Rashid Masharawi
Rashid Marshawi takes us on a special journey across the historical city of Jaffa, where his father was forced to leave in the 1948 exodus. With his own voice, Marshawi narrates his memories of the city, bringing to life the waves on Jaffa’s shore, the sounds of its streets, and the sweetness of its inhabitants and its spirit. Recovery is a splendid cinematic experience that attempts to cloud the border between time and space as Marshawi takes us on a tour of magnificent photos from 1930 to 1948, allowing his nostalgia to breathe a new life into the static bodies portrayed.
When the French authorities closed their borders, landed their planes, confined their citizens to their homes, spreading the police on the streets. I was in Paris. Without any planning, the memory coming from Palestine began to flow and merge with the diaries I live here, and the virus began to awaken other viruses, which made me spontaneously, as a Palestinian citizen, besieged in the most beautiful Parisian neighbourhood (Montmartre), busy documenting aspects of diaries and memories in a period of time that changed the face of the scientist.
A film about the absurdity of not accepting the other despite the difference.
Palestinian director Rashid Mashawari follows his widely acclaimed dark comedy Laila’s Birthday with this compelling and ironic drama about two brothers on the West Bank who, rendered homeless by an Israeli air strike, hustle odd jobs to raise enough money to emigrate to Canada.
"At eight o'clock, it's Laila's birthday, okay?" Palestinian judge turned cab driver Abu Laila's wife reminds her husband. But on his young daughter's birthday, like any day, Abu faces a nerve-wracking shift in a Ramallah yellow cab armed only with an ex-jurist's misplaced pride, a father's loyalty, and a sticker reminding passengers that smoking and carrying AK-47s are prohibited. Rather than address politics or document holy war heroics and villainy, Laila's Birthday focuses on the toll that the unending Palestinian-Israeli conflict extracts from civilians clinging to both employment and a semblance of normal life amidst chaos and corruption, missile attacks and bursts of gunfire.
In November 2004, Yasser Arafat died. He had been leader of the PLO since 1969 and president of the Palestinian Authority since 1993. His younger brother, Dr Fathi Arafat, died soon after of cancer. Driven by despondency about the endless violence and the continuing uncertainty about the future of his people, the well-known Palestinian film maker Rashid Masharawi started working on a documentary 18 months earlier, in which he follows Dr Fathi Arafat and travels from Cairo to Paris, via Ramallah and Lebanon, tackling endless closed borders and roadblocks.
Before leaving to settle abroad, Ahmad accepts one last job. He must audition actors for the new National Palestinian Theatre. On the road with interviewer Bissan and her cameraman Loumir, Ahmad goes in search of talent in the numerous refugee camps of Jordan, Syria and Lebanon. Hopefully for the last time, Ahmad experiences the insurmountable difficulties of life in Palestine: harassing searches at check points and borders, barricades, constant tension. He realizes the destiny of all waiting refugees is much the same as his own. He ends up guiding the auditioning actors into dramatizing what best embodies their destiny. But with the chance to catch his plane at risk, Ahmad could see the opportunity for his long-awaited exile slip away.
Haifa, nicknamed after the city of his love and hope, goes around and comes around in a Palestinian refugee camp. Although he is everybody's fool, there are many things that only he knows. He is closely related to the family of Abu Said, a former policeman who gains new hopes from the political developments. Oum Said, his wife, hangs her hope on the imminent release of their eldest son, Said, from jail. She tries to find him a bride to secure things for the future. Their youngest son, Siad, is cynical and rebellious. He refuses to believe things. Sabah, the 12 year old daughter is romancing the future and wants to find out what's in it for her. The different stories are interwoven into a very timely insight into the current Palestinian mind.
Argentinian immigrant and political activist, Miguel, reflects on his escape from the regime attacks of De Mayo Plaza the week of his mother’s birthday in Israel when he’s suspected of a terrorist plotting.
