Renato Terra
With never-before-seen footage, shows and rare interviews, the series bets on the irreverent way of the Brazilian music to narrate its own trajectory.
Brazilian singer-songwriter Caetano Veloso reflects on his imprisonment in 1968, during the military dictatorship.
If you thought TV shows in which audiences and juries judge musical acts were a relatively new phenomenon, you'd better think again. In the 1970s, such "festivals" were incredibly popular in Brazil. They were recorded before a live studio audience, and usually featured a number of elimination rounds. They also formed the springboard for the career of many a big-name star, such as Chico Buarque, Caetano Veloso, Roberto Carlos and Gilberto Gil. Appearing on such a program was no cakewalk, however: audiences could be as wild in their condemnation as in their appreciation of an artist. Extensive archive footage (including performances and behind-the-scenes interviews) from a turbulent final of the Festival of Brazilian Popular Music one evening in 1967 paints a fascinating picture, not only of the transformation of Brazilian music into real "festival" music, but also of a society starting to buck against the yoke of military rule.
The story of Padre Pio (1887-1968) from the onset of the stigmata during World War I, when he prayed that soldiers' suffering be his, until his death. The story is told by Emilia, Pio's friend, to a Vatican official reviewing Padre Pio's potential canonization. We watch local people venerate the humble Capuchin monk, we see petty jealousies within the Church almost bring him down, and we experience his decision to build a Home for the Relief of Suffering, a labor of love begun just after World War II. Emilia and her husband Dr. Sanguineti work tirelessly beside the humble but sensible Pio.
Sandro is a well-known journalist and he is conducting a survey on human selfishness. Every man and every woman he meets turns into a theme for his inquiry. Even his own wife, Titta.
A group of Italians take a flight to Sweden: among them there are the tourists, and the immigrants.
In the first episode, Quirino tries to conquer co-worker Gabriella. In the second episode, Prof. Beozi tries to avoid a scandal. In the third episode, Guglielmo passes all tests in order to become reader of the television news brilliantly, although the commission works with all subtleness's to exclude him.
Four petty criminals pretend to be friars escaped from communist Hungary and go and live in a Sicilian convent
Orson Welles stars in this familiar Old Testament tale about the Philistines and the Israelites. When the Philistines attack, the Israelites are hopeless against the fierce giant Goliath and don't know what to do. King Saul takes the advice of the prophets and sends an adolescent shepherd, David, into battle to conquer the oversized Philistine. David is victorious and becomes the King of Israel.
Best friends Peppe and Mario are thieves, but they're not very good at it. Still, Peppe thinks that he's finally devised a master heist that will make them rich. With the help of some fellow criminals, he plans to dig a tunnel from a rented apartment to the pawnshop next door, where they can rob the safe. But his plan is far from foolproof, and the fact that no one in the group has any experience digging tunnels proves to be the least of their problems.
