Rio Kishida
An omnibus mystery supervised by Akio Jissôji. Includes "Den Ace Dies," "Eating Woman," and "Sayoko's Love."
A collection of omnibus mysteries supervised by Akio Jissôji which was scheduled to be released under a different title. Features: "One Coin Drip Dream", "News ..." and "Don't bully people".
Naran and his five brothers and sisters are returning to the family farm for summer. During the rest of the year, they must attend school in the city. Once they arrive, the family heads off to summer pastures for their horses and sheep. One day, Naran meets a lone minstrel and hears the tale of Sukh and his white horse who win the great Naadam horse race. Naran is deeply moved and swears that he will compete in the race with his own beloved white horse.
A mysterious mystery series produced by young directors under the call of director Akio Jissoji. Includes 3 episodes of "Kaguyahime", "Barber" and "Annunciation".
Summer Vacation tells the story of four teenage students who spend their summer vacation at school – unsupervised and untouched by the outside world.
A decadent count in 1920′s Japan becomes obsessed with the life and works of the Marquis de Sade. He creates a theatre to show plays adapted from the notorious writer’s novels and recruits thieves, prostitutes and low lives to act out his fantasies on stage for the delectation of his rich, jaded friends. In search of new sensations the nobleman orders one of the actors, on pain of death, to make love to the nobleman’s wife while he watches. Unfortunately, this incursion of real life into his fantasy world will have dire consequences for the count and his divinely decadent coterie.
Nagare, a painter who wanted to commit a lover’s suicide with Mizue, the wife of his friend and patron Takigawa. Growing afraid at the last moment, he doesn’t go through with it – but Mizue sinks to the bottom of Blue Lake. Some time later, Nagare follows an invitation by Takigawa, who claims to have forgiven everything. To Nagare’s shock, Takigawa’s new wife, Ameko, looks exactly like Mizue. While staying as Takigawa’s guest, Nagare becomes haunted by Mizue’s ghost, who wants to be reunited with him at the bottom of Blue Lake.
A surreal, isolated village sees its inhabitants gradually leave behind their mutual traditions and superstitions as they leave for the city. Among them are two cousins who love each other and who get into a quarrel with other villagers.
A girl loves a rich and much older man and is willing to do everything he wants to show her love, but he is playing a sick game with her. As part of this game he sends her to a Chinese brothel. A poor young boy sees her and falls in love with her. To get the money needed to sleep with her, he joins "the revolution". Additionally the movie shows the fate of some of the other prostitutes.
17 year old Saki lives in a run-down hack with her mom who survives by pushing a food cart from dawn to dusk. Saki has dropped out of school, and when she's not helping her mother selling noodles in the streets, she's playing flesh-games with boyfriend Sotoo. In her spare time, the girl also entertains a truck driver named Ataru. She believes her promiscuity is a trait inherited from her mom. Determined to improve her lot in life (she doesn't want to grow up like her mother), Saki decides to stop seeing the two guys. The sizzling Japanese Tatsumi Kumashiro’s erotic drama 'Shoujo Shofu: Kemonomichi' (aka 'Whore Girl - the Animal Trail' distributed internationally as 'Path of the Beast'), offers a venue for sex kitten Ayako Yoshimura to reveal choice areas of her nubile frame.
In this 40-minute avant-garde film based on a story by the surrealist writer Kyoka Izumi, director Shuji Terayama uses the pretext of a young man’s determination to recover the lyrics and music to a song he loved in his childhood in an exploration of widely variant perceptions of reality. Akira is haunted by a "bouncing ball" song that he remembers his mother singing when he was a small child, and now on the verge of a sexually active adulthood, he wants to find the origins of the song. The young man ostensibly wanders into a time-warp in which aspects from his childhood and adulthood mix together. In this never-never land he comes across a beautiful woman/witch who is lost inside the labyrinth of her mansion, just as the young man is lost in the labyrinth of time — and on some levels, perhaps the labyrinth of his subconscious.
Three stories. A solitary sailor falls from his boat and washes ashore on a tropical island. While seeking rescue, he's found by a nearly naked woman who is playful and compliant. He decides to erase his signs of distress and remain on the island. What awaits? In the second, an adolescent searches for the words of a nursery rime he remembers bits of. His journey takes him into dreams, sexual awakening, and Oedipal fantasy. Third, a man of wealth in late-nineteenth century Paris hires a prostitute for the night. She's also cabaret performer and takes him to her room. He fears he's about to be robbed. What's her secret?
Shuji Terayama and J.A.Seazer's phantasmagoric folk-psych-symph-prog-rock opera. Historical Tenjo Sajiki performance from 1978.
Using bluescreen video techniques, Terayama playfully—and with a silent film theatricality—posits a series of postmodern vignettes featuring realities-within-realities as his protagonist attempts some kind of relationship with a nude woman on the screen-within-the-screen. In his struggles to “free” her, he exposes the absurd flimsiness, deceptiveness and mutability of both the cinema experience and our human dimension.
Akira and Hiroshi are two lowlives who hang around pachinko parlours. Hiroshi is a ladies' man but always loses at pachinko. Akira is a virgin at 25 but always wins. Hiroshi tries to get Akira laid with little success but things change when Akira is informed of a 88 million yen inheritance.
A young boys' coming of age tale set in a strange, carnivalesque village becomes the recreation of a memory that the director has twenty years later.
