Sebastian Fabijański
Olga and Maks are 15 years away. She is a successful woman with an established position, the mother of an adult daughter, he is a handsome young man who enjoys his life in a handful and lives only in the moment. It might seem that these two different worlds will never meet, and yet fate put them in the way.
After 25 years, Franz Maurer gets out of from prison and came into a new Poland, where nothing is the same as he remembered. Who and what is waiting for a man who has done nothing for the last quarter century? How will he find himself in a world where old principles, roles and loyalty have ceased to apply? We'll find out this when the fate brings Franz and "New" back together. Their meeting will change everything.
In the years prior to World War I, militiamen attached to Poland's nationalist movement fight for their country's independence from Czarist Russia's rule.
Based on a script by Andrzej Żuławski, this is a fascinating on-screen dialogue between father and son that combines nostalgia and fury, the sublime with humor, and old-school style with a sharp, penetrating look at Polish reality. The eponymous bird talk is the language used by those excluded from the aggressive majority: a history teacher tormented by children, a teacher of Polish studies fired from his job, a girl who cleans a banker’s villa, a florist with a club foot and a student with a fascination for cinema. Pushed to the margins by the extreme right, they defend themselves with irony, songs and quotes from the classics.
The love between Mateusz Krol, a Kashubian boy, and Marita von Krauss, a Prussian aristocrat in whose family home he is taken in when his mother dies, grows and matures thorough the years, while Kashubia, the northern Polish region where they live, suffers the consequences of the tragedies that will ravage Europe from the beginning of the 20th century until the end of the World War II.
An online community of amateur sleuths use technology to solve crimes -- and make quirky friends -- in their quest for justice.
Fine-arts student Zosia is a young daredevil mural painter who enlivens Warsaw with lovely graffiti. She lives with her mother Roma and grandmother Romy in a beautiful villa that has come under threat from property developers. Romy has long lost the deeds to the house. Will the women lose their home? And will they want to stay there once Roma finds new love and granny reveals a secret from long ago?
The death of a young girl shakes the local community. At the same time Dobrowicach appears Paul Zawadzki. Who is? Why a teacher from a reputable school in Warsaw and takes a job in the country? Paul begins his own investigation. In the face of crime there is no room for half-truths. However, although we all here know and they know everything about each other, Paul, no one will say. Belfer is left alone.
Two new female police officers struggle to survive a force filled with corrupt superiors and the brutal world of the criminal mafia.
Rainer Dulsky, a professor of psychiatry from Switzerland, comes to Melania, the granddaughter of Mrs. Dulska. He feels he’s got something in common with the tenement house in which the Dulski family live... Melania, a film director, intrigued by her family history joins Rainer in his research. Their discoveries will take them back to the past full of secrets that were meant to stay hidden forever. The Dulski family have much on their conscience...
