Semi Chellas
Set more than seven years after the world has become a frozen wasteland, the remnants of humanity inhabit a gigantic, perpetually-moving train that circles the globe as class warfare, social injustice and the politics of survival play out.
A political activist helps take care of a group of America’s most wanted fugitives — including a well-known, recently radicalized heiress — in this fictionalized reimagining of the Patty Hearst affair.
An anthology series centered around people who believe themselves to be the modern-day descendants of the Romanov family.
Inspired by the true story in the book by Linda Spaulding. Twenty years ago, Sally Linden sat on a jury in the trial of Theresa Nichol, a young woman accused of murder. They were close in age, and perhaps because of that, Sally saw the mistakes of her own life reflected in Theresa’s plight. She became convinced that the case against Theresa was not being proved beyond reasonable doubt. Twenty-some years later, Sally finds the notebook she kept throughout the trial. She's again at a crisis in her life where she feels she cannot keep running away: from herself, from her family, from her marriage, from her past. She searches for Theresa, and finds her still in prison. Seeking at first only to atone, Sally develops an intense bond with Theresa, writing about her and gradually becoming convinced that an outrageous miscarriage of justice has taken place.
Mad Men is set in the 1960s, initially at the fictional Sterling Cooper advertising agency on Madison Avenue in New York City, and later at the newly created firm, Sterling Cooper Draper Pryce, located nearby in the Time-Life Building, at 1271 Avenue of the Americas. According to the show's pilot, the phrase "mad men" was a slang term coined in the 1950s by advertisers working on Madison Avenue to refer to themselves. The focal point of the series is Don Draper, creative director at Sterling Cooper and a founding partner at Sterling Cooper Draper Pryce, and the people in his life, both in and out of the office. The plot focuses on the business of the agencies as well as the personal lives of the characters, regularly depicting the changing moods and social mores of the United States in the 1960s.
The Eleventh Hour is a Canadian television drama series which aired weekly on CTV from 2002 to 2005. The show revolves around the reporters and producers at a fictional television newsmagazine series, The Eleventh Hour. Unhappy with the newsmagazine's shrinking audience, the network has brought in a new executive producer, Kennedy Marsh, to reorient the show in a more ratings-driven tabloid journalism direction. The tension between the ratings imperative and the more traditional journalistic ethics of the show's senior staff is the primary conflict that drives the show, but storylines also include the team's efforts to get the stories that will make it to air each week. The Eleventh Hour was produced by Alliance Atlantis, Canada's largest film and television production house. It aired in the U.S. on Sleuth, under the title Bury the Lead, to distinguish it from a CBS series with a similar name.
Three short stories cover ground ranging from heartbreaking family drama to pitch-black comedy.
After her Montreal apartment burns down and her possessions are reduced to ash, Claire Beaucage heads to her boyfriend's place in Toronto, only to find that he's missing. Then the police mistake her for Lily Warden, a sinister woman who killed a local gangster and happens to live in the same building as Claire's boyfriend. The police pursue a bewildered Claire while a gang of criminals chases after Lily.
Several innocent persons are hurt after two robbers, fleeing from the police, run into a neighborhood cafe.
A young girl, who struggles with her pilot father's death in a plane crash years before, visits her grandmother in Newfoundland. While there, she encounters the ghosts of two pilots, who are condemned to Earth to constantly re-live their own crash that occurred in 1927. The girl decides to help the pair by helping them re-build their airplane and complete their flight so they may be released and, in turn, deal with her own emotional bondage.
Josephine has her eye on Joe, a hot-headed, petty criminal who taps phones for a living. When she finally worms her way into his heart she realises it's not a nice place to be. But is it too late?
