Rolf Basedow
LKA-Zielfahnderin Hanna Landauer and her new colleague Röwer travel to Montevideo to provide the couple Tezlaff. It once kidnapped an industrialist and extorted 10 million ransom. The money has since disappeared.
A breathless criminal hunt, which leads into the remote mountain world of Romania, with the portrait of a foreign country, which has remained standing in time. Hanna Landauer and Sven Schröder are part of a special unit of the LKA, which traps fugitives across the borders to the remotest corners of the world.
The promise of a better life is pivotal in ten-year-old Fee’s decision to travel from her home in Romania to Germany. But she falls victim to child traffickers and is forced to work as a prostitute in a Berlin sex club. She is freed, however, after a police raid. When commissioner Wegemann takes up this serious case of sexual abuse, there’s a shocking discovery: a respected judge is a customer of the crime ring – and the state attorney helping her is a good friend of the judge. Are the police capable of protecting the young girl? Who can be trusted in this quagmire of lies and corruption? This crime drama addresses serious flaws in our society and their weakest victims: children.
Im Angesicht des Verbrechens is a German television series about the Russian mafia in Berlin. It received high critical acclaim, but the viewer figures were disappointing. It was broadcast by ARTE and Das Erste.
Hotte, a Berlin-based pimp with only modest turnovers, suddenly becomes a big player in the prostitution business. He has three girls on the streets: Rosa is in love with Hotte and is working hard for him. Jenny, the new girl, is an unconventional prostitute but nevertheless much sought-after by her clients. And the third girl, Yvonne, also brings in a large turn-out. So, Hotte’s proceeds are more than sufficient to buy expensive accessoires and to boost his reputation with the other pimps. But when Yvonne quits her job and Jenny starts to work for another pimp, Hotte’s rise comes to a sudden end
On the run from her criminal Italian husband, a young French woman meets a German lover in West Berlin who offers her shelter but who also gets entangled in her threatened life ever deeper.
Schimanski investigates a murder case and the rivalry of two furniture enterprises. Everyone seems to be involved nobody speaks the truth.
Berlin Film Fest 1984. The best place for every cinema fan. Everyone wants to be in on the festival, but that may be really difficult, if one has no accreditation. Also Journalist Matthies gets to know the rules of being in or out when he wants to see a screening and is not welcome. Thus he watches an old German silent flick which he is barely interested in. The next day the newspapers are full of reports about a newly discovered German masterpiece from the silent era. It seems that Matthies had luck. He just saw *the* film everybody is talking about now. Also everybody is speculating about its director, who remains unknown. When Matthies talks to Ackrewa, an old befriended projectionist, about the film, the latter seems to recall the name of the director. Matthies decides to research the case. An odyssey into film-history begins and if it is successful Matthies will come up with a top story.
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.
Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF 2 in Austria and SF1 in Switzerland. The first episode was broadcast on November 29, 1970. The opening sequence for the series has remained the same throughout the decades, which remains highly unusual for any such long-running TV series up to date. Each of the regional TV channels which together form ARD, plus ORF and SF, produces its own episodes, starring its own police inspector, some of which, like the discontinued Schimanski, have become cultural icons. The show appears on DasErste and ORF 2 on Sundays at 8:15 p.m. and currently about 30 episodes are made per year. As of March 2013, 865 episodes in total have been produced. Tatort is currently being broadcast in the United States on the MHz Worldview channel under the name Scene of the Crime.
