Rajhona Ádám
It is Dr. Borlai's job to tell the patients that they just have a few days left. But one day his colleauge tells him this story. So the sample husband the best father and doctor comes up with a devilish plan. To ruin every relationship that he is in so the loved ones will let him go easily. And when he achieves this he is still alive but he should be in the cemetery long ago.
Karcsi, a Roma policeman, lives with Eva, a Swede. One day he is called to the scene of the murder of a wealthy trafficker named Schulter. He begins to investigate the crime, interrogate neighbours and suspects, and untangle a complex situation - one that he, himself, complicates even further. For he is a gypsy, who despite being adopted and raised by "regular" Hungarians, has his nose rubbed in his minority status every day. The film, which is based on the novel by Ákos Kertész, is a shrewd genre work full of dusky humour and surreal situations. Tabló follows a vivid succession of strange images that eventually lead to the emergence of the central story about a charismatic police officer on a tireless quest for the truth, though he must fight against virtually everyone and is just as fallible as the next person. Tabló makes a statement on the issue of race and racism - or, indeed, relations between any minority and majority.
A story of a Jewish-Hungarian-Serbian family. The plot is centered about trying of an adult son to reconstruct his childhood dream of and memories. Looms, but a sunken world, the central European town with its figures, the way to experiencing deep and see a sensitive boy, his father, who by their fears that penetrate to the bone and the final humiliation of acting madness escapes and becomes a lonely, pathetic buffoon in the drama of life.
Janos Flandera (Frigyes Funtek) is a student who is kept by an older woman in this depressing drama. When he applies to a prestigious school in Moscow, he is turned down because he is a gigolo. Not only is his scholarship request denied, he is sentenced to a year in prison at hard labor. Janos abandons the jealous older woman who helped deny his entrance to the school. Punished after defending a political prisoner, Janos takes solace in love affairs, but his union with the crippled daughter of a prominent political official puts his life in danger.
In the box factory standing in the middle of nowhere only women work, and they themselves only waste their time, as the unmarketable boxes pile up in the yards. The fireman in duty, who stores stolen gasoline in the inflammable plant, sets up cameras in the women's locker room the sake of 'business'.
1956. Bébé is a painter, but he has not worked for years. The news arriving form Paris about the death of his childhood friend, Halász Petár affects him deeply, but his reflections are continually disturbed by telephone calls: the Alliance for Fine Arts wants to purchase one of the popular self-portraits of Halász.
The heroes of this story, based on real events at the end of the 1930s and during World War II, face and dismiss the illusions of intellectuals about their ability to transform society. Professor Magyary and his disciples hoped to promote the modernisation of Hungarian society through a radical reform of public administration.
A Budapest high school in the beginning of the 1960s. Dinis suffers the torments of adolescence. His father had to leave Hungary after the uprise in 1956, and since then Dini's mother has had to take care of her two sons on her own. A friend of Dinis' father, Bodor, is released from prison and moves in with them. Dinis and his brother Bodor are far from happy over this intrusion of their family life.
A World War II-style "war game" setting the wealthy customers against skilled mercenaries goes awry when the simulated war gets too real.
The satiric film is a dramatic-ironic picture of the Hungarian intellectuals in the seventies. Ebes, whose art has been awarded for its merits conglomerating folk features with modernity, can hardly believe that from his parents, old friends, and the sons of the people he did not even receive a telegram of congratulation.
This satire on film depicts the micro-climate of a technical vocational school newly established at a housing estate. The construction vocational school holds a name-giving ceremony, thus calling the attention of its supervisory organ to itself. The school-master distributes as well as receives presents from the sponsoring factory, and the pupils sit for a written examination of unheard-of material. The results are devastating, which the despotic school-master attempts to conceal by a staged disciplinary procedure.
The royal summary court sentences Sallai Imre and Fürst Sándor to death on charges of attempting to uproot the state and the social order. The film, the story of which takes place in 1932, enlarges the moment of delivering the death-sentence. Sallai, preparing for his death, envisions the people and the events that have been decisive for his life.
Mózes Imre, the quality inspector of a big factory in Budapest loses his job overnight because he did not obey the director's instructions and refused some bad products of the company. When he brings the case before a court his arguments are not really appreciated. The director, however, recognises that, to a certain extent, Mózes is right and lets him re-enter as a head of a smaller operational section.
