Rosa Diletta Rossi
A castle on a billboard is the only landscape by Elena's basement window. It's here where she lives, it's here where she manage her activity. In a hot day of summer, a new client appears to her abode: Sergio. Before the story goes, he has to pronunciate the password to get in: "Princess".
Salvo was five when his father Vincenzo was arrested, practically before his eyes. Seven years later Salvo lives with his uncles and his cousin a controlled and peaceful existence in the Turin area, but his father returns and claims his son for four days. Vincenzo has to carry an important load to Bari and brings Salvo (nomen est omen) with him as insurance: a child is better than a gun, he says, because his presence in the event of a possible police detention can have a distracting effect . This however is not the only reason why Vincenzo wants Salvo with him, and the "Salv-atore" child will prove to be a potential vehicle of redemption for that messed up father, but not entirely devoid of feelings and attentions.
Two families meet for a marriage that neither want, and things take a turn when the respective patriarchs fall in love.
Inspector Carlo Guerrieri, a veteran police officer from Rome, finds himself partnered with a rookie who was born in Ivory Coast but raised in the capital.
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
Maya is leaving school to marry a man her parents have chosen. Her friend Anna doesn't understand how she can agree.
