Ron Taylor
The time is the distant future, where by far the most precious commodity in the galaxy is water. The last surviving water planet was somehow removed to the unreachable centre of the galaxy at the end of the galactic trade wars. The galaxy is ruled by an evil emperor (John Carradine) presiding over a trade oligarchy that controls all mining and sale of ice from asteroids and comets.
A budding Scottish film producer tries to get his ambitious Aberdeen-set western financed, and while he attracts some major stars and directors to the film he finds that with their support come more and more script changes... Filmed around the 1977 Edinburgh Film Festival, Long Shot is a deadpan satire about the trials and tribulations of British independent filmmaking, with terrific cameos from Wim Wenders, Susannah York, Stephen Frears, Alan Bennett and John Boorman.
18 year-old Peter lives with his parents in a middle-class Toronto suburb and rebels constantly against their imposed middle-class goals and conventions and the materialist values they represent. He constantly mocks and belittles his family with his only real ally being his girlfriend Julie. Peter's relationship with his parents reaches its boiling point when he borrows his father's new car without permission and is left by him to spend the night in jail after Peter is arrested for reckless driving. Peter runs away from home and moves into a rooming house, and eventually gets a shady job as a parking attendant. His relationship with Julie becomes exponentially more complicated and he finally realizes that being alone in the real world is much harder than he ever imagined.
To the dismay of his girlfriend, Charlie is introduced to the beatnik scene when he falls in love with a hep chick named Steve. But when he discovers Steve is mixed up with a vicious drug ring, he has to decide where his values really lie.
