Robby Krieger
A hybrid concert and documentary capturing a 2016 performance in Los Angeles, CA by surviving Doors members John Densmore and Robby Krieger to honor fellow Doors member Ray Manzarek on what would have been his birthday on February 12th. The film also includes rare archival footage of the band, conversations with Jim Morrison and Ray Manzarek, and esteemed music journalist Ben Fong-Torres, as well as new interviews with John and Robby. Proceeds from the LA concert were donated to Stand Up for Cancer as selected by Ray Manzarek.
Featuring all-new, original interviews with Jackson Browne, Don Henley, Michelle Phillips, Graham Nash, Linda Ronstadt, Bonnie Raitt, Roger McGuinn and more, this uniquely immersive and experiential two-part docuseries takes us back in time to a place where a rustic canyon in the heart of Los Angeles became a musical petri dish.
In this uplifitng documentary, stars and musicians from across the industry speak to the power and importance of music in society. Here we examine how close we came to not having many of the incredible artists who we cherish today had it not been for arts programs. Music has the power to inspire and change world, and that starts with our supporting young talent.
Filmed on August 1970, 2AM, in front of 600,000 people, with Jim Morrison’s ongoing Miami obscenity trial still weighing heavily on the band, they traverse such staples as “Roadhouse Blues”, “Break On Through (To The Other Side)”, and “Light My Fire”.
The Blu-ray disc that accompanies the expanded version of THE SINGLES features a high-resolution Quadraphonic mix of The Best Of The Doors. This 11-song compilation, available on Blu-ray for the first time, was remixed specifically for Quad in 1973 and offers a unique sonic experience on songs like “Soul Kitchen,” “Moonlight Drive” and “Love Me Two Times.”
550 artists were interviewed over ten years. At some point during those interviews, they were asked a question and told to answer with one word only. Some stuck to one, some said more, some answered quickly, some thought it through, and some didn't answer at all. That question… Lennon or McCartney?
Combining early TV appearances with their own music films, it illustrates how The Doors evolved from the constraints of late sixties television to a point where they had the creative input and power to shape how they were portrayed on screen. Throughout the unique charisma and talent of The Doors comes across, whether it be on a lightweight pop show or on a film created from their own imaginations, along with some of the most influential music ever made. Bonus Features: Commentary by Doors members John Densmore, Robby Krieger and Ray Manzarek plus Bruce Botnick and Jac Holzman / Performance of "Break On Through (To The Other Side)" from the Isle Of Wight Festival 1970 / 45 minute documentary: The Doors - Breaking Through The Lens / "Love Thy Customer" - 1966 Ford training film with music by The Doors / Outtakes: Malibu U 1967.
“Mr Mojo Risin’” is the story of the making of the Doors’ last album with Jim Morrison “L.A. Woman”. 2011 is the 40th anniversary both of the album’s release and of the death of Jim Morrison and this programme goes into detail of how the album came about, its recording and what was happening to the band at the time. The story is told through new interviews with the three surviving Doors: Ray Manzarek, Robbie Krieger and John Densmore plus contributions from Jac Holzman, founder of their label Elektra Records, Bill Siddons, who was their manager, Bruce Botnick, engineer and co-producer of the album and others associated with the Doors at this time. The show includes archive footage of the Doors performing both live and in the studio, classic photographs and new musical demonstrations from the Doors.
The creative chemistry of four brilliant artists —drummer John Densmore, guitarist Robby Kreiger, keyboardist Ray Manzarek and singer Jim Morrison— made The Doors one of America's most iconic and influential rock bands. Using footage shot between their formation in 1965 and Morrison's death in 1971, it follows the band from the corridors of UCLA's film school, where Manzarek and Morrison met, to the stages of sold-out arenas.
A future classic was unleashed in January 1967 as the Doors released their eponymously titled debut album. This documentary in the Classic Albums series takes an in-depth look at the album, with commentary from Bruce Botnick, who worked on the album, and the three remaining Doors--guitarist Robbie Krieger, keyboard player Ray Manzarek, and drummer John Densmore. The three band members also play some of their instrumental parts from the album, offering invaluable insight into how the songs were constructed.
Recorded during the event "Night of the Guitars" at Hammersmith Odeon in London on Nov. 26, 1988. 1. Pete Haycock: Dr. Brown I Presume (4:39) 2. Steve Hunter: The Idler (5:23) 3. Randy California: Groove Thing (5:06) 4. Robby Krieger: Roadhouse Blues (6:57) 5. Wishbone Ash: In The Skin (7:36) 6. Leslie West: Imaginary Western (6:18) 7. Steve Howe: Sharp On Attack (3:18) 8. Alvin Lee: No Limit (4:56) 9. Lee, West, Turner, Hunter: Whole Lotta Shakin' (8:20) 10. Steve Hunter: Black Cat (4:46) 11. Pete Haycock: Lucienne (6:55) 12. Randy California: Hey Joe (5:45) 13. Robby Krieger: Strut A Various (6:08) 14. Wishbone Ash: The King Will Come (8:30) 15. Leslie West: Never In My Life (5:31) 16. Steve Howe: The Clap (5:57) 17. Alvin Lee: Ain't Nothin' Shakin' (6:30) 18. Howe, Powell, California, Haycock, Krieger: All Along The Watchtower (6:44)
Three different TV appearances ('67-'70) including old interviews, performances and the commentaries about specific songs by band members.
This episode of VH1 Storytellers is broadcast on November 22, 2000 to coincide with the release of the tribute album Stoned Immaculate: The Music Of The Doors. All of the performers joining The Doors on this program also appear on the album. This performance would mark the last time that Ray Manzarek, Robby Krieger, and John Densmore ever reunited to play live together as The Doors. Set List: Love Me Two Times (Pat Monahan) / Alabama Song (Ian Astbury) / Back Door Man (Ian Astbury) / Wild Child (Ian Astbury) / The End (Travis Meeks) / Break On Through (Scott Weiland) / Five To One (Scott Weiland) / L.A. Woman (Perry Farrell) / Riders On The Storm (Scott Stapp) / Roadhouse Blues (Scott Stapp) / Light My Fire (Scott Stapp)
Documentary about the making and history of the film Easy Rider.
A collection of short films, interviews and concert footage of the '60s rock band The Doors. Includes three basic video segments: Dance on Fire, Live at the Hollywood Bowl and The Soft Parade. Each of the videos is directed by Ray Manzarek. The "extras" include Ray's two UCLA student films.
American Documentary: A documentary celebrating the 90th anniversary of the Harley-Davidson Motorcycle Co., with news footage, film clips, and interviews with various celebrities who are Harley-Davidson owners.
This historical music video features as its centrepiece The Doors' last televised appearance, aired on PBS in 1969.
Filmed during their 1968 European tour, The Doors are captured in performances in London, Stockholm, Frankfurt, and Amsterdam. Paul Kantner and Grace Slick of Jefferson Airplane, who shared the bill with The Doors on this tour, narrate this compilation.
The Ventures are an American instrumental rock band formed in 1958 in Tacoma, Washington. Founded by Don Wilson and Bob Bogle, the group in its various incarnations has had an enduring impact on the development of music worldwide. With over 100 million records sold, the group is the best-selling instrumental band of all time. In 2008, the Ventures were inducted into the Rock and Roll Hall of Fame.
No One Here Gets Out Alive, The Doors' tribute to Jim Morrison is a full exploration of the controversial and quixotic singer, delving into his fascination with cinema and psychology, mysticism and sexuality, poetry and power. In addition to clips of the band in action, it features interviews with the surviving members of The Doors and many others who were instrumental in creating and maintaining the legend.
An extended special version of the Doors' 1972 appearance on the German TV show Beat-Club
Feast Of Friends, filmed in 1968, was the first and only film produced about The Doors by The Doors. It offers a cinematic look at The Doors on the road during their summer 68 tour. While never truly completed, the film provides a stylistic approach in true sixties cinémavérité style. Concert performances are intercut with fly-on-the-wall footage of the group in their natural habitat, sometimes playful, sensitive, chaotic and touching. Other than a few appearances in film festivals in 1968, an official release would never be seen until now. Completely restored from the original negative, as supervised by Jim Morrison, the film has been color corrected and cleaned in high definition with the soundtrack totally remixed and remastered by long-time Doors collaborator Bruce Botnick.
Sex, death, reptiles, charisma and a unique variant of the electric blues gave the Doors an aura of profundity that has survived the band's demise. In September, 1968, The Doors gave a history making performance at The Roundhouse in London's Chalk Farm. They gave powerful renditions of their best songs. Part of the Pioneer Artist Concert Film Series.
A 1968 concert given by the rock group The Doors at the Hollywood Bowl in Hollywood, California.
In celebration of the 50th anniversary of The Doors final studio album L.A. WOMAN (1971), “The Doors: Live At The Bowl ’68 Special Edition” will transform movie theaters into concert venues, giving Doors fans around the world the closest experience to being there live alongside Jim Morrison, John Densmore, Ray Manzarek and Robby Krieger, who stated, “the magic that has been done to enhance the picture and sound quality of this show will make everyone feel as though they have a front row seat at the Hollywood Bowl. In celebration of L.A. WOMAN, this special event includes a brand-new musical performance and a conversation with John Densmore, Robby Krieger and Doors Manager, Jeff Jampol, filmed exclusively for the big screen.
