Richard Bishop

An audio and visual recording from Seattle in 2004 shows a group that is both aware and committed to its history, while still demonstrating the power of the experimental to drive an enormous cudgel through the heart of those who believe to have all the answers.

“For centuries, man has used organized religion to control the hearts and minds (not to mention the pocketbooks) of the ignorant masses. Well, Richard Bishop has decided he would like a piece of the action. This film is a diabolical experiment in hypnotic mind control—a phantasmagoric presentation of demonic and divine imagery, meticulously assembled and designed to put the viewer into an altered state of darkened awareness. If you ever wanted to go to hell and back, this film will get you halfway there. Some viewers may find the imagery used in this film to be disturbing, but that’s the idea. Contains some strong sexual content (as all true religion should). Not for the weak-minded, faint of heart, or those suffering from occasional seizures.”

Described as ‘The Mardi Gras from Hell’ and ‘Thai Halloween" PHI TA KHON is a ghost festival that takes place every year in the Isan province of Northern Thailand. Filmed on location by Robert Millis and Richard Bishop in June 2004, Phi Ta Khon: Ghosts of Isan, is shot from the perspective of a participant, ensuring an intense and immersive experience for the viewer

Nineteen different songs, skits, and strange behavior filmed live.

Twenty-five different songs, skits, and strange behavior filmed live. Includes film collages by Bonniebon. Filmed by Hisham Mayet, Sun City Girls, and Javier Gallegos.

Seventeen different songs, skits, and strange behavior filmed live. Includes guest appearances by Eyvind Kang and Steve Stone.

In Burma, many people believe in ghost spirits called NATs. They are said to possess the power to assist or devastate the lives of those who recognize them. A PWE is a ceremony held to appease a Nat. Pwes are arranged daily throughout Burma for many purposes including the achievement of success in business, a happy marriage, or improving one's health. A Nat is summoned through a Kadaw; the flamboyant and charismatic master of the Pwe dressed in elegant costume. The Kadaw is a spirit medium, dancer, storyteller, and magician who exposes the crowd to a living incarnation of the Nat brought forth through opening ritual and careful observance of tradition.

Morocco is a land of ingratiating variety and intense contrast. Its people are as diverse as its topography. The cosmopolitan Atlantic coast fuses with the Berber heritage of the northern Rif and Atlas mountain ranges as the ancient Saharan trade routes wind their way from the south into the city of Marrakech, where all points collide, creating a vibrant mixture of the traditional, the exotic and the supernatural.

Folk music of the Sahara is an intoxicating experience of sight and sound captured among the Tuareg and Libyan people of North Central Africa. Filmed from the perspective of actually being one of the performers, this mind-blowing IN YOUR FACE document captures the spirit of Libyan folklore and the essence of emotion armed with pounding rhythms and wailing vocal choruses. Both men and women are featured here equally as overseers of the hybrid forms of expression where central African traditions collide with the tones and colors of the Arab world creating one of the most unique overviews of Saharan folk music ensemble and dance the outside world has ever witnessed. The diversity of faces is extraordinary, every costume is stunning, and the women are among the most beautiful on earth.

Twenty different songs, skits, and strange behavior filmed live. Includes guest appearances by Eyvind Kang and Benayshe-Ba-Equay.

Twenty-two different songs, performances, and other mysterious things (like a film collage by Bonniebon). Filmed by Sun City Girls, Steve Reetz, Javier Gallegos, Zev Acher, M. Healy, and JP/CYK Productions.

A mind control experiment shot and edited at the cable public access studios of Viacom in Seattle (after TCI pulled the rug out from under us). It was supposed to be aired, but Viacom's tech guy screwed up the dub and it never did. So it was released on VHS.