Raúl Jiménez
Miguel is learning to drive with his father. A rite of passage to manhood: They talk about girls and smoke cigarettes while driving through the four streets that make up their world. After an incident, his father leaves. In a world where boundaries are unclear, Miguel seeks his way to nowhere.
Unable to face his new reality in a wheelchair, Ángel develops a deadly obsession with the woman who left him and unleashes a sinister revenge plot.
The tentative romance between a gentle Madrid labourer and a working single mother becomes a struggle for survival when the woman’s violent boyfriend returns from prison, in the gritty, suspenseful debut feature from Spanish actor Raúl Arévalo.
A fragmented view of contemporary Spain, drawing conclusions about the persistence of the human condition, strangeness, and the chaos within relationships.
In Spain, a couple of days before a collective gay wedding, the lives of five mothers, whose sons will get married, are entwined: Judge Helena is in charge of the ceremony; the entrepreneur in hotel business Magda is hosting the guests in her hotel and is responsible for the banquet, while facing a strike leaded by her lover and chef; the nymphomaniac Nuria is facing problems due to her disease; the wealthy Reyes is having a crush for the father of her son's mate and her gardener; and the Argentinean cooker Ofelia is facing financial problems and difficulties in with her son's mate. Along three days, they have complicated relationships with their sons and mates, ex-husbands, lovers and employees.
Early 80's, Sara is a good-family girl, she has never been with a man, does not drinks, does not take drugs. Following her love, she enters in "El Calentito" a bar where the group "las Siux" is singing.
A movie script is presented to Isabel. After reading it she realizes it's based on an old love affair she had with movie director Mario Fabra, the author of the script.