Rosaleen Linehan
A fresh and distinctive take on Charles Dickens’ semi-autobiographical masterpiece, The Personal History of David Copperfield, set in the 1840s, chronicles the life of its iconic title character as he navigates a chaotic world to find his elusive place within it. From his unhappy childhood to the discovery of his gift as a storyteller and writer, David’s journey is by turns hilarious and tragic, but always full of life, colour and humanity.
A waitress falls for a handsome customer who seduces her, her two sisters, her brother, and her brother's girlfriend.
Happy Days is an adaptation of Samuel Beckett's challenging absurdist drama, a play most would deem unfilmable. Faithfully adhering to Beckett's minimalist original, a black parody of love, marriage, and our search for meaning in an unfathomable universe, the piece consists of but two pathetic characters. One, wife Winnie, spends the duration of the drama half-buried in a pile of dirt; in true Beckett fashion, her predicament is never explained. The other character, husband Willie, is almost never seen. Dublin stage and screen veteran Rosaleen Linehan, in the lead, is exceptional as the trapped woman clinging to the empty, arbitrary routines and rituals of life, ever hopeful that 'this is going to be a happy day.
Francie and Joe live the usual playful, fantasy filled childhoods of normal boys. However, with a violent, alcoholic father and a manic depressive, suicidal mother the pressure on Francie to grow up are immense. When Francie's world turns to madness, he tries to counter it with further insanity, with dire consequences.
A wry story of female friendship: Jean and Kate, two "nearing-thirty" street performers, find the ups and downs of life and love amid the pubs and music scene of modern day Dublin.
A Protestant Irish family is caught up in a conflict between Irish Republicans and the British army.
Bosco Hogan plays Joyce's alter-ego, Stephen Daedelus, growing up in Ireland in the early part of the 20th century, and at odds with the strictures of his Catholic home and family. The film charts his search for knowledge and understanding, during a decline in his family's circumstances, that leads him to revelations on the nature of art, beauty and politics. However his personal renaissance makes him feel unwelcome in his own country, and forces him to make a choice between exile as artist or staying and facing personal defeat.
