Renée Stobrawa
A beautiful princess is betrothed to the prince of a neighboring kingdom, and when the time comes, she sets out with a small entourage to wed him. She is given a magic handkerchief by her mother, which she is told will protect her, along with a talking horse. Before she departs, her mother entrusts her to the care of her chambermaid, who promises to look after her. Unknown to the queen, however is the fact that the chambermaid desires the prince for herself, and has been concocting an evil plan to accomplish her ends. With the reluctant help of two bumbling servants, the chambermaid deprives the princess of the magic handkerchief, and tricks her into changing places with her, swearing her to secrecy. Once they arrive at the palace, the maid is taken for the princess, who becomes a goose girl.
A tailor sends his sons away. They each learn a trade and receive a special gift from their teacher.
Der Struwwelpeter is a popular German children's book. It comprises of ten illustrated and rhymed stories, mostly about children. Each has a clear moral that demonstrates the disastrous consequences of misbehavior in an exaggerated way. Writer/director Fritz Genschow adapted Hoffmann's book to the big screen. He made a career doing such films, he had done Hansel and Gretel and would go on to adapt Cinderella, Sleeping Beauty and other family films. Der Struwwelpeter, however, is weirder and darker than the Grimms' tales. They are heavy morality lessons in which children are burned to death, starved to death, or have their thumbs cut off. In Hoffmann's world the punishment usually far outweighs the crime. Genschow provided a happy ending: through the wonders of reverse action children are brought back from their fiery deaths, their thumbs are reattached, and their misdeeds undone through the power of St. Nicholas and some sort of Christmas miracle. (via forcesofgeek.com)
A Jewish manufacturer is accused of murder in this post-war German examination of Weimar-era anti-semitism.
A stuffy old civil servant is forced to retire during World War II, but when his son, a Navy submariner, is lost at sea and his city is heavily bombed by English bombers, his old patriotism is re-awakened and he determines to be of use to his country once again
Theodor Fontane's novel about a young girl who as a teenager marries a stiff bureaucrat, has a love affair out of boredom and loneliness and has to suffer the consequences years later should be well known.
In a transport museum, the items on display begin to tell their stories. Most interesting is the history of the Pullman car. In the beginning, it served as transport for a princely family; then became the headquarters car for the military high command; and then, most adventurous of all, it ended up with a circus. Converted to a bar, it finally had its day and was supposed to serve as a placard carrier. Luckily, the museum saved it from this sad fate.
The formerly wealthy Baron Carl Erich von Wenden is desperate. His debts are out of control and he is forced to give up everything he owns. Since he doesn’t want to burden his daughter Rosy with all of this, he tells her he’ll take a pleasure trip with her … in truth, however, he has to work as an assistant waiter in the evenings, while Rosy stays in the hotel. He constantly fears his daughter will discover the truth; and this is a shame he cannot bear.
After her Prime Minister Lord Melbourne arranges a marriage for her with the German Prince Albert, the young Queen Victoria decides to leave London and spend some time in Kent. While there she meets a handsome young German and falls in love, unaware that he is her intended husband Albert.
Hell on Earth (German: Niemandsland) is a 1931 German film directed by Victor Trivas. The film is also known as No Man's Land in France.
An impression of the state of the world in 1929, contrasting similarities and differences in religion, customs, art and entertainment from all over the world. The film is constructed like a symphony.
