Rokkō Toura
Shuji Kanzaki, who lives in the underworld of Manila, winds up in a fierce battle with Japan's biggest gangster.
University student Akira meets the lovely 14-year-old Yumi, whom he had tutored years ago. Her mother is told by her doctor that the schoolgirl has leukaemia and has only 6 months to live.
Haneda, the president of a company dealing in gold, is shot to death on the Raicho 9 limited express from Osaka to Kanazawa. Detective Kamei begins an investigation in cooperation with the Fukui Prefectural Police. In the Green Car, Detective Nishimoto had noticed a beautiful woman talking to the victim just before he was killed. Looking into her background, she turns out to be Yumiko Miura, living in Setagaya in Tokyo. An eyewitness who claims that she is the murderer also appears, and she is taken into custody. Before long, the victim's unexpected relationships will be revealed one after another...
Haru, an aging scriptwriter, has isolated himself somewhere in the woods of Nagano to work on his first novel. As the last surviving member of his kin, he intends to chronicle the family he grew up in.
All the protagonists move about in a Tokyo Bar that has an entire wall taken up with a black-and-white reproduction of a photo of Monument Valley. The action starts as Billy the Kid, in full living color, walks out of the photo and gets a job as a waiter. Along with him on the working staff are a samurai straight out of the history books, a G.I. from World War II, and several other anachronistic characters. The plot (as such) revolves around keeping away the brutal mobsters and thugs who dominate the city streets outside of the bar, making the tavern safe for its easily recognized facsimiles of well-known characters.
Island of Java, 1942, during World War II. British Major Jack Celliers arrives at a Japanese prison camp, run by the strict Captain Yonoi. Colonel John Lawrence, who has a profound knowledge of Japanese culture, and Sergeant Hara, brutal and simpleton, will witness the struggle of wills between two men from very different backgrounds who are tragically destined to clash.
When a young soldier is killed while trying to prevent his younger sister, Kaoru, from being sold into a life of prostitution, his commander, Col. Miyagi, tries to honor his dying wish to rescue his sister. Upon finding Kaoru at a party working as a geisha and later rescuing her from committing suicide, Col. Miyagi allows her to move in with him. Over time, the two grow close, but in spite of Kaoru's growing feelings for him, Col. Miyagi is unable to bring himself to return her love. On the night of his deployment to war, Col. Miyagi finally admits his feelings for Kaoru, but will they ever be able to enjoy a peaceful life together now that a very violent and bloody military revolt is under way...
The men who surround and torment the young protagonist (demanding teacher, owner of the company that rapes his own daughter, despotic and uncompromising father) are opposed to women (victims of men) as embodiment of salvation.
At a seaside city somewhere in the Tohoku area, the corpses of Nozomi, daughter of an affluent family, and Yamazaki, son of an engineer at the local nuclear power-plant, are found tied-to on a beach, as if they intended to commit double suicide. Nogami, a reporter, begins to investigate.
Toshihiko, a high school boy, hates Kozo, his father, enough to kill him. His mother had lived in terror of him and, at last, broken in spirit, she had left and her pitiful departing figure is still seared in Toshihiko's mind. Soon, Kozo marries Asako who is young and beautiful. An idea forms in Toshihiko's mind to get even with his father for the shabby way he had treated his mother. He wonders if he can do it through Asako.
The 17th NHK Asadora. Starring Youko Asaji as a woman who wants to become a pilot.
A young drifter and a precocious sixteen years old girl slowly form a bond in a small town haunted by its wartime past.
Japan, 1948: Hiroki Matsukata stars as a man facing a nine year prison sentence. He incites prisoners of Shimane Prison to the biggest riot in jail history. A fighter by heart, he sees a way out of any situation, but will he survive this, the gutsiest assault ever attempted?
In 1947, in Kobe, Japan, a local street gang fights for their survival when its turf is overrun by United States occupation forces and international gangs.
Agent Zero is a cop that uses her own methods for dealing with criminals. After she unlawfully kills a rapist in a violent fashion, she is sent to prison and stripped of her badge. But very soon after, a rich politician's daughter is kidnapped by a ruthless gang. Agent Zero is let out of prison with the mission of going undercover to find the politician's daughter and return her safely. Using her deadly red handcuffs, she disposes of the criminals one by one.
Movie based on a book by Kakou Senda about the use of women as sexual slaves by the Japanese Army during WW2.
In the fifth film of the Lone Wolf and Cub series, Ogami Itto is challenged by five warriors, each has one fifth of Ogami's assassin fee and one fifth of the information he needs to complete his assassination.
Kiba is back again, but this time he has fallen from grace and sent to prison for all the violent acts he has committed. Once he's out, he begins working as a bodyguard in a club that is crawling with gangsters.
Minoru visits his home on Okinoerabu island for the first time in thirty years. Seeing the old man who used to be in love with his mother, Minoru recalls the old days spent on the island with his young, beautiful mother.
In Part I we see the young would-be swordsman setting out to achieve greatness in war, achieving nothing because fighting on the losing side, & then beginning his long period of wandering & training, with the goal always in mind of his duel with Kojiro. Part II builds toward that great duel on Ganryu Island, with considerable focus on Musashi's planning & forethought as to how to gain an advantage.
Sunaoko come to Okinawa to find his brother Tsuruo. Her searching is not very painless because it tears up old wounds in complicated relationships, some of which date back to the horrors of war.
Matsu, known to the prisoners as Scorpion, is locked away in the bowels of the prison as revenge for disrupting the smooth operation of the prison and for her disfiguring attack on the warden. Granted a one day reprieve due to the visit of a dignitary, she takes advantage and attacks the warden again. This leads to more brutal punishment and humiliation. But the punishment gives her an oppurtunity to escape along with six other female prisoners. Their surreal flight from prison pits the convicts against the guards, the warden and each other.
A woman takes revenge on her husband after he leaves her for a younger woman by harassing the couple with unwanted phone calls at night.
Detective Kikuchi is sent to Okinawa to investigate why a girl jumped from a window after shooting heroin. There, he encounters the usual assortment of addicts, dealers, pimps and sleazy American GIs.
Undercover cop Kikuchi teams up with the Okinawa local police to clean up the narcotics and prostitution underworld.
The program investigates the secrets behind the success of Japan’s most famous baseball team, the Tokyo Yomiuri Kyojin-gun, affectionately known as the Giants. An interview with Kawakami, the coach at the time, retraces the glorious history of this team, which was Japan’s baseball champion for seven consecutive years, until 1971.
A fearless man confronts a yakuza organization pushing the envelope of extravagant & all sorts of violence.
Oshima’s magisterial epic, centering on the ambivalent surviving heir of the Sakurada clan, uses ritual and the microcosm of the traditional family to trace the rise and fall of militaristic Japan across several decades.
The Shinobi-no-Mono series was so successful that Daiei Studios dipped into the well one more time, making the best 60′s B&W ninja movie ever seen in the otherwise color-dominated year of 1970. Issei Mori directs Hiroki Matsukata as the reluctant leader of a small band of spies charged with kidnapping a noblewoman from a heavily ninja-proofed castle. The finality of the air slowly began to fill like smoke, and in all that had become dark the loyalty of the Ninja who dared to go shone like light as they entered a world shrouded in mystery. Things do not go as planned in what is possibly the darkest and most fatalistic of the already noir-ish 60′s fare. Both the decade and it’s distinctive style of shinobi cinema went out on a high note with Mission Iron Castle.
Michio Yamada, a recent school graduate, is sent to Tokyo to work as a fruit-packer in a department store as part of a government programme. He takes a gun from a house on an American base and uses it to kill several people. The scene changes to Yamada's childhood. Yamada is born the child of a reprobate and a weak-willed woman. As a boy Yamada, experiences poverty and the rape of his sister at first hand.
This period thriller concerns a very famous cat known as the "monster cat of Nabeshima". This cat, a symbol of vengeance in human disguise, takes revenge for the death of its master as well as for the corruption in the feudal system.
This is the story of a bookstore thief named Birdy, who is led through various adventures in Tokyo's Shinjuku district by salesgirl Umeko.
A young female samurai comes upon a dying messenger and agrees to deliver the scroll he was carrying to its destination. However, unbeknownst to her, the scroll is actually a formula for a new kind of gunpowder. An evil clan that is planning to overthrow the Emperor is also after the scroll, and they try to take it from her.
During clashes between demonstrators and police that rage on the streets of Tokyo, a young man hides in the house of his brother - a police officer. The latter is accidentally shot by his wife, which forces the young man to flee with her.
Three students spend their holidays at the seaside where they are mistaken for Koreans, a minority which is looked down on in Japan. The action develops into a crime story.
Zatoichi is forced to kill a young man who owes a debt to a yakuza boss. Moments later, his sister Osode arrives with the money she earned (prostituting herself) to pay his debts. The bosses true motives are revealed and he attempts to steal Osode even though the debt is paid. Zatoichi realizes his grievous error and protects the girl from the gang. Osode and Zatoichi are caught in a dilemma as she must rely on her brother's killer for protection and Zatoichi wrestles with the injustice he has caused.
A samurai kills a blind man who tells him to repay his debts. Because of the samurai's actions his entire family is to bear a terrible curse.
A Korean man is sentenced to death in Japan but survives his execution, sending the authorities into a panic about what to do next.
In the Sengoku period, a woman and her daughter are raped and murdered by soldiers during a time of civil war. Afterwards, a series of samurai returning from the war through that area are found mysteriously dead with their throats torn out. The governor calls in a wild and fierce young hero to quell what is evidently an Onryō ghost. He encounters the two beautiful women in an eerie, beautiful scene. After spiritual purification, he meets the demon in a thrilling fight.
Well before “Shogun” as warring clans were fighting for power throughout Japan, a Portuguese vessel ran aground off Tanegashima. Lord Tokitaka helped Captain Pinto repair his ship. The grateful captain offered the lord a gift--a matchlock musket—the first firearm ever seen in Japan. But like a great stone hurled into placid waters, this simple gift will start a revolution. Tokitaka tasks Kinbei, his greatest swordsmith, to copy this musket and build guns for Japan. While Kinbei struggles to forge Japan’s first musket, a great love blooms between Captain Pinto and Kinbei’s daughter Wakasa. But for Kinbei, to let Wakasa marry Pinto and go to Portugal is unthinkable. And as Kinbei creates Japan’s first matchlock factory, Lord Oda Nobunaga will seize upon firearms as the key to sweep all other clans before him, tearing a blood-soaked path of destruction through Japan.
A sex-obsessed young woman, a suicidal young man she meets on the street, a gun-crazy wannabe gangster—these are just three of the irrational, oddball anarchists trapped in an underground hideaway in Oshima’s devilish, absurdist portrait of what he deemed the “death drive” in Japanese youth culture.
Following the detonation of the atomic bombs on Hiroshima and Nagasaki, the Japanese military and the government clash over the demand from the Allies for unconditional surrender. Minister of the Army Anami leads the military officers who propose to fight on, even to the death of every Japanese citizen. Emperor Hirohito, however, joins with his ministers in asking the unthinkable, the peaceful surrender of Japan. When the military plots a coup to overthrow the Emperor's civilian government, Anami must face the choice between his desires and loyalty to his Emperor.
A young boy joins a band of ninja during a peasant uprising, all depicted through an experimental form of filming pages from the original manga set to sound.
In the 19th century Edo period, sisters Oshizu and Otaka have sacrificed their personal happiness to work and care for their ailing father. Otaka falls in love, but can’t accept a marriage proposal since her older sister needs to marry first. When Oshizu learns of this decision, she takes matters in her own hands.
Easily bored, but still innocent and naive countryside girl (Mako Midori) discovers partying in Tokyo is a ton of fun. Yakuza-to-be (Ichiro Araki) is an acquaintance who tries to rape her, and the typically bland but very-good-here (Hayato Tani) the first boyfriend. Director Yasuo Furuhata (his first picture) lets his camera roll in trendy clubs amongst partying youngsters in a way that could've been out of 60s England or a Nikkatsu film if it wasn't shadowed by dated 60s Toei conservatism.The resulting film is a bit confused, either a rebellious youth tale chained by moral concerns, or something conceived as a morality tale trying to break free from its chains.
Following the journey of a caterpillar along the Japanese islands from Nagasaki to Hokkaido, this allegorical and oblique first feature film by Kuroki depicts in exquisite images a series of encounters and life's turning points.
A sequel to the popular "The School of Spies", this film continues the adventures of one of the graduates who is assigned to crack a powerful spy ring working out of Kobe. Various people are suspected but, finally, it seems that an Army captain and his geisha friend might lead them to the ring.
Hakuchu no Torima is the portrayal of a violent rapist as seen through the recollections of his wife and one of his victims. As the film starts, Eisuke (Kei Sato) encounters Shino (Saeda Kawaguchi), who works as a maid in a house. She is a former coworker from a failed collective farm, whose life he once saved -- only to rape her. Soon, Eisuke's criminal pattern of rapes and murders emerges as he goes on assaulting women (Shino being the witness of one of them, as Eisuke tries to violate her employer). When cooperating with the police on making a description of the rapist, Shino withholds her crucial knowledge of his identity. She prefers writing letters to Eisuke's dutiful wife, Matsuko, a schoolteacher (Akiko Koyama -- Mrs Oshima), in order to expose his true nature and perhaps induce her into turning Eisuke over to the police.
In the book of the world's greatest rogues, the number one man can only be one person.
Hanpei is a gentle young samurai that loves flowers. One day, he witnesses an old man's quick draw of the sword. He is so impressed that he becomes the old man's pupil. Soon, Hanpei's skill of sword comes to attention of his lord. The lord orders him to assassinate a man...
Years of warfare end in a Japan unified under the Tokugawa shogunate, and samurai spy Sasuke Sarutobi, tired of conflict, longs for peace. When a high-ranking spy named Tatewaki Koriyama defects from the shogun to a rival clan, however, the world of swordsmen is thrown into turmoil. After Sasuke is unwittingly drawn into the conflict, he tracks Tatewaki, while a mysterious, white-hooded figure seems to hunt them both. By tale’s end, no one is who they seemed to be, and the truth is far more personal than anyone suspected. Director Masahiro Shinoda’s Samurai Spy, filled with clan intrigue, ninja spies, and multiple double crosses, marks a bold stylistic departure from swordplay film convention.
Zatoichi makes friends with a dangerous chess player, while fending off angry yakuza and bloodthirsty relatives out for revenge, and trying to save a sick child. Meanwhile, his luck with dice is turning.
A corrupt businessman blackmails the lovelorn reprobate Atsushi into watching over his suitcase full of embezzled cash while he serves a jail sentence. Rather than wait for the man to retrieve his money, however, Atsushi decides to spend it all in one libidinous rush—fully expecting to be tracked down and killed.
A yakuza man is released from prison after serving a long sentence. He immediately sets about creating a new gang and attempts to pull off a huge ransom score.
In the year 1637 in Shimabara of Tokugawa-era Japan, oppressed peasant Christians revolt against the shogunate with the aid of a charismatic Christian rebel leader Shiro Amakusa.
Nagisa Oshima’s most personal film is a reflection by the director on his own disillusionment with the revolutionary student movement of the 1950s and the failure of political radicalism. Taking its title (as a reference or homage) from Alain Resnais’ pivotal 1956 documentary Nuit et Brouillard, the film has a group of former student revolutionaries who meet again years later at the wedding of one of their classmates. Old feelings, rivalries and grudges gradually erupt to the surface as the one-time friends recall the various treacheries by which their cause was defeated. Cutting between times past and the present, and unfolding the action from each of his characters viewpoints, Oshima creates an abstract and yet engrossing study of passions past and principles eroded. —Yume Pictures
In Osaka's slum, youths without futures engage in pilfering, assault and robbery, prostitution, and the buying and selling of identity cards and of blood. Alliances constantly shift. Tatsu and Takeshi, friends since boyhood, reluctantly join Shin's gang. Shin's an upstart and moves his gang often to avoid the local kingpin. Hanoko is a young woman with ambitions: first she's in the blood business with her father, then she joins forces with Shin. She soon breaks off that partnership, even though she's taken the sensitive Takeshi under her wing. Double crosses multiply. Those with the closest bonds become each others' murderers.
An employee in an assurance company threatens to commit suicide when management announces a massive layoff, the company uses this threat to its own advantage by turning the incident into an advertising campaign. With the success of the campaign, however, he is no longer a desperate man pointing a gun to his head, but a potential leader who wishes to take advantage of his failed suicide.
