Raffaello Matarazzo
Some kids find by chance an infant in swaddling clothes left in a meadow. Initially, after having led in their lair, they think of selling it to a caravan of gypsies.
Lucas is an orphan who lives with his mother Mary, a worker in a factory in Barcelona. One day they meet Captain Andres.
Raped during the war by a stranger, Anna is forced by their parents to pretend that that her daughter Lisa is her sister. When she is about to marry the new doctor in the country, her jealous brother resorts to threats of blackmail in an attempt to keep them apart.
The 19-year-old Elena, who is as pretty as she is bright, works as a rice girl for the landlord Guerrini. Having become aware of her name, he finds out that she is his illegitimate daughter of whom he knew nothing. He tries to secretly help Elena, who has fallen in love with the car mechanic Gianni. But that only creates mistrust. When Guerrini's worthless nephew harasses the girl, the situation is dramatically worse.
In The White Angel, Raffaello Matarazzo’s sequel to his blockbuster Nobody’s Children, the perpetually put-upon Guido and Luisa return for a new round of trials and tribulations.
A former prostitute and a Polish infant are the only survivors of a train crash. Despite their mutual love, the woman's past comes back to haunt her.
After murdering her illegitimate baby, Isabella (Tania Weber) pins the blame on her innocent cousin Consuelo (May Britt). Despite the strenuous efforts of her attorney-lover DeSylva (Ettore Manni), Consuelo is found guilty and shipped to a penal colony along with several other female prisoners.
Il Tenente Giorgio is a 1952 Italian romance-drama film directed by Raffaello Matarazzo.
The fourth of seven films that Raffaello Matarazzo made with Amedeo Nazzari and Yvonne Sanson in the starring roles during the fifties. These films were the epitome of operatic melodrama, and were hugely successful with the Italian public.
The tragic love story between Guido, the owner of a marble quarry and Luisa, the humble daughter of one of his employees, ends up in her giving birth to a baby boy. Giulio's mother is against them: at first she takes her son abroad with an excuse and then has her grandson kidnapped making Luisa think the boy died in a fire.
Anna flees her home, where she has been victimized for years by her spineless father’s mean-spirited second wife, to be with her lover, an honest businessman yet to make his fortune. When he is accused of a murder he didn’t commit, the couple’s domestic tranquillity is upended, and a desperate Anna must rely on her cruel stepmother to help support their child.
A young woman is murdered and robbed in broad daylight. A young man is arrested, in possession of some of the jewels of the victim. The passionate protests of his sister arouse the compassion of Za la Mort, who promises to help the girl.
In-laws and relatives begin to settle in the house of two newlyweds. Even though their intention is to contribute to marital peace, they actually complicate their lives.
Nicoletta is a young rebel, cherished by his forgiving father, until an old relative joins the family after the wedding of her sister, and insists that the impetuous girl is sent to college. Nicoletta becomes a true tornado for educators trying in vain to bring her under control.
A comedy in which a young lawyer, with a very jealous wife, ends up hosting a woman from his building for a night, with strange consequences
A young lady is employed by a millionaire. She is kidnapped instead of the rich woman by a gang, on behalf of people who were interested in the rich woman's disappearance. She is brought to a special hotel, where the guests are people who are imprisoned because their families wanted to get rid of them. The rich woman is finally able to convince a police officer to investigate the strange vanishing. A prisoner goes mad and sets fire to the prison, which could not have been detected otherwise, freeing the disappeared at last.
A comedy about an unemployed fellow who goes to live with his brother and runs into trouble with his brother's overbearing wife.
A precious painting suddenly disappears from the house of a noble Italian family. A relative from America investigates the mystery.
His 1933 debut, following some years as a journalist and then script boy, was Treno popolare, an early sound lark about several Roman petit bourgeois on a day trip to the country that was influenced by the German proto-neorealist silent picture People on Sunday (1930). Produced at the height of the fascist era, Treno popolare was nonetheless free of propaganda, and featured the first film score by the legendary composer Nino Rota.
