Sergei Russkin
In an ordinary Moscow there is an unusual House — with a strange apartment in which not a single resident has stayed for long. And as soon as an independent mother and her lovely 8-year-old daughter moved there, the new residents find out that their living space is not that ordinary, and that the real House Elf lives there. But the House Elf has long been offended by the whole human race and would do all imaginable filth in order to remain alone in the ill-fated apartment.
In the historic Donbass region of eastern Ukraine, despite the cruel war that has been raging since 2014 between the self-proclaimed People's Republics of Donetsk and Luhansk and the Ukrainian government, people tries to survive in the rotten heart of chaos, where violence disguises itself as peace, propaganda becomes univocal truth and hatred reigns in the name of love.
A woman lives in a small village in Russia. One day she receives the parcel she sent to her husband, serving a sentence in prison. Confused and angered, she sets out to find why her package was returned to sender.
Kirill Andreyev lives in Moscow with his sister and works for a tabloid newspaper "Secret Truth". His life changes one day when a colleague gifts him a magic amulet. The amulet transports Kirill to Altai mountains where folklore and magic are real.
At this comedy - the fifth in the "Peculiarities of the National..." series - national fishing is going on ice.
The year is 1817. Minon, a five-year-old girl, leaves her aunt Therese of Brunswick, who has raised her like a mother since her birth, to go and live with her parents, the Count and Countess von Stakelberg. One day, Gabrielle, her housekeeper, who is no longer in her right mind, reveals that her real father is the composer Ludwig van Beethoven. Twenty years later, still intrigued by this confession, Minon decides to unravel the mystery of her origins. She returns to the place of her early childhood, hoping to find the truth with her aunt, who was for years the faithful friend of the great composer.
General Ivolgin, forester Kuzmich, and good-natured Lyova now are going into politics.
General Ivolgin, forester Kuzmich, and good-natured Lyova lose their way on a fishing trip and wind up in a neighboring country, where they decide to have a good time anyway but end up leaving their vodka and fishing equipment behind.
A Russian town is terrorized by a monstrous vampire, named Upyr. Upyr turns everyone into a slave, then kills. Even the Russian Mafia boss is killed, and others are in fear, because Upyr cannot be killed by a bullet. Only one fearless man brings hope to people. He sets up a trap for Upyr, by using the Mafia boss's daughter as bait.
When long-time British agent Harry Palmer loses his job because the Cold War is over, he's promptly approached by a Russian bossman, Alex. In St. Petersburg Alex tells Harry of his plan for Russia's future, which is threatened because a deadly biochemical weapon called the Red Death has been stolen from him. He'll pay Harry handsomely to retrieve it. An ex-spy friend tips Harry off that it's being sent to Beijing by train, aboard which we begin to learn whose side everyone's really on.
A Finn preparing a work on the Russian hunting traditions and customs, comes to Russia to collect materials and is invited to take part in a hunting party. His flamboyant companions include an Army general, with more than a passing resemblance to Aleksander Lebed, a police detective, local forest ranger (a devotee of Zen Buddhism) and some big-city types from St. Petersburg. Inevitably, their good intentions soon give way to endless drinking, visits to local farm girls and much else besides.
An adaptation of Jesus' life, the film mixes real and imaginary characters, biblical and historical references, to present two worlds condemned to coexist.
Ivan Khristoforov discovers the strange property of foreseeing explosions. Trying to understand the reason and meaning of this unusual ability, he turns to family history. The attention of the secret public service doesn't bode well for Khristoforov. The imaginary journey of the hero in his past, bearing the imprint of a children's worldview, and the present, at times just like a dream.
