Rosemary Hochschild
On her 60th birthday, the proud owner of a Los Angeles strip club, finds herself in hot water over a twenty-five year old debt to the mob, leading her on a downward spiral of violence and revenge through the underbelly of Los Angeles.
A story about a madman with a movie camera. He's a narcissist, nihilist, sexual sadist and killer of innocent women. His name is Charlie and WILD IN BLUE is his world: a place of evil, violence and perversion where only his camera tells the truth. He set out to make an honest film for you - no lies whatsoever - and after the madness and all the hate, you will love him.
Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.
Roberta is a bored suburban housewife who is fascinated with a woman, Susan, she only knows about by reading messages to and from her in the personals section of the newspaper. This fascination reaches a peak when an ad with the headline "Desperately Seeking Susan" proposes a rendezvous. Roberta goes too, and in a series of events involving amnesia and mistaken identity, steps into Susan's life.
Set in a motel room at NYC's Kennedy Airport, the film treats two days in the life of a deadbeat couple, an obsessive husband lost in a web of psychotic delusion and his immigrant wife.
An enterprising ex-convict overcomes tragedy by designing his own path to success within a society that failed him.
