Richard Jones
Julia Alexander, managing a struggling art gallery, wants to save her marriage with Tony, a successful, but unfaithful plastic surgeon. The British ex-pats live luxuriously with their 10 year old daughter Isabelle in Spain. Julia is serious in her intentions and persuades Tony to take an intimate boat trip together - she also ends her affair with her lover Matthew. But her best laid plans backfire as young Isabelle secretly stows away on the yacht and during their voyage they encounter another yacht stranded at sea and decide to investigate.
When three women living on the edge of the American frontier are driven mad by harsh pioneer life, the task of saving them falls to the pious, independent-minded Mary Bee Cuddy. Transporting the women by covered wagon to Iowa, she soon realizes just how daunting the journey will be, and employs a low-life drifter, George Briggs, to join her. The unlikely pair and the three women head east, where a waiting minister and his wife have offered to take the women in. But the group first must traverse the harsh Nebraska Territories marked by stark beauty, psychological peril and constant threat.
Live performance, Bayerische Staatsoper, 2011. The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.
Lt. Dave Robicheaux, a detective in New Iberia, Louisiana, is trying to link the murder of a local hooker to New Orleans mobster Julie (Baby Feet) Balboni, who is co-producer of a Civil War film. At the same time, after Elrod Sykes, the star of the film, reports finding another corpse in the Atchafalaya Swamp near the movie set, Robicheaux starts another investigation, believing the corpse to be the remains of a black man who he saw being murdered 35 years before.
When brash Texas border officer Mike Norton wrongfully kills and buries the friend and ranch hand of Pete Perkins, the latter is reminded of a promise he made to bury his friend, Melquiades Estrada, in his Mexican home town. He kidnaps Norton and exhumes Estrada's corpse, and the odd caravan sets out on horseback for Mexico.
Luke Wilson plays a good-hearted ex-con who gets a job in a retirement hotel. Three elderly residents help him win back his girlfriend as he lends them a hand in fighting hotel corruption.
U.S Marshal Mike Donovan has dark memories of the death of his first love. He keeps peace between the Americans and the natives who had temporarily adopted and taken care of him. The evil actions of a white sorcerer lead him to confront the villain in the Sacred Mountains, and, through shamanic rituals conquer his fears and uncover a suppressed memory he would much rather deny.
Novalee Nation is a 17-year-old Tennessee transient who has to grow up in a hurry when she's left pregnant and abandoned by her boyfriend on a roadside in Sequoyah, Okla., and takes refuge in the friendly aisles of Wal-Mart. In short order, some eccentric, kindly strangers "adopt" Novalee and her infant daughter, helping them buck the odds and build a new life.
Fletcher Reede is a fast-talking attorney and habitual liar. When his son Max blows out the candles on his fifth birthday he has just one wish - that his dad will stop lying for 24 hours. When Max's wish comes true, Fletcher discovers that his mouth has suddenly become his biggest liability.
An aging cowboy must choose between his desire to remain free and the responsibilities of maintaining a family.
Gary is turning into a dinosaur, and Eric must find the cure. This becomes a globetrotting journey into everything dino while searching for the magic waters needed to stop Gary's odd transformation. Will Eric be too late? Get ready to meet the Garysaurus!
