Rafael Cobos
Former East Germany, 1992. Patrick Stein and Markus Bach, two very different police officers, are commissioned to investigate the disappearance of two female teenagers in a remote area of the country. Did they run away from home or did something more terrible happen to them? (Remake of Marshland, Spain, 2014.)
Bernardo is a renowned architect and professor at the University of Buenos Aires. He just buried his wife, refusing to fulfill his desire to be incinerated and thrown into “Costa del Sol”. Only when his wife’s grave is desecrated, he decides to take the trip to Spain. With Abel, owner of a bankrupt real estate business, and Amalia, a beautiful public relations employee, Bernardo will be involved in absurd situations to get rid of the ashes of his wife. Bernardo will discover that he didn’t know his wife as much as he imagined.
Toro (Spanish for "Bull") is a young con man and the right hand of Romano, a powerful mob boss in Torremolinos, Málaga (Andalusia, south to Spain). After Toro decides to leave Romano to get a life free of crime, his last sting fails, resulting one of his brothers dead and he sent to jail. Five years later, Romano realizes that López, Toro's older brother, is robbing him money from his tourism business and he orders to kidnap Diana, López's little daughter, until this one get back the money. Without options, López visits Toro, now a touristic driver with the third grade prison close to get the parole, who only wants to be free to marry his girlfriend Estrella. When Toro accepts to help López and both meet Romano looking for a solution, Toro ends attacking Romano's men and fleeing with Diana, trying to escape from Romano's revenge. But Romano starts a ruthless searching for they three, meanwhile Toro counts the hours to back the prison according to the third grade...
A tale of cheats and impostors, taking its inspiration from true facts and from one of the most intriguing characters of recent decades: the spy Francisco Paesa.
The Spanish deep South, 1980. A series of brutal murders of adolescent girls in a remote and forgotten town bring together two disparate characters - both detectives in the homicide division - to investigate the cases. With deep divisions in their ideology, detectives Juan and Pedro must put aside their differences if they are to successfully hunt down a killer who for years has terrorized a community in the shadow of a general disregard for women rooted in a misogynistic past.
In a role reversal that is challenging for any young adult, Ali has become a caretaker to her mother’s delicate mental health. Scarred by the past, she chain smokes, refuses to learn to drive, and is terrified of falling in love. Ali spends her days working in a supermarket and the rest of her time off on misadventures with her friend. But when she meets Julio, her tough veneer starts to crack and she may have to amend her strict rules of non-engagement.
Manuel (Tristán Ulloa), Ana (Blanca Romero) and Julio (Guillermo Toledo) get together in a warm summer night after not having seen each other for a while and set off to explore the night. Manuel has a 4 yr-old boy, a wife and a beautiful home, Julio is a top executive at an International company and Ana has a boyfriend who she loves and also leads a very comfortable life. Although the three friends have everything apparently necessary to be happy, they feel dissatisfied and extremely lonely. They are incapable of assuming their adult lives and enjoying life as every time they reach a new stage, they eagerly observe that they are still desperately waiting for the next one. They escape towards adolescence as the only way to get rid of their ghosts. After is the last stop, the last open bar. The end of the journey.
