Raúl Esparza
Three people are up for the same job. Their lives are turning inside out under the pressure. And someone is watching the whole thing. More than one person, in fact. And someone else is watching them watch. A sorrowful and comedic examination of our fall into the surveillance culture.
Sutton Foster takes over City Center—filling it with her indomitable spirit for a concert with her friends that celebrates their connections to the historic theater and reflects on the challenges facing all of us. Bring Me to Light reunites Foster with fellow Encores! cast members Raúl Esparza and Joaquina Kalukango, City Center alum Kelli O’Hara, and Wren Rivera—Foster’s student at Ball University. Together, they enliven City Center with the hope of what lies ahead through performances of music theater favorites from Anyone Can Whistle, Camelot, Oklahoma!, South Pacific, Violet, The Wild Party, and more. Accompanied by Music Director Michael Rafter (piano) and Matt Hinkley (guitar), Bring Me to Light is directed by Leigh Silverman, with Jeanine Tesori serving as Creative Producer.
A starry line-up of Broadway favorites are toasting Stephen Sondheim with a once-in-a-lifetime concert event live on Broadway.com A benefit for ASTEP
Go back to the beginning of television's longest-running primetime drama with behind-the-scenes footage, memorable scenes and exclusive interviews with the actors, creators and crew members.
Ferdinand, a little bull, prefers sitting quietly under a cork tree just smelling the flowers versus jumping around, snorting, and butting heads with other bulls. As Ferdinand grows big and strong, his temperament remains mellow, but one day five men come to choose the "biggest, fastest, roughest bull" for the bullfights in Madrid and Ferdinand is mistakenly chosen. Based on the classic 1936 children's book by Munro Leaf.
The story of Elián Gonzalez, a five-year-old Cuban boy plucked from the Florida Straits, and how the fight for his future changed the course of U.S.-Cuba relations. Featuring personal testimony, interviews, and a news archive, this documentary recounts Elián’s remarkable rescue on Thanksgiving Day in 1999, after his mother and 10 others fleeing Cuba perished at sea, and the custody battle between the boy’s Cuban father and his Miami-based relatives.
Will hatches a cunning plot to slay Francis Dolarhyde, using Hannibal Lecter in his ploy. Bedelia voices concern about the perilous plan as Will continues his game with Hannibal, though Will may have to face his darkest fears.
Stars from Broadway and television join the New York Philharmonic to ring in the New Year with a joyous celebration of the music of Marvin Hamlisch. Featured performers include Beth Behrs, Joshua Bell, Lilla Crawford, Raul Esparza, Michael Feinstein, Maria Friedman, Josh Groban, Megan Hilty, Brian d'Arcy James, Kelli O'Hara, and of course series host Audra McDonald. Conducted by Paul Gemignani.
Near the shadow of the George Washington Bridge, a young Dominican teenager is hunted by a drug kingpin as his older brother must fight for both their survival over the course of a day in their Washington Heights neighborhood of New York.
A serial killer returns to his hometown to stalk seven children who share the same birthday as the date he was allegedly put to rest.
Originally entitled Threes, its plot revolves around Bobby (a single man unable to commit fully to a steady relationship, let alone marriage), the five married couples who are his best friends, and his three girlfriends. Unlike most book musicals, which follow a clearly delineated plot, this movie is a concept musical composed of short vignettes, presented in no particular chronological order, linked by a celebration for Bobby's 35th birthday.
ShowBusiness: The Road to Broadway is an American documentary film, directed by Dori Berinstein, a Broadway Producer, Writer and Filmmaker. Berinstein filmed each principal musical on Broadway for her project during the 2003-2004 season, for about 600 hours of initial film footage. She focused the film on four musicals, through the difficulties of pre-production, their openings, attendant publicity around the shows, and their reviews, through the 2004 Tony Award competition. The four musicals documented for the film were: Wicked, Taboo, Caroline or Change, Avenue Q.
Based on the true story of Jack DiNorscio, a mobster who defended himself in court for what would be the longest mafia trial in U.S. history.
In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.
