Rafael Hernández
Diana secretly owns a nightclub and has a son named Arturo. When Arturo gets his college degree, he decides to celebrate and goes to the nightclub he does not know his mother owns. There, he meets and falls in love with a lady of the night. When he takes her home to meet his mother, both women are embarrassed. Diana offers the girl money to leave Arturo alone, and the young girl takes it and gives it to Arturo with a letter saying she’s leaving. Arturo is upset with his mother and drifts away from her. Diana, tired of the nightclub business and of the double life she has led, decides to retire and gives the nightclub to the women who have worked for her. She intends to patch things up with her son and to welcome the woman that Arturo has chosen to marry.
The film, which is an ode to Rafael Hernández's song "Lamento borincano", is a social commentary of the political and social policies of the 40's and 50's which led to the abandonment of what was seen by many as the "pure", "virtuous" life of the finca (farm) for the "corrupting" influence of urban centers like San Juan and New York City.
Rosina is frustrated by her engagement to millionaire John Johnson III, a fussy, domineering, control freak. The night before her wedding, she goes out dancing with her maid María, María's husband Tomás, and their friend Gordillo. When Rosina learns Gordillo is a sailor on the yacht owned by Mexican film star José María Beltrán, she decides to stow away and sail to Mexico to be with her grandmother.
Three Mexican friends decide to go to Vercacruz Carnaval to celebrate. There they watch Cantinflas' show of torero and boxer.
A gang of thieves has jeopardized the city and even the police, whose chief urges their forces to captured the band within 48 hours. Meanwhile, band members meet in a cafe run by a widow and her daughter and her suitor, Cantinflas, who maintains a scuffle with the robbers running all at the station. Since then, Cantinflas become a member of the police force for special missions.
At birth, three children are abandoned in a convent. They are Polito Sol and his siblings, Adriana and Carmelo Águila and they grow up to become the "Águila o Sol" trio. Many years later, Don Hipólito, Polito's father becomes rich and decides to search for his son. In the end he finds Polito and the Aguila siblings.
The film of the thousand dancers, of the enchanting songs, of the sets that are splurge of luxury and beauty.
