Samuel Fuller

The unfinished documentary about the making of Dennis Hopper's mostly unseen feature film" The Last Movie" (1971).

Strolling through France (Roanne, Nice and Carcassonne) with some excursions abroad (Munich, Montreal, New York).

What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)

Samuel Fuller discusses his career as a filmmaker, illustrated by plenty of clips.

In a documentary about Samuel Fuller, the spectator gets different impressions about the Hollywood director and his films. The film is divided into the three sections: The Typewriter, the Rifle and the Movie Camera. The first segment covers Fuller's past as a newsman where he began as a copy boy and ended as a reporter. Part two describes Fuller's experiences in World War II, in which he participated as a soldier. The last section focuses on Fuller as director. Tim Robbins interviews Samuel Fuller revealing the director's own memories and impressions. Beside the interview, Jim Jarmusch, Martin Scorsese and Quentin Tarantino accompany the documentary with their comments.

In 1993, Sam Fuller takes Jim Jarmusch on a trip into Brazil's Mato Grosso, up the River Araguaia to the village of Santa Isabel Do Morro, where 40 years before, Zanuck had sent Fuller to scout a location and write a script for a movie based on a tigrero, a jaguar hunter. Sam hopes to find people who remember him, and he takes film he shot in 1954. He's Rip Van Winkle, and, indeed, a great deal changed in the village. There are televisions, watches, and brick houses. But, the same Karajá culture awaits as well. He gathers the villagers to show his old film footage, and people recognize friends and relatives, thanking Fuller for momentarily bringing them back to life.

An intimate portrait of actor-writer-director John Cassavetes and a loving tribute to his genius for studying and depicting the human character. In-depth, candid interviews with his wife and muse Gena Rowlands as well as his most trusted friends and co-workers like Peter Falk, Ben Gazzara, Seymour Cassel, etc. Clips from Cassavetes' greatest films, and many rare photos illustrate this touching documentary.

Danny Cornish, a sort of stateless man who arranges art exhibits, is called from Tel Aviv to Paris with the news that a great uncle has died, in Birobidjan, the autonomous Jewish zone in Russia, leaving him a valuable art collection and the hand of a huge sculpture of a Golem. The uncle's will instructs Danny to find the rest of the statue, so Danny, who speaks no Russian, embarks on a trip that takes him (and the Golem's hand) to Moscow, St. Petersburg, and Siberia, fumbling with hotel clerks, taxi drivers, and bureaucrats, following leads, and making discoveries about myth, story telling, art, and hope.

An allegory of the Golem, a Jewish mythical creature personifying displacement and exile, this film tells the story of a woman (similar to the biblical Ruth) and her sisters, who are forced into exile after the death of their husbands. It is set in 1990s Paris, where the director was living in self-imposed exile following the ban on his 1982 documentary in Israel. The recurring theme of the film is migrations and unrooting, like the legendary Golem.

Short 35mm experimental film featuring Sam Fuller.

Exposé of two news photographers covering the People's Revolution in the Philippines.

A comedy drama that played the festival circuit before vanishing without trace. Forsythe, Sweeney and Miranda are the trio of stepbrothers accompanying paralysed father Fuller on a jaunt to Normandy, where the old boy saw combat and romantic action during the war. Jennifer Beals, a regular in husband Rockwell's movies, plays a transvestite.

Based on Patricia Highsmith short stories. Displaying a sinister atmosphere, delving into the darkest depths of human nature.

A rock star-turned-bum, his vocal chords severed at the height of his career for the love of a woman, reclaims his forgotten past after viewing a music video and seeks revenge against the mobster who maimed him.

Documentary stems from 1945, when infantryman Sam Fuller, member of the U.S. Army's "Big Red One," helped liberate the Nazis' Falkenau death camp. Fuller shot footage of his commanding officer's marching Czech locals, who denied knowing of the genocide, out from town to view the horrors of the death house. 40 years later, French documentary filmmaker Emil Weiss brought Fuller, who became a famous film director after World War II, back to the death camp to tell the story of the camp's liberation. Fuller's original footage is incorporated in the film.

Alex is a Finnish taxi driver in Berlin. One evening pits two men feel comfortable in his taxi with a briefcase full of money, but unfortunately for Alex's money stolen and a group of gangsters are at the nape of the two. Soon it comes to shooting, and when the two men being killed, is good advice costly for the beleaguered driver. "Helsinki Napoli All Night Long" is Mika Kaurismäki's first major European production. The film features a host of famous names in the cast: The legendary film director Samuel Fuller (The Big Red One), actor Eddie Constantine (Alphaville, Europe), cult directors Wim Wenders (Paris, Texas) and Jim Jarmusch (Dead Man).

An Englishman arrives in a remote French town near the coast to collect his broken-down car. What he sees there will change his life forever.

The greatest film festival (anti)promotional short ever made which explains why Midnight Sun is a unique event for both film buffs in Finland and some of the stellar international talents who attend it and also appear in this hilarious guide to a very Finnish way of showing films.

Scottish Television's film on the 40th Edinburgh International Film Festival in 1986, starring Robbie Coltrane (a former EIFF chauffeur) and featuring interviews with Bill Forsyth, Samuel Fuller and Barry Norman, among many others.

“It may be worse than Portugal,” observes cinematographer Henri Alekan about a Los Angeles film lab while on the set of Wim Wenders’ The State of Things (1984). A legendary production and a transitional work for the New German Cinema director as his work became increasingly international, Wenders set out to make a film about filmmaking as funding stalled on the American production of Hammett. The State of Things deals with American and European sensibilities about cinema, and he enlisted Lachman to film and document the film being made in Los Angeles. Made for German television, completed in 1985 and unseen outside of Germany, Lachman’s portrait of Wenders at work features striking filmmaking and location photography of Los Angeles in the 1980s, and serves as a candid glimpse into European encounters with American culture at the time.

A crime story set in Paris about a Bonnie-and-Clyde couple -- how they got together and how they are pursued for a murder they never committed.

A documentary shot during the production of Samuel Fuller's film The Big Red One.

A trainer attempts to retrain a vicious dog that’s been raised to kill black people.

A rich, beautiful couple give birth to deformed alien twins who, when their heads are together, are the smartest kids on the planet.

On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's The Day the World Ended (1956) . The producer is nowhere to be found and director Munro attempts to find him in hopes of being able to finish the film.

Bronson and Marvin star as murderous half-brothers who are running from the law as well as each other. A climatic confrontation proves to each of them just how mean the other can be. "The Meanest Men in the West" is actually an amalgam of two episodes of the hit 1960's TV series, "The Virginian." In one installment, a wealthy man's daughter is kidnapped by a nasty gunslinger. But the crime is only just a means for the ruffian to draw the tough title character into a blood- thirsty revenge scheme. In the second, a drifter burglarizes the Shiloh ranch. Then an unhinged girl relies on the man to aid in her flight from home.

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.

A private detective (Glenn Corbett) infiltrates a gang of drug-dealing extortionists who prey on politicians.

A film shoot in Peru goes badly wrong when an actor is killed in a stunt, and the unit wrangler, Kansas, decides to give up film-making and stay on in the village, shacking up with local prostitute Maria. But his dreams of an unspoiled existence are interrupted when the local priest asks him to help stop the villagers killing each other by re-enacting scenes from the film for real because they don't understand movie fakery...

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF 2 in Austria and SF1 in Switzerland. The first episode was broadcast on November 29, 1970. The opening sequence for the series has remained the same throughout the decades, which remains highly unusual for any such long-running TV series up to date. Each of the regional TV channels which together form ARD, plus ORF and SF, produces its own episodes, starring its own police inspector, some of which, like the discontinued Schimanski, have become cultural icons. The show appears on DasErste and ORF 2 on Sundays at 8:15 p.m. and currently about 30 episodes are made per year. As of March 2013, 865 episodes in total have been produced. Tatort is currently being broadcast in the United States on the MHz Worldview channel under the name Scene of the Crime.

Episode of the French television series about the work of American film director Samuel Fuller. (A 23-minute edited version of this show appears on the Criterion Collection release of "The Naked Kiss."

Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.

This unaired pilot for a series Fuller pitched to CBS about a U.S. infantry troop fighting its way through Nazi-held North Africa offers a fascinating new angle on Fuller’s relationship with the average foot soldier and moral complexity of war.

An authoritarian rancher rules an Arizona county with her private posse of hired guns. When a new Marshall arrives to set things straight, the cattle queen finds herself falling for the avowedly non-violent lawman. Both have itchy-fingered brothers, a female gunman enters the picture, and things go desperately wrong.

When the South loses the war, Confederate veteran O'Meara goes West, joins the Sioux, takes a wife and refuses to be an American but he must choose a side when the Sioux go to war against the U.S. Army.

Near the end of the French phase of the Vietnam War, a group of mercenaries are recruited to travel through enemy territory to the Chinese border.

Eddie Kenner (Robert Stack) is given a special assignment by the Army to get the inside story on Sandy Dawson (Robert Ryan), a former GI who has formed a gang of fellow servicemen and Japanese locals.

A privately-financed scientist and his colleagues hire an ex-Navy officer to conduct an Alaskan submarine expedition in order to prevent a Red Chinese anti-American plot that may lead to World War III. Mixes deviously plotted schoolboy fiction with submarine spectacle and cold war heroics.

In New York City, an insolent pickpocket, Skip McCoy, inadvertently sets off a chain of events when he targets ex-prostitute Candy and steals her wallet. Unaware that she has been making deliveries of highly classified information to the communists, Candy, who has been trailed by FBI agents for months in hopes of nabbing the spy ringleader, is sent by her ex-boyfriend, Joey, to find Skip and retrieve the valuable microfilm he now holds.

A tabloid editor assigns a young reporter to solve a murder the editor committed himself.

An American tank crew fights its way into Germany in World War II.

The U.S. government recognizes land grants made when the West was under Spanish rule. This inspires James Reavis to forge a chain of historical evidence that makes a foundling girl the Baroness of Arizona. Reavis marries the girl and presses his claim to the entire Arizona territory.

Jenny Marsh is a hard-luck dame who's just finished five years in the slammer for killing a man. Jenny's not exactly the murdering type -- she did the deed while defending her jailbird lover, Harry, which is probably one reason she's attracted the attention of her parole officer, Griff Marat. In fact, Griff is so taken with Jenny that he gets her a job caring for his ailing mother, but although Jenny tries to fly right, she's not yet over Harry.

Gang Leader Dutch Malone goes on a hunting trip and is in a car wreck and is confined to the hospital, without the knowledge of any of his gang members. District Attorney Brady induces taxidermist Peter Winkly, who is an exact double for Malone,to impersonate Dutch and assume leadership of the gang. Winkly "takes over" the gang and only Rita, Dutch's girl friend, has any suspicion that he is not really Dutch. But Dutch sees a newspaper showing him out on the town, escapes from the hospital and is on his way to look up the impostor.

Margin for Error is a 1943 American drama film directed by Otto Preminger. The screenplay by Lillie Hayward and Samuel Fuller is based on the 1939 play of the same title by Clare Boothe Luce.

Although he's credited only for story, the dialogue has Fuller's headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, "The power of the press is the freedom to tell the truth--it is not the freedom to twist the truth," he's a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper's redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism--and its condemnation of media organizations "playing on the prejudices of stupid people" has acquired fresh relevance. Otto Kruger and Victor Jory ("a little Himmler") supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.

Newsman Mitch and teletype operator Jennifer, whose job is to see he doesn't send inappropriate stuff out of the country, dodge bombs during the blitz of London while falling in love.

Dr. Tom O'Hara takes over a public clinic in New York's desperately poor Bowery section. Boy gangleader Sock Dolan resents Tom's interference in moving Sock's kid brother to a hospital, because Sock blames hospitals for his mother's death. Sock helps racketeer J.R. Mason sell food to the clinic, unaware that Mason sells cheap and often tainted food. When a number of patients, including Sock's brother, become ill from food poisoning, Sock is kidnapped by Mason to keep him silent. Dr. O'Hara must find a way to rescue Sock and stop Mason's contamination of hospital food supplies.

Agadez is a lonely French outpost baking under the desert sun and commanded by the cruel and oppressive Captain Savatt. To it comes, at his own request, Legionnaire Jim Wilson soon followed by his fiancée, Carla Preston, who has been tracing him from post to post. Legionnaires seize the fort and turn Savitt loose in the Arab-haunted desert with only a fraction of the water and food needed to get back to civilization. But Savitt gets through and returns to the fort at the head of an avenging troop of men. But Arabs surround Savitt and his men, and the mutineers, knowing that to leave the fort and aid them means their own death

By a daring ruse and inside help, Pete Rennick, a noted criminal behind bars on federal charges, escapes from the prison, and all of the law-agencies and local police are out to catch him with roadblocks and every car searched, but the escapee gets away. Bill Hasford, a private detective, investigating a racket finds it leads to the wanted man, and has the biggest adventure of his career.

A silent Western star has trouble adjusting to the coming of sound.

The first musical comedy from the Grand National assembly line, Hats Off stars John Payne and Mae Clarke as rival press agents Jimmy Maxwell and Jo Allen. Both have been assigned to stir up publicity for separate expositions at the 1936 Texas Centennial (newsreel footage of which predominates throughout the film's short running time). To throw Jimmy off the track, Jo pretends to be a schoolteacher, but by the time the ruse has been revealed, the two leading characters have fallen in love.