Ramón Armengod
Mexican horror film about an American painter named Mary (Cristina Ferrare) who is living in Mexico where she sells her works and also kills people for their blood. It turns out Mary is a vampire but not the traditional one with fangs. Since she has no fangs she must stab or slash the throats of her victims but soon she has a new man (David Young) in her life as well as a mysterious man (John Carradine) in black who appears to be doing the same type of murders.
Tony Ray is not enough to impress Diana thus decides to become a boxer. At last he can have it all: money and feel worthy enough to propose.
Orphan girl under the protection of a benefactor begins to suspect that her mother had an affair with him and that he's her father.
Local oligarch has the hots for a small-town schoolteacher; to escape from the problems he causes them, she and her boyfriend both move to Mexico City... but they lose contact with each other, and complications.
Free-spirited young woman schemes different ways to trying to nudge her spinsterish older sister into falling in love and getting married.
A widow remarries... and then her missing-presumed-dead first husband reappears.
Wicked old lady arranges to sell the virginity of a young neighbor. Her boyfriend gets upset over this.
Struggling musician takes sympathy on a homeless woman and they build a life together.
Young songwriter falls in love with a singer he writes for... but her jealous manager fucks up both their lives.
A country girl finds herself working as a prostitute, but her true love, a musician, comes looking for her. She must fight a cabaret dancer for his love.
Power struggles among the owners of a cigar factory;meanwhile, a society babe and a factory girl compete over the youngest of the executives.
Homeless singer-songwriter-piano-player gets a career boost with the support of a crippled waitress, and romance blossoms. Once he starts up the ladder of success, she starts feeling insecure about all the beautiful non-deformed women he's surrounded with.
The old massa dies and his son comes home to take over the hacienda. Things are going to be a whole lot different now; he's overturning all the old social order. A-a-and...
International committee mounts a revue to promote Pan-American unity. Showbiz hotel rom-com hilarity ensues.
Card-sharks blackmail a dissolute young man into participating in a big robbery; his brother takes the rap for him.
A plastic surgeon goes mad when he discovers that his wife have an affair. He fakes her death and disfigure her and locks her in the cellar.
Beautiful peasant girl runs afoul of her landlord's horny son and he poisons the well between her and her fiance, so she runs away and joins the Revolution.
Fernando de Fuentes was among the most famous and versatile writer-directors of Mexican cinema’s Golden Age, etching his style on genres as varied as the Western and the musical. In his immigrant melodrama The Dressel Family, De Fuentes addresses the “problem” of the ferreteros: successful bourgeois German families who established their own self-sufficient community within Mexico City, but in doing so—it was widely felt—preserved their haughty colonialist attitudes toward the native population. The head of the Dressel household is a proud and stubborn German matriarch who, disdainful of her son’s mixed marriage, sets out to destroy the reputation of his young wife, a Mexican radio singer (played by the beautiful and talented Consuelo Frank).
