Ryôsuke Saitô
An extremely lovely tribute to Ozu, on the 20th anniversary of his death. It uses a combination of footage from vintage films and new material (both interviews and Ozu-related locations) shot by Ozu's long-time camera-man (who came out of retirement to work on this). Surprisingly (or perhaps not), it focuses less on Ozu's accomplishments as a film-maker than on his impact on the lives of the people he worked with..
A melodrama about a talented singer who finally makes her debut. A remake of the 1939 film of the same name.
This movie is based on an immortal literary work "The Snow Country," a story about a life of geisha Komako who lives in a region with heavy snowfalls.
One night, three wives, Matsuyo, Keiko and Mari, receive a mysterious telephone call. The voice tells them that she has their husbands with her and invites them to " P " Hotel to see for themselves. They have been married for many years and are bored with their husbands, and are about to secretly carry on affairs with the other's mates.
A woman has to give up her dream of becoming an actress when her family goes into debt, but she catches the eye of a businessman while working at a nightclub. He sets her up with her own nightclub, but with expectations attached.
A crime boss gets out of prison and tries to find who from his organization betrayed him.
The obstinate black market trader Okyo lives together with her son Seitaro, who works as a mechanic for a bus company. She also looks after her son's colleague, the bus driver Fujita. When he causes an accident one day, Seitaro testifies against him due to his moral scruples, thus getting his company into trouble.
Mokichi is the widowed father of three daughters, with whom he lives on the premises of a temple since the war. In the film all three daughters become involved in some sort of complicated relationships. The sisters and their attached Men are deliberately designed as allegorical figures on the changing social conditions. A wonderfully funny, sometimes droll comedy between Nara and Tokyo, Adagio and Allegro, Yesterday and Today - in search of a morning.
Christ in Bronze is a 1955 black-and-white Japanese film directed by Minoru Shibuya. It was entered into the 1956 Cannes Film Festival.
Based on Philippines war experiences. Military doctor Leutenant Hanada deserts with a local girl. The officer in command orders Lieutenant Uji to shoot Hanada. Uji takes a sharpshooter called Takagi and tracks him. At first Uji cannot forgive Hanada but as Uji is isolated from the main force he too starts to think of desertion.
A section chief at the Bureau of Construction is in a shady relationship with a construction company. Then a new, young and honest subordinate is assigned to work under the section chief. Once he learns about the shady relationship, however, the new subordinate skillfully conceals the corruption and joins the corrupt, shady relationship.
Tokiko is a mother patiently waiting for her husband's return from the war when her 4-year old son becomes ill. She takes him to the doctor for treatment but has no way of paying. She resorts to prostitution. One month later her husband returns from WWII to find his desperate wife, who tells him the truth. Together they must deal with the consequences.
The film is set during the days of the scarcity of food after World War II, during which five men ate an elephant that died in a zoo. The elephant's corpse however, was infested with deadly bacteria and the men have only 30 hours left to live...
A hostile Chinese nurse (Yamaguchi) who works in an orphanage is won over by the care and commitment of the Japanese doctor (Sano) who treats her wards. Disease outbreaks and family obligations, however, threaten to torpedo their budding romance.
Jie (Michiko Kuwano) attended a women's university with the financial support of her geisha sister Oha (Hiroko Kawasaki) and became a lawyer. The aim. Michiko (Kuniko Miyake), one of the seven best friends from the same women's college, is getting married. The man she's marrying is her sister's lover.
Naomi Tazawa (Hiroko Kawasaki), who works at Isetan Department Store, was told by an executive at a film company (Ken Uehara), that he was going to make a film about her. She was scouted to become an actress, but she held strong. Around that time, her adoptive father dies, and at the time of his death, she learns that her real father was a man of high rank.
The story is about love and friendship of young girls who are naive and delicate.
Yuki is a young, single mother supporting herself and her son, Haru, with a job as a bar hostess.
