Roxana Blanco
A Spaniard in Argentina becomes aware of his approaching death while staying at a hospital, so he decides to run away from Buenos Aires and start a trip up North, heading nowhere in particular.
Agustín forgets things; he is aging and he knows it. María is never alone: she watches over everyone, sleeps very little, and works too much. She’s increasingly overwhelmed. One day, on impulse, María decides to abandon Agustín. The tightening grip of old age and the guilt of familial responsibility loom over this absorbing drama from rising director Rodrigo Plá. With an exacting gasp of the internal and external struggles María must endure, Plá explores the challenges of a timeless issue and society’s conflicted responses to life’s central questions. (Hamptons International Film Festival)
A story set in Uruguay in 1993. It revolves around an investigation by a law court lawyer, Julia. She's looking into the possibility that a chemist named Eugenio Barrios is being secretly sheltered in Uruguay by right-wing political powers.
34-year-old Pamela is a small and shy woman. She works at the cash register of a supermarket. She attends a religious temple led by a Brazilian minister. She periodically visits her autistic mother. She is an anonymous character, leading a meaningless life. Suddenly, a miracle occurs. Messages of a marvelous destiny start to reach Pamela in unusual ways: a client, a gentle and charismatic transvestite, her own mother, dreams, bar codes, real and imaginary signals. The Savior of the Next Millennium is apparently on his way and everything indicates that she, being a virgin, is carrying him on her entrails. Impelled to face herself, Pamela undertakes an inner voyage. A paradoxical voyage: the more mystic she grows to be, the more human she becomes.
