Rex Miller

This is not a documentary about the making of Midnight Cowboy. It is about a dark and difficult masterpiece and the deeply gifted and flawed people who made it. It is about New York in a troubled era of cultural ferment and social change. It is about an era that made a movie and a movie that made an era. The 1969 movie tells the story of two homeless loners who join forces out of desperation and struggle to survive.

8.8/10
10%

Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.

6/10
9.4%

Althea Gibson’s life and achievements transcend sports. A truant from the rough streets of Harlem, Althea emerged as a most unlikely queen of the highly segregated tennis world in the 1950s. Her roots as a sharecropper’s daughter, her family’s migration north to Harlem in the 1930s, mentoring from Sugar Ray Robinson, David Dinkins and others, and fame that thrust her unwillingly into the glare of the early Civil Rights movement, all bring her story into a much broader realm of the American story.

6.6/10

One in four women experience violence in their homes. Have you ever asked, “Why doesn't she just leave?” Private Violence shatters the brutality of our logic and intimately reveals the stories of two women: Deanna Walters, who transforms from victim to survivor, and Kit Gruelle, who advocates for justice.

6.8/10
9.1%

Follows the life and career of Arthur Ashe.

Filmed in five locations on a single day, One Vote captures the compelling stories of diverse voters on Election Day 2016. At times funny, surprising and heart-wrenching, the film eschews partisan politics in favor of an honest portrayal.