Raymond Cloutier
Nicolas loves baseball. Every day during vacation he and his friends meet at the town’s old baseball field to play their favourite game... Until one infamous day at the start of summer when Nicolas discovers that the gates to the field have been locked and that old boards and assorted junk are strewn across what used to be the baseball diamond. It seems the town council has decided to use the grounds as a dump. The kids are outraged.They decide to contest this decision, to defend their territory.
When Fred meets Juliette, he pretends to be someone else to spend time with her. But how long can romance last when it is based on a lie? The deeper Fred falls in love with Juliette, the greater he fears telling her the truth…
Two roommates discover that the family of one of their girlfriends is populated with vampires.
This docu-drama spans fifteen turbulent years in the political and personal life of Pierre Elliott Trudeau, one of the most enigmatic and polarizing Prime Ministers in Canadian history. The film explores the many facets of his character and his vision for his country which has both inspired and frustrated Canadians.
Teen-aged sisters Jude and Maureen, living with their volatile father in Montréal, live a life of substance abuse, hustling and petty theft. After Jude's father kicks her out of the house for her abusive and thieving ways, Jude is forced to survive on the streets with the assistance of her odd assortment of friends, including middle aged pedophile Clarence, pre-teen male hustler Georgie, pimp Big Al, and Maureen's junkie boyfriend Gabe. Georgie has a crush on Jude, while Jude unrealistically fantasizes about a normal married life with Gabe. All the while, Jude is also trying to elude the sadistic Mink, who she inadvertently crossed
Police detective Jacques Laniel's life becomes a nightmare the day drive-by shootists gun down his partner Thomas Colin. His colleagues make matters worse by blaming him for the death, and after his wife leaves him, Laniel decides to quit the force and launch a private investigation into Colin's murder. Soon afterward, Laniel finds the bullet-riddled body of famed author and literature professor Zachary Osborne tied to his car hood. The professor's wife hires Laniel to solve the murder, but what the detective finds is ugly: Osborne was a part of a lucrative land-speculation deal that involved the sale of a crumbling old rectory that had been turned into a halfway house called the Haven of the Monsters. The name is apt, for all the residents are convicted killers who were given inordinately light sentences. When Lanier starts questioning the Haven's tenants and their crimes are revealed via flashback, it takes on the character of a David Lynch production.
A psychotic man and an obsessed police officer make life unbearable for an unlucky actor by making him the scapegoat for a string of kidnappings.
At the trial of a judge who was found with a prostitute, a list of clients pops up. It contains the names of some very influential judges and politicians. Then, dead bodies and death threats erupt. Jacques is the trial judge and his own life seems to be in danger...
Her publisher forces Marianne to rewrite the manuscript of a novel she wrote and burned in a fit of anguish. Her obsession with her story where the characters she creates murder her own husband becomes overwhelming. She comes to believe he is leading a double life and she imagines the worst. As a matter of fact, her husband Robert is leading a double life: every day, at noon, for a year, he has locked himself up in a small hotel room to also write a novel.
Fleeing from some other children who want to beat him, Olivier meets the ghost of a Pirate who every hundred years tries to find a parchment. Olivier agrees to help him. But in doing so he is captured by a bunch of pirates. The other children of the village discover a door thru time and space in an old haunted house and decide to rescue Olivier from Captain Monbars' pirates.
In this melodrama, Marie and Pierre (Danielle Proulx and Marc Messier) are a comfortably middle-class couple who want the ultimate accessory: a baby. Their efforts to conceive naturally have been unsuccessful, so they decide to try using the newest artificial methods of conception. Unfortunately for them, the clinician they contact for help is also given to conducting unauthorized experiments on the human lifespan, cloning, etc. Eventually the fertilization effort is successful, and Marie has conceived quadruplets. The couple discusses this situation while driving, and are killed in an auto accident.
Even though the protagonist of the Canadian Femme De L'Hotel is a female filmmaker, one would think twice before suggesting that this effort by Swiss-born director Lea Pool is autobiographical. Paule Baillargeon portrays a well-known director who returns to her home town of Montreal to film a high-budget musical drama. At her hotel, Paule has a brief but unsettling encounter with a suicidal elderly woman (Louise Marleau). This element of the plot is briefly forgotten as we get to know the actors in Paule's current project. Then she meets the old lady again, and with mounting incredulity Paule discovers that the actual events in the woman's life mirror the fictional events in the director's film.
In a strangely aloof and uninvolved story of incest, director Brigitte Sauriol takes a certain distance in her treatment of a couple with two daughters on a summer vacation in Quebec. Scenes with the father and older daughter soon reveal that an incestuous relationship has been going on for a long time, without the mother's knowledge. The older daughter tries to run away at one point and talk to a friend about her plight, but that does not turn out successfully. She begins to suspect her father is starting to violate her sister as well. When the mother accidentally catches her husband with the younger daughter, she reacts with anger, but after her husband promises to reform, she calms down and eventually takes his side against her daughters.
On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.
In a little village at the end of the 1890's, a young woman offends all the 'right-thinking' villagers by allowing men in her house in the absence of her husband. When he is found dead, all of the suspicion is directed towards the liberal woman. She is judged more for her morality then for the crime she is accused of. Her culpability is still a subject of debate today.
A young police officer goes through Abitibi to take a train with a young convict who escaped from her orphanage.
A television host tries to react to the process of alienation that the public is subjected to from variety shows.
Normande St-Onge works as a clerk in a pharmacy and takes dance classes with the dream of being a cabaret dancer. Her mother, Berthe, has been confined to a mental institution by Normande's uncle, the wealthy lawyer Jean-Paul. But Normande, who does not believe her mother is insane, kidnaps her from the institution and brings her home. Also living with them is Normande's sister Pierette, who has asthma and a drug addiction, Normande's boyfriend Bouliane, who is unemployed and in no hurry to find a job, and a strange young magician named Carol she took in after he was kicked out of his home. All of these people depend on Normande in various ways and exploit her; Normande, desperate to be loved, is driven mad by the demands of her parasite family. When she receives an eviction notice stating that the building will be demolished and rebuilt into a restaurant, it all becomes too much for Normande and her mind retreats into fantasy to protect her from the harsh realities.
Although he is something of a layabout, and is still living with his mother, her death comes as something of a shock to Louis Pelletier (Gilbert Sicotte). Still, he has hopes of some sort of legacy and believes that his relatives will help him find a job. All his hopes are dashed when, before the funeral, his three aunts come to Quebec City to settle their sister's estate. As grasping and efficient a crew as ever strode a parlor, by the time they leave, the estate has been cleaned to the bones, as if by vultures.
A half-cast used cars salesman wants anything from the white society and is ready to do anything to get it. But when he is accused of murdering his half-sister who was killed with his rifle, he flees to an indian village. He doesn't feel any more at home there than in the white city. He decides to go back to find and punish the killer.
