the countryside of Spain to work as nanny of three girls and finds a dysfunctional family.

Caustic satire on bureaucracy of the Vatican authority and a simple Italian who wants to achieve the audience with the Pope.

An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties…

A dishonored Union Army officer (James Coburn) leads a group of convicts to retake Fort Holman from the Confederate Army.

María works in a hostess bar in Madrid because, forced by the Puritans of her little village, she had to leave accused of public scandal just for having kissed her boyfriend. María, together with her three sisters, decides to return and builds a club in the village faced with the scandalized don Florencio, a repressed banker and overlord who secretly desires María. In order to go unnoticed, María and her sisters run the club through a wax-chandler's shop where the majority of men of the village will parade, which excites even more the lascivious and hypocritical don Florencio.

A speed-boat racer suffers amnesia after an boating accident and goes to his isolated villa to recuperate. His relationship with his wife is troubled, so he starts an affair (sort of) with the another woman, which results in one of the three of them being shot. But there are several more twists--and more murders--to come.

Ruth and Michel separate after Ruth finds another man, Paul. Ruth and Paul go to her sunny, idyllic beach side villa to spend summer. They are having a great time together, and then things start happening. The brakes of the car fail, and Ruth narrowly escapes death. The driving equipment goes faulty, and Ruth almost drowns. Michel turns up at their doorstep for an uninvited social call, and Paul asks him in. Ruth suspects Michel of being the person behind the mechanical faults of the car and the diving equipment, but Paul dismisses such a possibility - but he does suggest it to Michel. Then, the heat does go up.

Miguel is a married architect with children; Blanca, an attractive young woman who has attempted suicide by cutting her veins. The relationship between them develops through continuous persecutions, first of him to her and then to him. In their meetings, they reflect on their empty lives, loneliness, boredom and obsession with death.

Vincent is married to a very sexy woman, who everyone knows as "The Monument", and envy the fate of her husband. However, Vincent is very busy with his work and doesn't pay her enough attention. The situation complicates when the richest man in town gets interested in her.

Leo Pozas, native from Burgos and high bank clerk, arrives to a town on the Costa Brava, with his mother to marry Loli. Unexpectedly, Leo's mother died. This may mean the suspension of the wedding, a year of mourning and, perhaps, another relief, so that Leo and Loli hide the corpse of the old betrothal until after the wedding...

The greedy relatives of an amnesic and paralytic 45 years old millionaire try him to recover his memory by any means.

Los desafíos presents three separate stories that are linked by an American presence in Spain in the 1960s, with Dean Selmier playing the role of the American male in all three.

Teresa (Geraldine Chaplin) and Peter (Per Oscarsson) settle down in their new home after their marriage. Things are going well until her childhood furniture arrives, sending Teresa into horrible flashbacks of turmoil from memories of her youth. The two try to work through their problems and succeed for a while until their charades lead to tragedy in this psychological drama.

Barcelona 1967. The pop culture revolution. Jordi (Patrick Bauchau) is a rich playboy who runs around with a bunch of high-end hippies, smoking, drinking, dancing and daydreaming about Tuset Street, an effort to develop a popular street in the newer section of Barcelona after the models of Haight Ashbury Street in San Francisco and Carnaby Street in London. Jordi and his gang represent the new Barcelona, wealthy, artificial and striving for imported sophistication. On the older side of the city is El Paralelo, the theater district. At El Molino, one of its many music halls, performs Violeta (Sara Montiel), a showgirl in the old style tradition who supplements her singing income with prostitution. Somehow Violeta represents the old values, the "real world" living along side an artificial creation such as Tuset.

Ricardo is an executive who has great success with women and behaves almost like a play-boy. His wife, Carmen, an attractive housewife without children, it feels ignored by him and seeks solace from her mother, who proposes Carmen a change in the way she acts in order to do not lose permanently her husband or even fall into madness.

Mario is a Milan industrialist who is constantly testing balloons to see how much air one can take before busting.

A seductive woman pushes three men to the limits toying with their sexual desires and male pride.

Julian, a middle-aged single doctor, meets his childhood friend Pablo again. The latter is back from Africa and has just married a beautiful young blonde, Elena. Julian falls in love with her and tries to seduce her, but she mockingly pushes him away from her. He then finds that Ana, his nurse, bears a troubling resemblance to Elena. He decides to gradually transform Ana into Elena…

In this unusual offbeat black comedy directed by Ugo Tognazzi, Giuseppe (Tognazzi) is a middle-aged industrialist obsessed with gadgets. When his nose starts to whistle uncontrollably, he checks into a clinic to resolve the problem. What begins as a minor affliction worsens, and Giuseppe is placed on a different floor as his ailments multiply. The sicker he gets, the higher he goes up in the floors of the clinic, until he is near death's door.

A young student joins her rich lawyer stepfather and then her mother who the selfish man does not love, for a summer vacation in Sardinia with the man's posh friends

Italian comedy film in three segments

Satirical film in four episodes about family and marriage.

Riccardo, an unhappily married middle aged Italian working for a shoe factory, goes to America on a four day business trip.

A vivid assortment consisted of three acts taken from the lives of modern 1960s Italians, always in orbit around the restless theme of sexual inhibition and the pursuit of pleasure in sex.

A modest Neapolitan man meets a young woman with excessive hairiness. He exhibits her at fairs and marries her.It is after marriage that he receives a tempting offer from a French manager.

A forty-year-old employee marries a seemingly quiet girl who turns into a mantis after the wedding.

"Les quatre vérités" aka "The Four Truths" is a movie anthology that consists of four segments, all loosely parodying fables from the 17th-century French poet Jean de la Fontaine. The US cut usually features only 3 segments.

When a good-natured factory supervisor living in Milan with his Northern wife returns to his native Sicily, a decades' old oath forces him to fulfill a nightmarish obligation.

In a small Spanish town, during the Christmas holidays, a group of rich old ladies organize a peculiar event that consists of inviting a homeless person to sit down to dinner at their wealthy table. Plácido, a humble worker, is hired by the organizers to participate in a parade with his three-wheeled vehicle, a seemingly simple mission that will not be easy for him to accomplish.

Don Anselmo, a retired old man, decides to buy a motorized disabled stroller since all his pensioner friends own one. His family strongly refuses him to purchase the vehicle, so don Anselmo decides to take extreme measures to achieve his goal…

Rodolfo and Petrita each live in separate quarters in dilapidated Madrid, while looking to have a little apartment (or "pisito", in Spanish dialect). Unfortunately their low salaries prevent them from acquiring one. Soon, Rodolfo's co-workers urge him to marry the old and frail Doña Martina, who is the main tenant in the apartment he boards in. According to Spanish rent-control law, he could inherit the lease from his spouse. Thus begin his misgivings and Petrita's. Written by Emilio