Rodrigo D'Erasmo
While he is about to rehearse Samuel Beckett's Waiting for Godot in the theater, Stefano Accorsi suddenly finds himself in the dark, empty theater, the doors locked, the collaborators disappeared. What happens? He doesn't have time to understand that the scenery changes again: Stefano is now on the stage set up together with Colin Firth, in stage clothes, to recite the beginning of the opera. Until the spell is broken: we are back to the present, Stefano is in the animated theater of people. He smiles. Whatever happened, the theater is alive, stronger than any closure.
A tribute that Wes Anderson wishes to pay to one of his favourite directors on the occasion of the 100th anniversary of his birth. Together with Francesco Zippel, Anderson has retraced some themes close to Fellini’s own approach to cinema.
