Ren Yamamoto
A wealthy matriarch is kidnapped by a gang of three. She is insulted by the amount of money they propose to demand as ransom, and a strange interchange of roles takes place.
During the military phase of the Meiji Restoration of 1868, Sentaro joins a local militia loyal to the Tokugawa Shogunate in order to fight Imperial troops. But Sentaro's friendship with a pickpocket, who switches sides whenever it suits his needs, leads to complications that could cost Sentaro his life as they infiltrate enemy lines.
The Americans are swiftly closing on Okinawa, an island just south of the Japanese mainland. The Imperial command sends top generals and several army divisions to defend it at all costs. The mission quickly degenerates as vital resources and troops are diverted to other islands. After a civilian evacuation ends in tragedy most of non-combatants are forced to remain on the island. Many convert to soldier status. Tokyo sends mixed messages that squander time and resources, as when they order the defenders to build an airstrip for aircraft that never come. The truth soon becomes obvious: the high command decides that the island cannot be held and effectively abandons the Okinawan defenders. When the Americans land many troops are deployed in the wrong places. As the slaughter mounts, a suicidal attitude takes hold. Okinawa becomes a death trap, for civilian volunteers and non-combatants as well.
Farmer Abare Goemon is confronted by brigand-like samurai. He raises an army of farmers to fight them and does so brilliantly. When Lord Asakura sees the success Goemon has achieved, he attempts to recruit him to fight in a conflict between Asakura and another clan. Goemon refuses, and Lord Asakura sets out to destroy him.
Osami, a soldier-of-fortune from Japan, joins with priest Ensai in a quest for the ashes of the great Buddha. Their journey takes them to a kingdom in the Middle East, where they find intrigue and romance in the court of an evil king.
Gaira, a humanoid sea beast spawned from the discarded cells of Frankenstein's monster, attacks the shores of Tokyo. While the Japanese military prepares to take action, Gaira's Gargantua brother, Sanda, descends from the mountains to defend his kin. A battle between good and evil ensues, leaving brothers divided and a city in ruins.
During WWII, a human heart taken from Dr. Frankenstein's lab and is kept in Japan where it gets exposed to the radiation of the bombing of Hiroshima. The heart grows in size, mutates and eventually becomes an indestuctable humanoid. Later, a reptilian monster goes on a rampage. Eventually the Frankenstein creature and the reptile face off in a terrible battle.
February 17 to March 3, 1860, inside Edo castle. A group of assassins wait by Sakurada Gate to kill the lord of the House of Ii, a powerful man in the Tokugawa government, which has ruled Japan for 300 years. They suspect a traitor in their midst, and their suspicions fall on Niiro, an impoverished ronin who dreams of samurai status, and Kurihara, an aristocratic samurai who befriends Niiro. Niiro longs to identify his father, knowing he is a high-ranking official who will disclose himself only if Niiro achieves samurai status. With American ships in Japan's harbors, cynicism among the assassins, and change in the air, Niiro resolves to reach ends that may prove ephemeral.
In 1943, the Aleutian island of Kiska was fortified by a small contingent of Japanese soldiers. When word arrived of an impending attack by an overwhelming force of Americans, the Japanese Navy attempted one of the most daring and unlikely evacuations in military history. This is that story.
A typhoon washes ashore a giant egg. Before it can be studied, the local villagers claim the egg and sell it to greedy entrepreneurs. The Shobijin soon arrive to plead for the return of egg as it belongs to Mothra. At the same time Godzilla arises near Nagoya, washed ashore by the same typhoon. It is now up to Mothra defend its egg and Japan from Godzilla.
Set at the end of the Siege of Osaka this film follows the exploits of several members of the defeated Toyotomi clan as they cope with the post battle chaos and the persecution of the Shogun's army. Five samurai decide on different fates when it becomes clear that their side is being destroyed. One wants to attack the enemy head on in a final honorable death. Another decides to commit hari-kiri but wants to find a glorious view to do it. His close friend, the "coward", just wants to run and give up the life of a samurai. The final two set their own castle on fire to garner favors from the enemy and therefore avert their own death during the massacre of all defeated soldiers as
This Japanese action-adventure is set in the 17th century when all forms of swordplay were banned. One fighter, an excellent swordsman believes the law is unfair. His brother keeps his opinions about the law to himself. The swordsman vents his frustration by cutting off the thumbs of an enemy. The fighter is then banished. To live, he becomes a thief. To restore the family's lost honor, the other brother is forced to challenge the fighter to a duel.
A salaryman's drunken ravings in public attract the attention of journalists who coerce him into telling them his life's story.
Godzilla emerges from an iceberg and heads towards Japan. A Japanese pharmaceutical company subsequently captures King Kong and brings him to Japan. When Kong escapes he heads on a collision course straight to Godzilla.
The story tells of a group of samurai who were left leaderless (becoming ronin) after their daimyo (feudal lord) was forced to commit seppuku (ritual suicide) for assaulting a court official named Kira Yoshinaka, whose title was Kōzuke no suke. The ronin avenged their master's honor after patiently waiting and planning for over a year to kill Kira. In turn, the ronin were themselves forced to commit seppuku for committing the crime of murder.
Soldiers on the front lines in China during World War II are besieged by guerrilla attacks and attempt to destroy an enemy fort.
During the raging war between the Toyotomi and Tokugawa clans, the swordsman Mohei (whose family has been completely decimated) is recruited by Toyotomi to overcome the seat of power, Osaka Castle. Mohei's daredevil skills will be put to severe tests.
Shipwreck survivors are found on a presumably uninhabited and irradiated island called Infant Island. A joint expedition of Roliscan and Japanese scientists explore the island and discover the Shobijin, the twin priestesses of the island's deity, Mothra. When a greedy businessman kidnaps the fairies for profit, the divine Mothra sets out to rescue them.
An early Okamoto yakuza film, though it's not in the Underworld series (along with The Last Gunfight and The Big Boss) despite being alternatively known as "Death of the Boss." While Okamoto did not write this film and took on the project because he was assigned and "just doing [his] job" according to an interview with Chris Desjardins in Outlaw Masters of Japanese Film, he did express a general excitement about working in action cinema (which shows through in this film's energy.) I have no plot to share, unfortunately, so I'll just add a few more screencaps than usual to make up for it.
A librarian is subject to a scientific experiment which goes wrong and transforms him into 'The Human Vapour'. He uses his new ability to rob banks to fund the career of his girlfriend, a beautiful dancer. The Human Vapour is ruthless in his quest for money and kills anyone who stands in his way, especially police. He soon becomes Tokyo's most wanted criminal. Can he be stopped before he kills again?
Follow-up to Desperado Outpost (1959) sees Japanese soldiers seeking the flag of a defeated regiment in China.
Men are being murdered by a psycho called "The Telegian," who uses a matter-transmitting device to locate his victims.
Chuji Kunisada returns to his home village to find that Jubei Matsui, the corrupt magistrate, has been responsible for virtually destroying Kunisada's family. A final tragedy leads Kunisada to join with a band of rogues living in the forest in robbing from the rich and giving to the poor, always with an eye toward avenging himself on Magistrate Matsui.
The altered American release of Godzilla Raids Again. Originally meant to be known as the The Volcano Monsters, the film was eventually released as "Gigantis."
Ryuta and Mineo Komatsu are brothers, both yakuza (gangsters). Mineo, although complicit in crime, even murder, wants out of the gangster life, hoping to become a successful singer instead. Ryuta loves his brother, but Mineo's possible defection presents problems for the gang, and Ryuta realizes he must kill his brother if he wants to survive.
When Sergeant Okubo's brother is murdered at a Japanese outpost in Northern China during the Second World War, Okubo poses as a war correspondent and seeks out his brother's killer.
Lord Taro must deliver a money chest but is robbed by brigands led by Jibu. One of Jibu's men, Rokuro, steals the money from Jibu, but after meeting and befriending Taro, Rokuro decides to return the money to Taro. But Taro's unscrupulous brother Jiro falsely accuse Taro of the theft, and Taro reactively joins the outlaw band and encourages them to steal from the nobles and give to the poor.
Edmund Rostand's play Cyrano de Bergerac, transplanted to Japan. A poet-warrior with an oversized nose (matched only by his great heart) loves a lady. But she sees him only as a friend, so he helps another man to woo her by giving him the poetry of his own heart.
In the Tokugawa Era, the clan of Lord Yagyu has hidden away three scrolls containing clan secrets which, if revealed, would cause revolution and disaster for the clan. The information is divided among the three scrolls, all of which must be possessed for the secrets to be understood. When Princess Yuhime steals the scrolls, Tasaburo, a samurai with magical powers, and his brother Senshiro are sent to retrieve them.
A husband and wife's pet peeves and minor irritations escalate into major rifts and animosity.
A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.
A 400-foot (122-meter) fire-breathing dinosaur, awakened from undersea hibernation off the Japanese coast by hydrogen-bomb testing, attacks Tokyo.
The first instalment of Toho's Shacho (Company President) comedy series featuring Hisaya Morishige and lasting until 1970 with over 30 instalments. Simultaneous screened along with Samurai III: Duel at Ganryu Island.
After years on the road establishing his reputation as Japan's greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region's finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school's followers. While Otsu waits, Akemi also seeks him, expressing her desires directly. Meanwhile, Takezo is observed by Sasaki Kojiro, a brilliant young fighter, confident he can dethrone Takezo. After leaving Kyoto in triumph, Takezo declares his love for Otsu, but in a way that dishonors her and shames him. Once again, he leaves alone.
Two fishing scout pilots make a startling discovery when they find two giant monsters on a remote island. One is a new monster dubbed Anguirus, and the other is a second Godzilla. The two monsters make their way to Osaka as Japan braces for tragedy.
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food. A giant battle occurs when 40 bandits attack the village.
Japan is thrown into a panic after several ships explode and are sunk near Odo Island. An expedition to the island led by paleontologist Professor Kyohei Yemani soon discover something more devastating than imagined in the form of a 50 meter tall monster whom the natives call Gojira. Now the monster begins a rampage that threatens to destroy not only Japan, but the rest of the world as well.
A legendary gangster raises himself out of a small town and gathers followers on his rise to power.
A wandering Jirocho stumbles upon his wife's possible murder and has other adventures while on the run.
The conflict of Ishirō Honda’s second narrative feature, The Skin of the South (Nangoku no hada), lies at the crossroads of science, faith, and economic prosperity. When a group of young geologists declares a mountainside marked for residential development unstable, they are met with scorn on two fronts. On one end, they must contend with the local villagers who balk at the prospect of relocation; on the other, they face the ambitions of the headstrong lumber baron, whose actions will only further destabilize the land. Their pleas for reason ignored, the scientists can do little but observe as nature runs its inevitable course. With this film, Honda not only keyed into the theme of man’s subservience to his environment which would resonate throughout his career, but also ignited his working relationship with one of Japan’s defining cinematic craftsmen, Eiji Tsuburaya.
