Roger Príncep
Janine works in a bank giving credits to clients to buy houses and receives the offer of a promotion to work in a future branch in China for which she takes Mandarin classes. One night he travels from work to his home on the subway. There is attacked by two young delinquents a very old woman and Janine tries to avoid it. The young follow her and it is then that they steal and attack her sexually. After recovering from the blows and the anguish he gets up and sees his attackers raping a helpless young girl. Janine, instead of taking some initiative to stop them, flees home. From that situation her life is disrupted and her job promotion to China, her consolidated partner and her present as an independent woman become secondary and worthless issues. Janine lives in anguish and tormented by the memory of that traumatic situation. To try to recompose himself, he travels to the countryside to see his father who is a widower and is trying to rebuild his life after the death of his wife.
A group of Spanish boys take advantage of a high roof to ogle a sunbathing woman, but the presence of an adjacent male nude complicates matters.
It is Sunday. A beautiful dawn on a doomed day. At ten o'clock, a happy child is going to die.
Jorge and Enrique are two artist in the post Spanish Civil War times that adopt an orphan child called Miguel. With a varieté company that travel around the country, Jorge and Enrique see the horrors left by the war meanwhile the Republic Army watch Jorge and the rest of the company suspecting that some of them collaborate with the rebels opposite to the Francoist Regime.
A man who will pick up his son at school, watches other children take advantage of the child.
Orense, Spain, 1940, just after the end of the Civil War. Every time Elena locks the door of her home, she and her children become the faithful guardians of a sacred secret: Ricardo, her husband, their father, hides in the house, trying to avoid the brutal political persecution of the victors, who hunt, as if they were wild animals, and imprison or execute, those who have lost the bloody and tragic struggle…
A family seen at two different periods, some 40 years having passed between the two. A dysfunctional family marked by what used to be called an ugly illness, cancer and death. The characters quarrel, hate each other, and refuse to accept in their predecessors what they will eventually, inevitably repeat in themselves. A family marked by relations of rejection, love and hate of the other, the upstairs neighbors, those strangers from a far-off land, Andalusia in the 1960s, Morocco at present, who will also form part of this repetitive game that is life. To what point is everything a metaphor or symbol of our society? Are we really strangers to ourselves?
A woman brings her family back to her childhood home, which used to be an orphanage, intent on reopening it. Before long, her son starts to communicate with a new invisible friend.
