Robert Hunger-Bühler
Grey house facades roll by like monstrous walls. Numerous identical windows, creating lines of lights as they pass by steadily. The bike courier Michel pushes through crowded streets of a dystopian city of the future. On behalf of the monopoly Clinair, he delivers oxygen tanks that are now necessary.
Four young Jews survive the Third Reich in the middle of Berlin by living so recklessly that they become "invisible."
When the Nazis secure a heavy water plant to realize their plan to create an atomic bomb, the Norwegian Allies struggle to sabotage the operation.
A young prosecutor in postwar West Germany investigates a massive conspiracy to cover up the Nazi pasts of prominent public figures.
According to the Swiss documentary filmmaker Richard Dindo (1944), the media want to make us believe that Swiss non-alignment during World War II was only a thin veneer around Nazi sympathies and anti-Semitic feelings. This stirred his interest in the story of Paul Grüninger, a Swiss policeman who in the late thirties provided false travel documents to hundreds of Jews who had fled from Austria.
Hundreds of thousands of Indian men and women – indigenous inhabitants and landless farmers – demand their right to existence by making a 400 kilometre protest march from Gwalior to Delhi. How can one fight for one’s rights without using violence? With such an important contemporary question, the film spreads far beyond the borders of India. It shows the multiple facets of this imposing protest march and focuses as well on the daily realities of these proud people.
To fulfill the last will of his mother, the young JAKOB ADLER needs to meet his biological father, who is inmate of a forensic psychiatric hospital for murdering his own brother for over 25 years. Jakob wants to talk to the doctor in charge DR WEISS before and unfolds the true scale of the tragedy that happened long time ago.
With dazzling nature photography, Academy Award®–nominated director Markus Imhoof (The Boat Is Full) takes a global examination of endangered honeybees — spanning California, Switzerland, China and Australia — more ambitious than any previous work on the topic.
A man and a woman at an art exhibition share a fleeting moment of attraction, which neither can act upon. Days later, a chance second meeting leads to an innocent coffee and the two strangers – both married - toy with their unexplainable fascination for each other. Svenja is curious and finds herself in a hotel room with Roland, but she does not consummate an affair. A powerful executive at the large bank where Svenja's husband works, Roland is used to getting what he wants. He manipulates the transfer of her husband to Indonesia to replace a recently murdered bank manager. Unaware of Roland’s actions, Svenja now ceases to resist...
A experimental short based on Igor Strawinskis "Le sacre du printemps" by Oliver Herrmann.
In Dichterliebe (2000), a film by Oliver Herrmann based on Robert Schumann’s song-cycle of the same name, the boundaries between song recital and reality blur. The chosen setting – a night club in the centre of Berlin – creates the intimate, dark salon atmosphere in which the songs might also have been performed at the time they were written. Returning to origins in this way, the film departs from the concert atmosphere in which song-recitals are normally performed nowadays.
It all begins with a mistake, an error with serious consequences: in a hospital the new-born babies of an Austrian couple and a Turkish family of immigrant workers are mixed up and go home with the wrong parents. By the time the mistake comes to light, it emerges that the Turkish family, including the baby, has been deported. The despairing Austrian couple begins a confusing odyssey through Turkey in order to track down the unsuspecting family to their native village. But they are not at all convinced that the babies have been mixed up. It is decided that the only way to know for sure is to have a blood test done. It is decided that the blood work is done in Vienna due to the better medical resources, but that will be far from simple. It will involve an illegal smuggling of the Turks across the Austrian border.
Judit is up to her neck in art studies and the elitist art community but chucks it all to pursue a successful career as a billiard professional -- not exactly a likely alternative in real life, but certainly more lucrative. Just as she is finally at the apex of her chosen second field, Judit encounters male jealously and/or aggression in the form of intentional snubs from this different class of snobs, or in the worse instances, rape. Director Kitty Kino portrays many of the male figures in this film as weak, or drunk, or simply offensive, and because of the emphasis on those traits, the film will raise objections from some viewers. On the other hand, many women might see this film and feel that at least it brings up the difficulties women can face in getting ahead in a male-dominated arena, instead of side-stepping or ignoring the role of male prejudice.
