Rolf de Heer
'The Waiting Room' speaks to the time in between and the before and the after; the time before we, the alien life-form on planet Earth, arrived; and the time after, after we have colonised and are gone.
Documentary about the life of indigenous Australian actor David Gulpilil.
We all live on the same planet, under one sun which nurtures and renews our unique and common hopes for the future. No matter how much we differ from each other in color, ethnicity and belief, we all share the same source of life, united in our destinies. An omnibus film on the topic of Turkish - Armenian relations.
In early 2010 the Alloy Orchestra was commissioned an original score, based on a musical setting drawn on a 3-foot long sheet of squared notebook paper. Its operating principle was a fixed tempo - 60 beats per minute - to be strictly followed by the musicians throughout the piece. Within this grid, the performers were given complete freedom to determine the timbre, the volume and the sequence of themes to be chosen for their work. Two artists - a drummer and a draughtsman - listened to the recording of the music without any knowledge of the instructions provided for its creation. Unbeknownst to each other, both were given the task of playing along with their respective instruments: one with a drum in front of a camera, the other with pen, brushes, ink and colored pigments on 35mm film strips. The footage was assembled and edited in strict adherence to the criteria adopted for the music. The Alloy Orchestra was then asked to accompany the film with their own score
In this documentary companion to CHARLIE'S COUNTRY, Australian actor David Gulpilil tells the story of when his people's way of life was derailed by ours.
A poetic celebration of country and culture, Still Our Country documents the swiftly changing lives of the Yolngu people of Ramingining in the Northern Territory. Originally conceived as an online installation, this evocative carnival of images and sounds makes a bold declaration of identity and offers a hopeful promise of a future.
Blackfella Charlie is getting older, and he's out of sorts. The intervention is making life more difficult on his remote community, what with the proper policing of whitefella laws that don't generally make much sense, and Charlie's kin and ken seeming more interested in going along with things than doing anything about it. So Charlie takes off, to live the old way, but in doing so sets off a chain of events in his life that has him return to his community chastened, and somewhat the wiser.
A happy, unsuspecting couple, Max (Dan Wyllie) and Therese (Bojana Novakovic), buy a house in what appears to be a quiet, friendly neighbourhood. Settling in well, they make friends with a nice family on one side and soon meet a more interesting family on the other side. But interesting soon becomes loud and loud soon becomes intolerable. When the intolerable becomes violent and the police are powerless, Max and Therese attempt to take matters into their own hands.
"Twelve Canoes" is a series of short films that paint a compelling portrait of the people, history, culture and place of the Yolngu people whose homeland is the Arafura Swamp of north-central Arnhem Land in the Northern Territory.
A documentary about making the feature film "Ten Canoes". It is May, 2005 in Central Arnhem Land: 'We are making a movie. The story is their story, those that live on this land, in their language, and set a long time before the coming of the Balanda, as we white people are known. For the people of the Arafura Swamp, this film is an opportunity, maybe a last chance to hold on to the old ways. For all of us, the challenges are unexpected, the task beyond anything imagined. For me, it is the most difficult film I have made, in the most foreign land I've been to...and it is Australia.' - Rolf de Heer
A story within a story within a story. In Australia's Northern Territory, an Aboriginal narrator tells a story about his ancestors on a goose hunt. A youngster on the hunt is being tempted to adultery with his elder brother's wife, so an elder tells him a story from the mythical past about how evil can slip in and cause havoc unless prevented by virtue according to customary tribal law.
Steve is a man who has it all, a successful career, wonderful children, beautiful home and a loving wife. However, returning to his home after work on his birthday, he finds his house deserted and darkened with almost all the lightbulbs missing, all easy access outside cut off and a videotape waiting for him. Playing that tape, he watches a bizarre and grueling recording in which his wife explains her grievance with him, her reasons for disappearing with the children and her revenge for how he treated her in a way he would never forget.
Somewhere in Australia in the early 20th century outback, an Aboriginal man is accused of murdering a white woman. Three white men are on a mission to capture him with the help of an experienced Indigenous man.
A man is forced to confront a dangerous female jaguar and his own past through the sacrificial killing of the beast he has grown to love.
Tasmania, 1954: Slovenian migrant Melita abandons her husband and young daughter, Sonja. Sonja's distraught father perseveres with his new life in a new country, but he is soon crushed into an alcoholic despair, and Sonja herself abandons him at the earliest opportunity. Now, nearly 20 years later, a single and pregnant Sonja returns to Tasmania's highlands and to her father in an attempt to put the pieces of her life back together.
Julia (Heather Rose) is crippled with cerebral palsy, lives in a wheelchair, waits for her carer to come and clean her, feed her, in a daily cycle. Her latest carer, Madelaine (Joey Kennedy) is a strung up and lonely young woman whose love life is in disarray. The two women are interdependent; Julia needs her carer, Madelaine needs her job. But they don’t exactly hit it off. Along comes Eddie (John Brumpton), a handsome young chap who appeals to both women. But Julia is behind the eight ball in this love battle, what with her wheelchair – she even needs a voice synthesiser to speak. Her body is small and frail and twisted …. But she is not totally helpless, as Madelaine discovers.
In this sci-fi adventure a gorgeous alien woman is sent to Earth by mistake from the planet Epsilon. Landing in the Australian outback she meets a surveyor and they cross the continent together. However, she spends the trip haranguing him for the ecological recklessness and avarice of the human race.
A seven-year-old girl adopts a vow of silence in protest when her quarrelsome parents grow increasingly hostile to one another.
Bad Boy Bubby is just that: a bad boy. So bad, in fact, that his mother has kept him locked in their house for his entire thirty years, convincing him that the air outside is poisonous. After a visit from his estranged father, circumstances force Bubby into the waiting world, a place which is just as unusual to him as he is to the world.
Young John Anderson is captivated by jazz musician, Billy Cross when he performs on the remote airstrip of his Western Australian outback hometown after his plane is diverted. Years later, now a family man and making a meagre living tracking dingoes and playing trumpet in a local band, John still dreams of joining Billy on trumpet and makes a pilgrimage to Paris.
Ex-con Eddie Cleary gets a job working on his older brother's isolated farm. It's not long before bizarre things start happening--dead birds falling out of the sky, family pets attacking their owners, strange apparitions beginning to appear, and people who had been "normal" suddenly going insane.
A kid and an old man fix a broken plane and their lives are changed forever.
A story of transition: from lust to compassion, compassion to escape and escape to Sydney. Truth plays a very small part.
Adelaide Film Festival favourite Rolf de Heer returns with his latest, a poetic, scorching work on race, identity, and the strength of will. In a cage on a trailer in the middle of the desert, BlackWoman (Mwajemi Hussein) is abandoned, left to die. But BlackWoman seems not ready. She escapes, journeying through pestilence and persecution, from desert to mountain and finally to city, on a quest for an unknown beginning. But the city is more uncertain even than the desert, and recaptured, BlackWoman must find another escape. Or does she?
