Regine Kühn
Three people from very different walks of life meet at a large construction site. Young, unmarried, self-confident construction manager Linda Hinrichs dedicates herself completely to her work and enjoys living more independently then most women. Daniel, a student works on the construction site to make money during his summer holiday, and impresses Linda with his spontaneous energy and idealism. Brigadier Böwe, an older, divorced man works his way from one construction site to the other and has lost his own personal happiness on the path to developing what was seen as officially suitable social standards. Both men try to win Linda over, not realizing that they are taking her freedom away from her.
The year 1933: Successful actress Maria Rheine is in love with her Jewish colleague Mark Löwenthal. When the Nazis implement the racist Nuremberg Laws, their relationship is severely endangered. Defiant Maria decides to stay together with Mark and ends her promising career: She assumes a Jewish identity and continues to work under the name Manja Löwenthal. She and Mark perform at the Jewish Theatre in Berlin, until they become victims of an intrigue: Their colleague Judith, who has a crush on Mark, denounces them to the secret police.
The fun-loving, 26-year-old architect Franziska Linkerhand (Simone Frost) works for a famous professor. Yet, she feels restrained by her dependence on him and longs to take risks. When her marriage falls apart, she moves to a small town for a fresh start. Franziska approaches her new life with vigor and idealism. Many of her colleagues have given in to the dictates of economic restrictions and prefabricated apartment blocks; but Franziska hangs onto her ideals and, as in her private life, is not willing to compromise…
Eduard and Charlotte live an isolated and idyllic life together. But soon Eduard feels that something is missing and he invites his friend Otto to come stay. Charlotte, meanwhile, decides that her foster daughter Ottilie should come live with them. Complex and passionate relationships between the four people begin. Based on Goethe's novel of the same title.
Susanne and Christian get to know each other during a wonderful week in summer - and fall in love. This, however, leads to conflicts: up to now, Susanne has been living with Wolfgang, a biologist. This shared life was harmonious and based on mutual trust. Wolfgang is not only resolute and in full command of social situations; he has also always been the stabilizing force in the relationship. This is precisely why Susanne now feels drawn to the unsettled, unsteady and frivolous Christian, the complete opposite of the calm, well-balanced Wolfgang. And Christian, working as a shift boss on a natural gas derrick, has become more aware of his personal and social responsibilities as a result of loving Susanne.
