Sandor Elès

Down to Earth is a British television situation comedy, aired in 1995 on BBC One. It was devised by John Esmonde and Bob Larbey and starred Richard Briers, who also featured in Esmonde and Larbey's earlier series The Good Life and Ever Decreasing Circles. One series consisting of seven episodes was produced.

6.1/10

A British agent comes back from retirement after several of his former colleagues, including his former lover, are murdered. He must examine events from his own past to determine who killed them and why.

6/10

Vicky's ex-husband, John, invites her on a trip to communist Prague. First John disappears, then her passport. Vicky finds herself alone and penniless in Prague and becomes a tragic pawn caught in a web of espionage and murder.

A biographical portrait of pen-and-ink artist, Aubrey Beardsley.

Set in 19th-century Russia, Allen is a cowardly serf drafted into the Napoleonic war, who would rather write poetry and obsess over his beautiful but pretentious cousin. Allen's cowardice serves him well when he hides in a cannon and is shot into a tent of French soldiers, making him a national hero. A hilarious parody of Russian literature, Love and Death is a must-see for fans of Allen's films.

7.7/10
10%

Cross is an old hand at the CIA who often teams up with Frenchman Jean “Scorpio” Laurier, a gifted freelance operative. After their last mission together, the CIA orders Scorpio to eliminate Cross, leaving him no choice but to obey.

6.4/10
6.7%

The daughter of a British prison governor returns from an American finishing school, and chases after the inmates of her Dad's prison.

4.2/10

Based on the story of Elisabeth Bathory, the 18th century Countess who indulged herself in an orgy of murder and vampirism before before being walled up in her room by the authorities. The ageing Countess Dracula discovers that the blood of young virgins has a restorative effect on her celebrated beauty. Years later, she becomes engaged to a handsome young Hussar and is forced to repeat vile atrocities with ever-increasing regularity to hold off old age.

6/10

A network of older spies from the West recruits a young intelligence officer with a photographic memory to accompany them on a mission inside Russia. They must recover a letter written by the CIA that promises American assistance to Russia if China gets the atomic bomb.

6.3/10

Two young English women go on a cycling tour of the French countryside. When one of them goes missing, the other begins to search for her. But who can she trust?

6.6/10
2.9%

Two salesmen travel to a small South American Country to peddle their wares. However the country is in the middle of a major conflict between the Government led by Diaz and the rebels led by Torez. When Torez is accidentally killed the rebels mistaken pick up one of the salesmen, Eric, as he looks like Torez. Eric and Ernie are promised millions to carry on the charade once the rebels take charge. However once Eric takes charge he finds himself back in danger as scheming general Carillo plans to remove the impostor from his role.

5.3/10

The outrageous life of the American dancer of the 1920s, Isadora Duncan, whom Ken Russell described as "part genius and part charlatan".

7.2/10

A motley crew of British characters ride The San Ferry Ann to the shores of France where they embark on a weekend of calamity. The campervan family led by Dad and Mum (David Lodge and Joan Sims) create chaos from the moment they set their tires on the shore resulting in frequent run-ins with the Gendarme, while Lewd Grandad (Wilfred Brambell) finds his own misadventures with a newly acquainted friend, a mad German ex-soldier (Ron Moody). Also aboard for the ride is a saucy hitchhiker (Barbara Windsor) who causes a few heads to turn including that of a fellow traveller (Ronnie Stevens) who pursues her affection with comic results. By the end of this weekend the French may well be wishing to say 'au revoir' to these trouble-making tourists. San Ferry Ann is a humorous take on the tradition of the British get-away. A classic sound effect comedy that sits with the likes of similarly praised titles such as 'The Plank', 'Futtock's End' and 'Rhubarb Rhubarb'.

6.7/10

A deck-chair attendant at a British resort promotes a film festival featuring a French sexpot.

5.9/10

Once hounded from his castle by outraged villagers for creating a monstrous living being, Baron Frankenstein returns to Karlstaad. High in the mountains they stumble on the body of the creature, perfectly preserved in the ice. He is brought back to life with the help of the hypnotist Zoltan who now controls the creature. Can Frankenstein break Zoltan's hypnotic spell that incites the monster to commit these horrific murders or will Zoltan induce the creature to destroy its creator?

6.1/10
5.7%

A portrait of the life and work of the great Hungarian composer Béla Bartók, exploring both his music and his passionate interest in his country's folklore.

7.3/10

Crossroads is a British television soap opera set in a fictional motel near Birmingham, England. Created by Hazel Adair and Peter Ling, the commercial ITV network originally broadcast the series between 1964 and 1988. Produced by ATV and later by Central it became a byword for cheap production values, particularly in the 1970s and early 1980s. The series was revived in a glossier version by Carlton Television in 2001, but was again cancelled in 2003. The original theme tune was composed by Tony Hatch, and notably covered by Paul McCartney & Wings on their 1975 album Venus and Mars. A new version, which was first aired in 1987 when the series was relaunched as Crossroads, Kings Oak, was composed by Raf Ravenscroft and Max Early.

3.8/10

Committed pacifist Tom Jordan's decision to help former President Rivera escape a military coup is a simple act of mercy that takes him and his wife to the edge of despair. It turns them into outlaws and fugitives, hunted by a vicious regime; yet it could also bring them together in a way they have never been before.

6/10

Anthony Hancock gives up his office job to become an abstract artist. He has a lot of enthusiasm, but little talent, and critics scorn his work. Nevertheless, he impresses an emerging very talented artist. Hancock proceeds to con the art world into thinking he is a genius.

7/10