Renée Gardès
Jean-Joachim Goriot, a merchant who got rich during the Revolution, is obsessed with the love of his two daughters, whose social promotion he wants. He endows them richly, ruins himself to pay their debts, but Delphine and Anastasie do not return his affection and abandon him at the time of his death to run to a big ball.
After five years in the army, Valentin Brû marry a haberdasher. They move to Paris, where Valentin sells frames, while his wife becomes fortune teller. One day, Valentin replaces her, and predict a terrible event which will happen.
Hakim Gregory escapes from prison by killing a number of guards, and returns to his hide-out abroad, to lead again his gang of drug trafficking and contract murders. Layton of the Secret Service must discover, and arrest him. The difficult mission almost becomes impossible with the rivalry of Layton's partner, Petula, the jealousy of his bride, Marion, the possible treachery of a Spanish woman, Dolores Arrabal, and yet a mysterious and sexy informant, Rosario... Too many women for Layton.
Dany Robin plays the title character in the French comedy Mimi Pinson. The plot is strictly formula stuff, with Mimi being thwarted on all sides by those who have designs on her money and her virtue. Happily, our heroine triumphs over her foes and predators, finding true romance in the arms of Raymond Pellegrin.
What was it about opera diva Grace Moore that attracted the attention of filmdom's top directors? Moore's 1937 American movie vehicle When You're in Love had been directed by Josef Von Sternberg; two years later, her French starrer Louise was helmed by no less than Abel Gance, who a decade earlier had revolutionized the "historical epic" genre with the awesome Napoleon. There was, however, little that was revolutionary in this cinemadaption of Gustave Charpentier's opera. Moore plays Louise, a poor seamstress who is led astray by the rakish Julien (Georges Thill). After falling from grace (no pun intended), our heroine is rescued by her understanding father (Andre Pernet), who demonstrates his forgiveness by singing to her (it is, after all, an opera). Though it played to enthusiastic crowds in both London and Paris, Louise turned out to be Grace Moore's final film; conversely, Abel Gance continued to make commercial potboilers well into the 1970s.
The history of one of France's most famous streets is retold, featuring multiple performances from Guitry himself.
