Rasika Dugal
Thorny questions of love and sexuality take centre stage in this magical realist drama in which a genderless woodland being crashes into the lives of a jaded couple.
The year is 2031. In a New India - of towering smart holograms and drone superhighways - hard-boiled Cyber Crime detective Saajan Kundu is called out of retirement when a self-driving taxi is hacked and ordered to kill an anonymous human victim. Saajan begrudgingly joins forces with estranged partner Laxmi Suri, a whip-smart AI scientist, to comb the modern backwaters of Goa for the killer.
1947. The ravages of Partition have compelled an old artist, Husyn Naqqash, to sell his ancestral home in Western India and move with his family to Karachi, Pakistan. When Kishorilal, a stoic and stone-hearted man, who has bought the house, comes to know that Husyn is a well-known miniature painter and has an invaluable and rare miniature collection, he schemes to get hold of the collection. But all is not what it seems and there is a secret about the collection that Husyn's family is holding back. Not only from Kishorilal - but also from Husyn.
Guddu Pandit kills Phoolchand "Munna" Tripathi to sit on Mirzapur throne.
Meera(Rasika) begins to suspect every female associate of Akarsh(Purab), her husband after she found a stray hair which is not hers. After discussing with her friend, she thought she might be over reactive but does not stop digging up for finding the evidence
As Delhi reels in the aftermath of a gang rape, DCP Vartika Chaturvedi leads a painstaking search for the culprits. Based on the 2012 Nirbhaya case.
After a chance phone call leads to daily conversations, a widowed restaurant owner and a lonely film actor plan to finally meet in person.
Meera(Rasika) begins to suspect every female associate of Akarsh(Purab), her husband after she found a stray hair which is not hers. After discussing with her friend, she thought she might be over reactive but does not stop digging up for finding the evidence.
The iron-fisted Akhandanand Tripathi is a millionaire carpet exporter and the mafia don of Mirzapur. His son, Munna, is an unworthy, power-hungry heir who will stop at nothing to inherit his father's legacy. An incident at a wedding procession forces him to cross paths with Ramakant Pandit, an upstanding lawyer, and his sons, Guddu and Bablu. It snowballs into a game of ambition, power and greed that threatens the fabric of this lawless city.
In Bombay's seedy-shiny film world, Manto and his stories are widely read and accepted. But as sectarian violence engulfs the nation, Manto makes the difficult choice of leaving his beloved Bombay. In Lahore, he finds himself bereft of friends and unable to find takers for his writings.
The bond between a mother and her son is indeed a special one. It was the same between Farooq and his Ammi, but depends with he always longed for his father. They reside in the small town of Peshawar, Pakistan. Farooq, a child with a simple demand, wants to meet his father , whom he had not seen for long as his birthday gift. But his mother, did not really know how on earth she could fulfill her child's plea , coz his father had abandoned them for another woman. Unknown to Farooq, there is something waiting for him on his birthday.
Krishnan, who has been living away from his family and friends in Mumbai, gets a call from his friend Ganga in Kerala, out of the blue. He senses danger, and leaves for Kammattipadam, where both of them grew up.
"Shor Se Shuruaat" is an omnibus feature of mentored short films, around the central theme of "Shor"- noise. These films have been made by budding directors, mentored by some of India's leading filmmakers.
Follows the life of Vipul Goyal , a Stand Up comedian. As the tagline says "The drama behind the comedy"
Through chats with host Rasika Dugal, mythologist Devdutt Pattanaik explores the meaning and modern-day relevance of Indian folklore and philosophy.
Set in post-colonial India, Qissa tells the story of Umber Singh, a Sikh who is forced to flee his village due to ethnic cleansing at the time of partition in 1947. Umber decides to fight fate and builds a new home for his family. When Umber marries his youngest child Kanwar to Neeli, a girl of lower caste, the family is faced with the truth of their identities; as individual ambitions and destinies collide in a struggle with eternity.
The play depicts the lives of seven people living in Mumbai, all with their own uniquely moving story. It tries to capture the essence of people living in the city through seven characters who have been strung together in a series of monologues. Stories about the ambitions of a child artist, the escape of a ridiculed wife into art, a single mother’s sacrifice of her life for the sake of her children, child abuse, a TV reporter’s regret of the media’s inability to celebrate positivism rather than sensationalism and negative news, a hilarious take on corruption by a broker and the west beckoning today’s youth are all interwoven. Each character, marked by failure and doubt are clearly self –censored. While they may communicate through candid expression, they subtly allude to greater truths.
A tender fable about childhood innocence amid the realities of war is set against the rugged landscape of Kashmir, so long a flash point for the territorial claims of neighboring India and Pakistan. The title character, an eight year old mountain boy, often hears distant gunfire. But it is not until he goes on a quest to reclaim his beloved donkey, which has been confiscated as payment of his poor family's debts, that he is drawn toward a violence he has no capacity to understand.
