Robert Crawford Jr.
A retrospective on the 1969 classic "Butch Cassidy and the Sundance Kid," its impact on the careers of the filmmakers and cast, and how the film made a distinct impact on the Western genre.
Sportswriter Andy Farmer moves with his schoolteacher wife Elizabeth to the country in order to write a novel in relative seclusion. Of course, seclusion is the last thing the Farmers find in the small, eccentric town, where disaster awaits them at every turn.
Scientific whiz-kid Paul moves to a new town to study artificial intelligence at the local university. One of Paul's high-tech inventions is a growly-voiced robot named BeeBee, and one of his new friends is the lovely girl next door, Samantha. When tragic events take both BeeBee and Samantha from him, the boy genius desperately sets out to restore the love he lost — and, like a modern-day Dr. Frankenstein, discovers too late that he has created a rampaging monster.
Based on the John Irving novel, this film chronicles the life of T S Garp, and his mother, Jenny. Whilst Garp sees himself as a "serious" writer, Jenny writes a feminist manifesto at an opportune time, and finds herself as a magnet for all manner of distressed women.
A young American girl and a young French boy meet in Paris and fall in love, with the assistance of an old man and his stories.
A biplane pilot who had missed flying in WWI takes up barnstorming and later a movie career in his quest for the glory he had missed.
Abner Hale, a rigid and humorless New England missionary, marries the beautiful Jerusha Bromley and takes her to the exotic island kingdom of Hawaii, intent on converting the natives. But the clash between the two cultures is too great and instead of understanding there comes tragedy.
The Playhouse 90 teleplay of “Alas, Babylon” unflinchingly portrays the tragic aftermath of a major nuclear conflict with the U.S.S.R, including scenes featuring a child being rendered blind from a violent bomb flash and a character severely disfigured by radiation burns. Narrated in flashback with solemn resignation by noir veteran Dana Andrews, who announces in the play’s first lines that he is already dead (à la Sunset Boulevard), the controversial drama was both lauded and criticized for its grim, daringly honest exploration of a scenario in which “92 percent of the world’s people were killed.”
