Rina Franchetti
A man leaves home on errands and is "kidnapped" by a sunny Rome.
Two factory workers living in Northern Italy form a romantic connection. The woman, torn between the freedoms of the North and her traditional Sicilian values, slowly allows herself to love...
A decadent countess (Françoise Prévost), middle-aged but still attractive, forces her young and timid daughter (Agostina Belli) to marry a rich butcher. But the couple’s sexual relation is troubled, because the girl has her fair share of inhibitions. So she abandons her house and seeks refuge at her sister’s place. During her absence, her husband finds consolation in his mother in law’s arms.
A speed-boat racer suffers amnesia after an boating accident and goes to his isolated villa to recuperate. His relationship with his wife is troubled, so he starts an affair (sort of) with the another woman, which results in one of the three of them being shot. But there are several more twists--and more murders--to come.
In 1866 New Mexico, Tom Corbett is a prospector who is called back to his hometown in Laramie Town, Texas at the bequest of a old family friend. Tom arrives in the town to see it under the control of a ruthless and greedy gangster named Jason Scott, who's psychotic and murder-crazed son, Junior Scott, runs it with fear with a posse of thugs who kill anyone who protests their business tactics. Tom finds his brother Jeff, a drunkard looked after by their family maid Mercedes. Tom then tries to persuade Jeff to help him take down the sadistic Scotts so the town can rest easy in peace and harmony again.
Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
When a singer (Susanne Loret) is horribly disfigured in a car accident, a scientist (Alberto Lupo) develops a treatment which can restore her beauty by injecting her with a special serum. While performing the procedure, however, he falls in love with her. As the treatment begins to fail, he determines to save her appearance, regardless of how many women he must kill for her sake.
In The White Angel, Raffaello Matarazzo’s sequel to his blockbuster Nobody’s Children, the perpetually put-upon Guido and Luisa return for a new round of trials and tribulations.
