Saadet Işıl Aksoy
In the heart of Istanbul's prison, Zakir controls the letters prisoners receive. His average day is spent between the censorship office, his colleagues and his evening writing class. For a writing assignment, he steals a photo from one of the letters, in which appears Selma, an inmate's wife. More than an inspiration, she becomes an obsession for Zakir. He observes her, makes up stories, and imagines the worst to the extent that he puts himself at great risk.
Ferhat is a spoiled man who takes over his father's company. Ferhat's right hand is his childhood friend, the company's finance manager, Gökhan. They are not very kind to their employees. One day they will be friends with the restaurant owner. Ferhat falls in love with the restaurant owner's daughter Elif. But Elif is not a delicate and pure young girl. Her career, her hard character, and her witless intelligence, which are full of special trainings and superior services, will make Ferhat much more difficult.
Turkish director Ali Vatansever weighs the human cost of politically motivated urban renewal in his achingly resonant second feature, about a young couple forced to compromise their ideals and work for the very industry encroaching on their Istanbul neighbourhood, in order to keep up with the rent.
Naz who is a paediatrician loses her baby during pregnancy. Even though her husband wants another baby, she refuses to go through the same thing all over again. She goes to Italy for a conference and meets Ali Nejat there.
Eleni is in love with a young and handsome Turk, Sedat (Tolgahan Sayışman), who also lives on Büyükada with his father, horse carriage driver Halil. These two have been sweethearts since their childhood, and now in college they have decided to further their relationship by tying the wedding knot. The only problem is that Eleni's father does not even know that these wild kids are hitched, since Eleni anticipated that the rich Stavro would never consent to her marrying a Turkish boy from a poor family. Sedat continuously pushes Eleni to tell Stavro of their plans, but the fragile girl can't summon up her courage. Meanwhile, in the background, the relationship between the Greeks and Turks of Cyprus is getting tenser by the day, affecting the situation of the Greek population in Turkey. On March 16, 1964, İsmet İnönü and the Cabinet come to a decision that all Turkish citizens of Greek descent must migrate to Greece.
Full-throttle melodrama about an ill-starred romance set against the backdrop of the siege of Sarajevo. A mother brings her teenage son to Sarajevo, where his father died in the Bosnian conflict years ago.
Muhteşem Yüzyıl is a prime time historical Turkish television series. It was originally broadcast on Show TV and then transferred to Star TV. It is based on the life of Suleiman the Magnificent, the longest reigning Sultan of the Ottoman Empire, and his wife Hürrem Sultan, a slave girl who became a Sultan.
Two estranged brothers are brought together when they have opposite roles in a racist beating: while Georgi who's recently joined a neo-nazi group participates in the violence, Hristo witnesses and rescues a Turkish family. Georgi, now being asked to participate in larger events, starts to question his implication in the movement and Hristo wonders if the beautiful Turkish girl he saved could be his ticket out of his sad life in Sofia. Only by reuniting will the two brothers be able to assess what they really want from life.
Upon discovering her husband's infidelity, Sandy leaves the suburbs and moves into the city. There, she befriends Aram, a guy whose wife only married him so she could get a green card. Sandy hires Aram to be her nanny, and it isn't long until Aram and Sandy find out they get along wonderfully and start to date. But is their relationship real or is it, in fact, just a rebound for both of them?
Onur, who has been deaf since birth, works as a librarian. His father had left him and his mother when he was seven, and Onur has always blamed himself for this. Although being able to speak, he has chosen to stay silent because of the pitying looks of the people around him. At his friend Vedat's engagement party, he meets Zeynep, who later finds out about Onur's hearing disability, but is not bothered by it. She is forced by her overbearing father to leave home and gets a job at a call-center. Having to speak on the phone all day to people she doesn't know, Zeynep finds peace with Onur, who she communicates with perfectly without speaking...
A high school graduate, Yusuf could not pass the university entrance exam. Writing poetry is his greatest passion and some of his poems are being printed in various obscure literary journals. But neither these poems, nor the rapidly falling price of the milk they sell, are being of any benefit to Yusuf and Zehra's lives. When Yusuf finds out about Zehra's secret affair with the town's stationmaster he gets disconcerted. Will he find the way to cope with his anxiety for the unknown future, the rapid change that he is going through and the pain of taking a step into adulthood and leaving his youth behind
Poet Yusuf (35-38) returns to his childhood hometown, which he hadn't visited for years, upon his mother's death. He is faced with a neglected, crumbling house. Ayla, a young girl (17-19) awaits him there. Yusuf has been unaware of the existence of this distant relation who had been living with his mother for five years; He stays by his dead mother's bedside for a while on the morning of his return...
What happens, when an ordinary family in one of the arguably most advanced cities in the world starts living in two different worlds? What happens, when that fine line between reality and fantasy begins to blur, when a computer game controls the space you live in, re-defines your real life? When a gigantic, green iguana is the only one that can see, how the people around it slowly lose themselves between these different worlds?
